DIRECTED BY: David Finkelstein
FEATURING: David Finkelstein, Cassie Tunick
PLOT: A montage of concrete and abstract symbols, a dialogue of nonsense sounds and philosophizing, and an ever-present labyrinth: there is no story, per se, but a series of audio-visual landscape vignettes, as a combination of words and images collide.
WHY IT WON’T MAKE THE LIST: Suggestive Gestures clearly falls into the category of “weird”—which is to its credit. A lot of times one can be on the fence and hem and haw about weirdness. It isn’t really a movie, however, as much as a video art installation piece.
COMMENTS: Considering the nature of Suggestive Gestures, I strongly suspect that the filmmaker would be pleased to hear that I had a dream about it last night. In that dream, I fully understood the depth of its symbolism and the pertinence of every bit of wordplay. In fact, I even wrote a witty and lucid review. Alas, I woke up, and it was just a dream — here below this line I see blank chunks of “Comments” still to type. However, I am undeterred: David Finkelstein’s “movie” was a pleasure to watch, and I’ve been obliged to write about “movies” that were far otherwise.
My original write-up for the “Plot” section was the words, “not applicable,”, and I wonder if I should have stuck with that. The opening of the film was subtle enough that I thought perhaps I was watching a little production company animation before getting to the opening credits. I was mistaken. What was being shown was the canvas, as it were, on which all the subsequent events were to be painted: a stylized maze with what looked like an aloe plant at the center. Once the spinning pink glasses showed up, I realized taking plot notes was going to be a fool’s errand. At that point I just sat back and let the sights and sounds wash over me like a refreshing wave.
Combining (purposefully) low-level computer graphics with two talking heads, it suggested to me, oddly enough, what Begotten might look like as an elaborate HyperStudio project done by . The male character (David Finkelstein) comes across as a neurotic Super Ego, counter-balancing the various ravings and rants of the female (Cassie Tunick), an Id-like being. Glued at various times to a symbol-strewn backdrop (birds flying through the ground, water flowing in the sky, jagged rocks labeled “sharp” dropping on and slicing other images), they partake in a sort of meta-discourse that, as the artists’ description relates, relies as much on the words’ sounds as the words themselves. This went on (somehow enjoyably) for approximately 75 minutes before melting into the opening maze image.
I apologize if I’ve expressed myself poorly, but I’ve never reviewed such a thing as Suggestive Gestures before. To anyone with the vaguest interest in the description I’ve provided, I recommend you give it a go—as something new and intriguing, it hits the mark nicely. I mean the following in no way as dismissive, but I think its best placement might be on a loop in your hotel room. Puttering around, getting ready to go out, you can absorb the images, fuse them with the words, and find yourself contemplating the various sounds and branches of a word like “glorious” as you go through your busy day.