“The fleetingly improvised men are transient figures of human shape, which naturally disappear or slowly dissolve after a short period of existence. Their appearance always is the result of a wonder.
Fleetingly improvised men lead a dream life. As a result, they are incapable of entering a regular conversation with people around them.
Fleetingly improvised men sometimes resemble dead people.”–M. Rautenberg, Daniel Paul Schreber: Beginner’s Guide to Memoirs of My Nervous Illness
DIRECTED BY: Alex Proyas
FEATURING: Rufus Sewell, Jennifer Connelly, William Hurt, Kiefer Sutherland, Richard O’Brien, Ian Richardson
PLOT: John Murdoch awakens in a bathtub, remembering nothing: certainly not the reason why the dead, mutilated woman is in the other room. As he travels through a night-cursed city to discover his identity, John is simultaneously pursued by a dogged police detective, a psychiatrist who knows more than he lets on, and a coterie of very pale gentlemen in black coats and hats. Ultimately he discovers that his alleged past is just that—and that the forces behind the frame-up are responsible for something far more grand and sinister.
- The opening narration, included over Alex Proyas’ objections, was included at the insistence of producers who feared the audience would be confused by being thrown into this world. Many fans think it’s a spoiler of the worst kind. Proyas’ director’s cut of the film excises the exposition.
- Proyas based the Strangers’ looks and mannerisms on Richard O’Brien’s “Riff Raff” from Rocky Horror Picture Show. Proyas also wrote the role of “Mr. Hand” specifically for O’Brien.
- The Matrix not only ripped off did a variation of Dark City’s central premise, it also re-used a number of its actual sets after Dark City‘s production had wrapped up.
- Kiefer Sutherland’s character, Dr. Daniel Schreber, was named after an early 20th-century schizophrenic who wrote a memoir of his illness.
- Proyas intended the final showdown between John Murdoch and Mr Book to be an homage to the famed manga comic (and anime) Akira.
INDELIBLE IMAGE: We’ll cast aside the montages of warping buildings, stylish noir streets, and sinister Stranger gatherings in favor of the mirroring scenes of Mr. Hand and John Murdoch after their respective imprints. Both rise from the gurney with comparable looks of grim determination, after painfully twitching through a series of forced memories.
THREE WEIRD THINGS: Steampunk brain syringes; quick-rise concrete; creepy kid with teeth
WHAT MAKES IT WEIRD: About five years ago we argued that Dark City shouldn’t make the list. Since then, our minds have been changed—possibly while we were asleep. Any movie the plot of which can be described as “telekinetic collective memory space jelly bugs abduct tens of thousands of earthlings to populate a jumble-Noir cityscape in perpetual darkness in order to find out more about us” deserves a slot on the list of the weirdest movies ever made. The fact that it follows its dream logic into uncanny valley Gothic visuals is to its credit as well.
Original trailer for Dark City
COMMENTS: Focus. Focus. Every event flows into, bolsters, and undermines every other event. John Murdoch can defeat the Strangers Continue reading 331. DARK CITY (1998)