Tag Archives: Cannes

363. MONTY PYTHON’S THE MEANING OF LIFE (1983)

AKA The Meaning of Life

“The task I’ve been given seems absurd: to wait here on earth until I no longer exist.”–Ashleigh Brilliant

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DIRECTED BY: , Terry Gilliam (“The Crimson Permanent Assurance” and animated sequences)

FEATURING: , , , Terry Jones, , Terry Gilliam

PLOT: An introductory short appended to the main feature describes a mutiny among older workers at an accountant firm. Then the feature begins as a tank of fish with human faces ponder the meaning of life. The movie promises to explain that mystery in a series of comic sketches beginning with birth and ending with death (and the afterlife).

Still from Monty Python's The Meaning of Life (1983)

BACKGROUND:

  • The Monty Python comedy troupe began its life in 1969 in the BBC TV show “Monty Python’s Flying Circus,” The show lasted three seasons, ending in 1974, after which the Pythons embarked on a series of three feature films, of which Meaning of Life was the last.
  • The Pythons refused to show distributor Universal Studios a script, instead providing a poem summarizing the film. Knowing the crew had a built-in audience, the studio approved the project.
  • Terry Gilliam’s segment, “The Crimson Permanent Assurance,” was originally supposed to be a sketch in the film, but it grew to such length that it was eventually included as a separate short film introducing the feature.
  • The Meaning of Life won the Grand Prix (a prize second only to the Palm d’Or) at Cannes.

INDELIBLE IMAGE: Well, it’s obvious what the average person will remember most about this movie: that nauseating mountain of gluttony, Mr. Creosote, vomiting gallons of minestrone onto the waitstaff at a swanky French restaurant to make room for his evening meal (including one final “waffer-thin mint”). Due to our particular biases, however, we picked a shot from the “Find the Fish” sequence instead: an elephant in a tuxedo, a man with extended arms, and a punk transvestite with water faucets attached to his/her nipples.

THREE WEIRD THINGS: Fishy Python chorus; nipple spout punk; Christmas in Heaven

WHAT MAKES IT WEIRD: Monty Python were the pioneers of modern surreal comedy; without the groundwork they laid, there would be nothing to show on . Python is too important to weird culture to go unrecognized on a list like this, and The Meaning of Life is their weirdest big screen work, the equivalent of an R-rated “Flying Circus” episode with nudity, blasphemy, grossout humor, absurdity, and, of course, fish.


Original trailer for Monty Python’s The Meaning of Life

COMMENTS: Their rambunctiously silly and absurd style of comedy Continue reading 363. MONTY PYTHON’S THE MEANING OF LIFE (1983)

OSCAR WON’T, AND IF CANNES CAN’T, MAYBE MEXICO?

We almost never pay attention to the Academy Awards around these parts. When the weirdest film to get a “Best Picture” nomination in 2008 is The Curious Case of Benjamin Button, you know you’re dealing with one weird-hating Academy. The last film “Best Picture” winner with even smatterings of weird was Midnight Cowboy (1969). Just a pinch of weirdness, or even a mild, sub-weird flirtation with the experimental, is usually the kiss of death to Oscar.

The international and less commercial-minded Cannes Film Festival, on the other hand, has been much kinder to innovation in film. In 2000 Lars von Trier’s Dancer in the Dark managed to win the highest prize, the Palme d’Or, despite containing musical dream sequences.  Acknowledged weird classics like Wild at Heart (1990) and Barton Fink (1991) have also managed to break realism’s stranglehold on the top awards.

On May 24, 2009, Cannes announced the recipients of its jury prizes.  Let’s see how Cannes did in recognizing cinematic weirdness this year:

PALME D’ORThe White Ribbon [Das weiße Band].  Black and white film set in Germany on the eve of World War I.  The synopsis says, “Strange accidents occur and gradually take on the character of a punishment ritual.  Who is behind it all?”  Although it appears to have a weird element in the form of an unsolvable mystery, at heart it looks like a standard allegorical art film.

GRAND PRIX (I.E., PALME D’OR RUNNER UP)The Prophet [Un Prophete]:  An illiterate young Arab man is thrown into a French prison and becomes a gang kingpin.  Sounds about a weird as a plastic couple on a wedding cake.

JURY PRIZE (I.E., THIRD PLACE):  This year was a tie.  The first film recognized was Fish Tank, an unweird drama about a British teenager, her promiscuous mom, and her mom’s lout of a boyfriend.  The second awardee shows a little more promise: Thirst [Bakjwi], Chan-wook Park‘s take on the vampire legend, although reviews suggest the oft-weird director takes a conventional approach to the subject this time out.

OTHER FILMS IN COMPETITION:  A few interesting, potentially weird films were screened Continue reading OSCAR WON’T, AND IF CANNES CAN’T, MAYBE MEXICO?