Tag Archives: Fame

CAPSULE: I THINK WE’RE ALONE NOW (2008)

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DIRECTED BY: Sean Donnelly

FEATURING: Jeff Turner, Kelly McCormick,

PLOT: A documentary profiling two fans of the pop singer Tiffany who have come to believe that they are involved in an intense and personal relationship with the celebrity.

Still from I Think We're Alone Now (2018)

COMMENTS: A woman named Christina Grimmie found when she was very young that she had a real talent for singing. She created a YouTube channel to showcase her performances, which drew hundreds of millions of views and eventually brought her into the orbit of Selena Gomez, who mentored the teenager and brought her along as a backup singer and opener on her tours. At the age of 20, she dazzled the judges of the reality competition show “The Voice,” where she ultimately placed third. Still seeking professional success, she recorded singles and EPs and continued to tour. After a show in Orlando, she met with some concertgoers outside the venue. One of them, an obsessed fan who took advantage of the easy access, shot her dead.

I’m not sure what brings Christina Grimmie to my mind first, considering the number of famous people murdered and attacked by their deranged fans. But there’s something haunting about her youth, about how her potential was still largely unrealized, how her level of fame could best be described as “barely.” She had hardly done enough to inspire the kind of dangerous obsession that would lead to such a tragic end. So I suppose the career of Tiffany, purveyor of such late-80s monster hits as “I Think We’re Alone Now” and “Could’ve Been,” stands as a notable contrast. Given that her biggest achievements were like long-ago fireworks, captivating moments now 30 years in the past, she seems equally unlikely to be well-remembered at all, let alone talked about in the kind of messianic terms that mark the truly obsessed. Such, then, is the curious nature of some kinds of mental illness.   

I Think We’re Alone Now follows two individuals whose adoration of Tiffany goes beyond mere rabid fanaticism to become genuinely disturbing. Jeff, a middle-aged man with a readily apparent case of autism spectrum disorder, believes that he has been a crucial part of the singer’s life for years and happily spouts deep-cut trivia and fabulist tales of his relationship to anyone who wanders into his path. He is surrounded by people whose kindnesses and selfish aims only encourage his behaviors. We also meet Kelly, an anguished intersex woman who has struggled with society’s cruelties and her own confused sense of her abilities and situations. She has lined the walls of her home with photo after photo of Tiffany, and while she also seems to believe that she is pledged to the star with the deepest of connections, those feelings seem more aspirational, as if validation of her belief is the only thing that anchors her in a world where she feels utterly at sea.

The movie seems to sympathize with its subjects by virtue of spending so much time taking in their points of view, but while they never confront them directly, the filmmakers present plenty of evidence Continue reading CAPSULE: I THINK WE’RE ALONE NOW (2008)

267. FEMALE TROUBLE (1974)

“The world of the heterosexual is a sick and boring life.”–Aunt Ida, Female Trouble

Recommended

DIRECTED BY:

FEATURING: , , , , Michel Potter

PLOT:  Baltimore rebel Dawn Davenport runs away from home, gets knocked up by a rapist, and turns to a life of crime to help pay for the daughter she hates. After a brief and disastrous marriage, Dawn is scarred for life after her ex-husband’s Aunt Ida throws acid in her face. Transformed into a freak celebrity by a salon-owning couple, Dawn embarks upon a murder spree before an inevitable trip to the electric chair.

Still from Female Touble (1974)

BACKGROUND:

  • Shot on a $25,000 budget, Female Trouble is puke poet laureate John Waters’ riotous followup to his midnight cult hit, Pink Flamingos. Waters capitalized on the previous film’s surprise success and advertised Female Trouble as having the returning cast of Pink Flamingos. It is the second entry in what Waters later called his “Trash Trilogy,” which begins with Flamingos and ends with Desperate Living.
  • After acting in Waters’ films for twelve years, this was David Lochary’s last screen appearance. He was cast for 1977’s Desperate Living but bled to death as the result of a fall while under the influence of PCP shortly before filming began.
  • Waters’ tagline for Female Trouble was “A high point in low taste.”
  • Divine based part of her portrayal of Dawn on her nightclub act, during which she threw mackerel at the audience and claimed to be a mass murderer.
  • Female Trouble was dedicated to Charles “Tex” Watson, of the Manson Family, who partly inspired the film’s theme of “crime is beauty.” The wooden toy helicopter in the film’s credits was Watson’s gift to Waters after a prison visit. (Waters later said that he regretted the dedication).
  • Alfred Eaker‘s Staff Pick for a Certified Weird movie.

INDELIBLE IMAGE: Dawn jumping up and down on a trampoline, wearing a mohawk and a sparkly pantsuit, at her big performance art showcase.

THREE WEIRD THINGS: Divine rapes Divine; chewed umbilical cord; Auntie in a birdcage

WHAT MAKES IT WEIRD: An expressionistic nightmare set in the hell of East Coast suburbia highlighting the rise and fall of a 300 pound transvestite mass murderer, Female Trouble reaches its first climax of lunacy when Dawn chops off Aunt Ida’s hand, locks her up in an oversized birdcage, and goes on her daughter for joining the Hare Krishnas. A second bouncing-off-the-wall climax follows when Dawn murders audience members as performance art before going down in a blaze-of-glory finale that could compete with Cody Jarrett blowing himself up or Tony Montana rat-a-tat-tatting away after being riddled with bullets. Accompanying all that is a beauty myth from the bowels of a white trash hell that would send Naomi Wolf screaming for sanctuary. Female Trouble is even more subversive than Pink Flamingos.


Short clip from Female Trouble (1974)

COMMENTS: On the surface, Female Trouble may appear to be Continue reading 267. FEMALE TROUBLE (1974)