“It’s a strange world.”–Sandy Williams, Blue Velvet
PLOT: While home from college to visit his ailing father, who has suffered a stroke, Jeffrey Beaumont finds a severed human ear in a field. Though warned by his neighbor, Detective Williams, that the case is a police issue and he should not ask any questions, the curious Jeffrey decides to seek answers on his own, enlisting Williams’ daughter Sandy, a high school senior, in his investigation. The trail leads to a melancholy torch singer named Dorothy Vallens, and when Jeffrey hides in her closet after nearly being caught snooping in her apartment, he witnesses a horror he never imagined, which forever shatters his innocence.
- Blue Velvet was David Lynch’s comeback film after the disastrous flop of 1984’s Dune.
- Warner Brother’s commissioned a treatment of Lynch’s basic idea for the film, but in 1986 no major studio would touch the finished Blue Velvet script because of its themes of sexual violence. The film was produced and distributed by Dino De Laurentiis (who formed a distribution company just for this release). De Laurentiis was known for taking chances on risky or salacious movies, whether exploitation or art films. He gave Lynch final cut in exchange for a reduced salary (possibly hoping that Lynch would refuse his insulting offer and chose a more commercial project).
- Blue Velvet is considered Lynch’s comeback film, but even more so Dennis Hopper’s. Hopper, who became a star when he wrote, directed and acted in the 1969 counterculture hit Easy Rider, developed a serious polydrug addiction problem throughout the 1970s. By the 1980s he had earned a reputation as unreliable and difficult to work with, and landed only minor roles after his memorable turn as a maniacal photographer in Apocalypse Now (1979). He entered rehab in 1983 and was sober for a year and a half before making Blue Velvet. Looking for a role to revive his career, Hopper told Lynch, “You have to give me the role of Frank Booth, because I am Frank Booth!”
- Booth’s character was originally written by Lynch to breathe helium from his gas tank, but Hopper convinced the director that amyl nitrate would be a more appropriate inhalant for Frank. The actual drug the villain breathes is never specified in the film.
- This was the first collaboration between Lynch and composer Angelo Badalamenti. Badalamenti was hired to be Isabella Rossellini’s voice coach for her singing numbers, but Lynch liked his arrangements so much he hired him to produce the film’s soundtrack. Badalamenti would work on the score of all of Lynch’s future films until INLAND EMPIRE, and is perhaps best known for the “Twin Peaks” theme.
- Lynch was nominated for a Best Director Oscar, losing to Dennis Hopper’s performance was widely praised, but was too profane for Academy consideration; he was nominated for Supporting Actor for Hoosiers, where he played an assistant high school basketball coach struggling with alcoholism, instead.
INDELIBLE IMAGE: “Suave” Dean Stockwell performing a karaoke version of Roy Orbison’s “In Dreams,” an illuminated microphone lighting his lightly-rouged face.
THREE WEIRD THINGS: Dream of the robins; candy-colored clown; dead man standing
WHAT MAKES IT WEIRD: Nearly everyone describes Blue Velvet as “weird,” but most of the time, when pressed, it’s hard to pin down exactly why. Yes, there is sexual perversity, a campy and impossibly white-bread Lumberton, and one of the strangest lip-sync numbers ever, but if we were to actually sit down and graph Blue Velvet on a axis of Lynchian weirdness, we would find it closer to The Straight Story pole than it is to the incoherent extremes of INLAND EMPIRE. But despite the fact that Blue Velvet is among Lynch’s less-weird works, it’s one of his greatest. The clear and powerful presentation of key Lynch themes—the contrast between innocence and experience, and sexuality’s fateful role in marking that line—make it a crucial entry in this weirdest of director’s oeuvre. Blue Velvet‘s influence is so monumental that it would be a crime to leave it off the List of the Best Weird Movies ever made.
Original trailer for Blue Velvet
COMMENTS: David Lynch’s Blue Velvet exists in a heightened reality—and a heightened depravity—but essentially it is a Continue reading 201. BLUE VELVET (1986)