Tag Archives: Terry Jones

CAPSULE: MONTY PYTHON AND THE HOLY GRAIL (1975)

DIRECTED BY: Terry Gilliam

FEATURING: , , , Terry Jones, , Terry Gilliam, Carol Cleveland

PLOT: King Arthur, along with Sir Lancelot the Brave, Sir Robin the Not-Quite-So-Brave-as-Sir-Lancelot, Sir Galahad the Pure, Sir Bedevere the Wise, and Arthur’s squire, Patsy, set out to find the Holy Grail, meeting the Black Knight, a killer rabbit, and the knights who say “Ni!” along the way.

Still from Monty Python and the Holy Grail (1975)
WHY IT WON’T MAKE THE LIST: While most of ‘s work flirts with surreal fantasy, this film simply doesn’t plunge as deeply into the genre as most of the other movies directed or co-directed by Terry Gilliam (12 Monkeys, Brazil, The Brothers Grimm).

COMMENTS: As someone who has seen every episode of “Monty Python’s Flying Circus” (and “Fawlty Towers”), as well as all four of the “Python” feature films, it pains me to say this, but—this picture simply isn’t all that funny. Monty Python and the Holy Grail (along with Monty Python’s The Life of Brian) seems like it would have been more effective as a half-hour episode of “Python”, but, stretched out to feature-length, the seams really start to show. This production has so many indelible moments—“It’s only a flesh wound!”; coconuts used in lieu of the sound of horse’s hooves; “Bring out yer dead!”; etc., etc. etc.—that it seems churlish to say that it doesn’t hang together very well. It sounds like a ridiculous argument, like complaining that the films of Mel Brooks need more plot, but Holy Grail is only hilarious in fits and starts. Some of the funniest bits are the most subtle (“Someday, all this will be yours.” “What, the curtains?”) Otherwise, there is a surprising amount of dead air in this somewhat murky-looking film (it was shot on a very low-budget), which nevertheless has been acclaimed as a deathless classic by generations of nerds. By now, the movie is so immortal that it has been adapted into the hugely successful Broadway musical “Spamalot”, produced by the late Mike Nichols. But the film itself still seems like a huge pile of hit-and-miss gags that don’t actually add up to a real movie. And it is only weird in the way that all Python is weird; the fourth wall is broken repeatedly, but  was doing that 40 years before Python.

The Holy Grail isn’t strange enough to make the List. However, even this nutty farce is a far better exploration of Arthurian myth than the awful film version of Lerner and Loewe’s musical Camelot (which Chapman’s Arthur dismisses as “a silly place”) or Walt Disney’s exceedingly mediocre animated film The Sword in the Stone.

Because of the eternal popularity of Monty Python and the Holy Grail, it has been released and re-released on DVD and Blu-Ray a seemingly endless number of times. Some of the behind-the-scenes-stories (in the DVD Extras), like the one about how Chapman’s alcoholism was totally out of control on the set, are perhaps more interesting than the film itself.

WHAT THE CRITICS SAY:

“Some inspired lunacy—and a lot of dry stretches; awfully bloody, too.”–Leonard Maltin, “Leonard Maltin’s 2015 Movie Guide: The Modern Era”

“The Python team’s surreal take on the legend of Camelot bursts with inspired lunacy.”–Jamie Graham, Total Film (DVD)

LIST CANDIDATE: MONTY PYTHON’S THE MEANING OF LIFE (1983)

Recommended

DIRECTED BY: , Terry Gilliam

FEATURING, , , Terry Jones,

PLOT: Monty Python discusses life, from the sanctity of every sperm to the rudeness of the Grim Reaper, in a series of sketches.

Still from Monty Python's The Meaning of Life (1983)
WHY IT MIGHT MAKE THE LIST: Monty Python’s films, in general, present a challenge to crafting a list of weird movies. Python pioneered modern trends in surreal humor, but they were so successful at popularizing their craft that their once avant-garde style has become virtually mainstream. And, among their three original-material feature films, The Meaning of Life presents a particular challenge: it’s easily the weirdest of the trio, but also quite less impressive and consistently hilarious than either Holy Grail or Life of Brian. Should Meaning of Life make it ahead of Grail and Brian because it’s a slightly weirder entry, should we select one of the better known classics to represent the Python project, or do all the movies deserve to make it?

COMMENTS: Made nine years after the comedy troupe bid farewell to their hit television series, The Meaning of Life resembles a big-budget, R-rated reunion episode of “Monty Python’s Flying Circus.” The “search for the meaning of life” structure is almost as loose as the themes that linked their television sketches, and the show’s stream-of-consciousness style (a maternity-room sketch on “the miracle of birth” yields to a satire of Catholic birth control policy, which inspires a joke about Protestant prudishness, which segues into a Church service where the pastor prays “ooh Lord, you are so big, so absolutely huge…”) remains intact. The boys’ wit is still rapier sharp–it’s actually more focused at times, blatantly anticlerical and socially aware—and the team immediately regained their comic chemistry as if they’d never been apart. This being a revue-style construction, the results are understandably uneven, but the irreverent tone is always winning. The Python’s approach to comedy is so silly and fun-loving that even the most cutting and grotesque jokes only irritate the starchiest of stuffed shirts. If there is a clunker in the bunch it’s the opener, a fifteen minute standalone Terry Gilliam short titled “The Crimson Permanent Assurance,” about a mutiny among a group of older workers at a financial services corporation that turns into a pirate fantasy. Watching this bit, you may think you’ve accidentally put the wrong disc in your player, but stay with it; after “Assurance” ends, we’re treated to the sight of the Python faces stuck on goldfish bodies as they swim around in a restaurant tank and wonder about the meaning of life. Affecting a French accent, Eric Idle then sings the “Meaning of Life” theme song to some typically crazy Gilliam cutout animation (including a machine that stamps out nude clone families wearing Mickey Mouse ears), and we’re ready for the show to begin. The sketches fans talk about most are the “Every Sperm Is Sacred” musical number (with its chorus line of high-kicking nuns) and the unforgettably vile (and funny) “Mr. Creosote” sequence, about a projectile-vomiting glutton who gorges himself at a posh restaurant until he explodes. The movie also features some of the most unapologetically and outlandishly surreal bits in the Python canon: a pink-suited man emerges from a refrigerator to serenades an old woman with a lecture on cosmology, as a means of convincing her to become a living organ donor. Heaven is envisioned as a hotel where it’s Christmas every day, with an eternal floor show featuring sequined angels parading about in Santa suits with exposed breasts. The film’s interlude (helpfully legended “the Middle of the Film”) features three characters straight out of a Salvador Dalí painting (if Dalí had painted punk transvestites with faucets attached to their nipples) wondering “where is the fish?,” a sublimely random and irritating bit of performance art that the Python-faced goldfish cheer as “terrific!” Scenes like these, together with the mild blasphemy and uncharacteristic grossness of Mr. Creosote, make The Meaning of Life the Python’s most outrageous cinematic effort, if not their funniest. It’s as disorganized and confusing as life itself—a near masterpiece of irreverence. And, true to the film’s promise, the meaning of life is revealed at the end, so no one can claim to be cheated.

Universal Studio’s “30th Anniversary” Blu-ray/DVD combo release of The Meaning of Life includes all the features from the 2003 DVD (including the Jones/Gilliam commentary track) and adds a new bonus feature in a one-hour reunion roundtable by the surviving Pythons (minus the deceased Graham Chapman, obviously, and with busy Eric Idle chiming in via Skype).

WHAT THE CRITICS SAY:

“It’s a weird kind of fun.”–Paul Chambers, “Movie Chambers” (Blu-ray)