PLOT: A young married couple end up in a town that’s actually a giant television network; Janet is groomed as a celebrity, while Brad becomes a mental patient in a hospital show.
WHY IT WON’T MAKE THE LIST: Shock Treatment is a cult film even among the tiny subset of cult film enthusiasts. This “sequel” was rejected as a confounding disappointment by most fans of The Rocky Horror Picture Show, but is still vehemently defended by a segment of that fan base. It’s a peculiar exercise in wacky musical satire, for sure, but it lacks the kind of résumé necessary to place it among the most significantly weird movies of all time.
COMMENTS: What would you get if you took The Rocky Horror Picture Show and stripped out Tim Curry‘s domineering performance as the mad scientist transvestite dominatrix, leaving behind only the theater-rock musical numbers and campy supporting players? (On the off-chance you don’t see where I’m going yet, the answer is Shock Treatment). Whereas Rocky Horror was a theatrical flop that organically grew into a cult movie, Shock Treatment was pitched as a deliberate cult movie, but became an instant flop. This delayed follow-up is full of amped-up ideas and energy, but it comes off as cocksure; it’s so convinced its madness is entrancing that it forgets to ground us in its quirky universe. The (confusingly executed) idea is that the entire town of Denton, U.S.A. is a TV studio, with the audience as regular citizens, the stars and staff as sorts of metro officials, and the sponsors as big-money villains manipulating studio politics behind the scenes. The movie throws so many colorful eccentrics at us that every character turns into a minor character, even the leads. Janet (not necessarily the Janet Susan Sarandon played in the previous movie) and Brad (again, a character with the same name but little connection to the original) enter the town’s audience, for unclear reasons, and wind up on a marriage counseling show run by a blind Austrian in an orange thrift-store tuxedo. He hands Brad off to a brother/sister pair of psychiatrists (writer Richard O’Brien, wearing uncomfortable- Continue reading CAPSULE: SHOCK TREATMENT (1981)→
“You’ve seen all kinds of movies, but you’ve never seen anything like The Rocky Horror Picture Show. The Rocky Horror Picture Show is wonderfully weird. It’s fabulously freaky… The story is strange… the scenery is smashing… the cast is completely crazy!”–ad copy from the extended 3 minute trailer
PLOT: In this musical, Brad and Janet, a very square, newly engaged couple, get a flat tire in the middle of nowhere in a rainstorm and seek shelter in a nearby castle. Inside, they find the building populated by a strange assortment of characters dominated by Dr. Frank-N-Furter, a “sweet transvestite from Transylvania.” Frank-N-Furter has created a blond bodybuilder named “Rocky Horror” for his own erotic enjoyment, and when the cast starts bedding each other jealousy rules the day—until a rival scientist in a wheelchair complicates matters even further when he arrives looking for his murdered son.
The film was an adaptation of writer/actor Richard O’Brien’s hit stage show that began in London in 1973. The show also played Los Angeles with Tim Curry starring with a mostly American cast, including singer Meat Loaf as Eddie. The play opened on Broadway shortly before the film version debuted and was a flop, closing after a mere forty-five performances.
Fox Studios wanted to cast popular musicians of the day in the main roles (including Mick Jagger as Frank-N-Furter), but the producers accepted a lower budget in order to keep the cast from the stage production mostly intact. Meat Loaf had recorded a top 100 single years before, but would not become a major rock star until 1977 with the release of “A Bat Out of Hell”.
The film bombed on release, but gradually found cult audience through midnight screenings. As early as 1976 audiences had begun shouting their own dialogue back at the screen. This gradually developed into the unprecedented Rocky Horror audience participation ritual, where the audience is not only an active part of the movie experience, but the main attraction. Fans come to screenings dressed as their favorite characters, speak their own scripted counterpoint dialogue to the screen (being particularly rude to Barry Bostwick’s Brad) and bring along props (e.g., water pistols to simulate the rainstorm). In the more elaborate productions, amateur actors appear on a stage in front of the screen, dancing and pantomiming the lines during the musical numbers.
Rocky Horror has shown continuously in theaters since 1975, making it the longest running theatrical release of all time. The film has taken in almost $140 million in receipts, making it the 215th highest grossing film of all time (unadjusted for inflation).
INDELIBLE IMAGE: No question; Tim Curry in full femme makeup and black leather and satin drag, dressed to make glam-era David Bowie look as macho as an NFL defensive lineman by comparison. The image will never leave your mind; for some, it will haunt your nightmares.
WHAT MAKES IT WEIRD: It’s a rock n’ roll musical inspired by old sci-fi and horror B-movies about an alien transvestite. From the moment Richard O’Brien conceived the idea, there was no doubt that it would be weird; the only question was whether he could mold it into something that was even mildly watchable.
Original trailer for The Rocky Horror Picture Show