CAPSULE: PASSION PLAY (2010)

Beware

DIRECTED BY: Mitch Glazer

FEATURING: , ,

PLOT: A trumpet player discovers a woman with wings at a freak show while hiding out from a

Still from Passion Play (2010)

gangster who wants him dead.

WHY IT WON’T MAKE THE LIST:  Because it’s the most predictable and obvious movie about a jazz trumpeter saving an angel from a gangster it would be possible to make.

COMMENTS:  There’s almost nothing that Passion Play gets right, starting with its pretentious, inappropriate title: if Mickey Rourke is a Christ figure, then I’m a sex symbol.  The scenario starts out promisingly enough, positioning itself in a twilight netherworld somewhere between film noir and fairy tale.  Junkie jazz musician Nate, who gets by providing bump ‘n grind accompaniment for strippers in pasties at the Dream Lounge, is seized by persons unknown and taken to the desert for summary execution.  After an incredible escape from certain death, he stumbles upon an equally improbable carnival that has pitched its tents in the middle of nowhere and where yokels pay a dollar to peep at a beautiful “angel” with eagle wings.  So far, your suspension of disbelief is strained but not broken, but then the movie goes too far: 59-year old Mickey Rourke, with his stringy unwashed hair falling in clumps around a face that looks like the beaten-up mug of an ex-boxer experimenting with Botox injections, knocks on Megan Fox’s trailer door, and she asks him in for a drink.  From there the movie just gets worse and worse, as the mobster who ordered Nate’s execution also becomes obsessed with Fox and the pic turns into a conventional, obvious and boring love-triangle that begs us to care whether angelic Megan Fox will choose old, sleazy, poor Mickey Rourke or old, sleazy, rich Bill Murray.  Rourke, whose look and backstory are modeled on Chet Baker in his heroin-ravaged final days, is acceptably gruff, and you’ll believe he shoots junk and sells out those dearest to him.  The fact that there’s nothing sympathetic or likable about his character is a serious problem, though.  Watching the sex scene between Rourke and Fox is guaranteed to make your skin crawl; wondering where she’s going to position her wings as they roll around on the hotel room bed isn’t the only thing that’s awkward about it.  “Happy” Shannon’s laid back, almost emotionless mien may have been a deliberate acting choice by Bill Murray to make his character seem cold and calculating, but in the context of a film this bad, it makes it look like he’s acting under protest.  You feel more sympathy for Fox as an actress than you do for her character; after starring in one awful movie after another, she tries to expand her horizons with an ambitious art film, but winds up in yet another bungled disaster (and this time, it’s not even her fault).  Passion Play‘s target audience seems to be creepy old guys who like to daydream that they’d have a shot at Megan Fox if only she had some sort of easily overlooked physical deformity.  So when I, as a creepy older guy who wouldn’t kick Ms. Fox out of bed if she sprouted wings, tell you that this movie sucks, it should carry extra weight.

Mickey Rourke made waves for openly criticizing Passion Play after its release, publicly calling it “terrible.”  I can’t say I disagree with him, but openly and proactively trashing your own film seems like the kind of classless move Passion Play‘s crummy trumpeter might make.

WHAT THE CRITICS SAY:

“…though the movie is both too strange to take seriously and not weird enough to live up to [David] Lynch’s macabre surrealism, you have to credit writer-director Mitch Glazer (co-author of ‘Scrooged’) for being daring.”–Kyle Smith, New York Post (contemporaneous)

366 UNDERGROUND: FRANKIE IN BLUNDERLAND (2011)

DIRECTED BY:

FEATURING: , Thea Martin, Brett Hundley, David Reynolds, John Karyus, Karen Sartorio, Vincent Cusimano, Tom Devlin, Damon Packard, Evan Stone,

PLOT:  Everyone hates Frank. Especially his wife Katie and his best frienemy Tommy Spioch, who asked to crash on their couch two years ago and never left.  Tommy spends most of his time lusting after Katie who seems to hate him just as much as she hates Frank. Frank’s existence is stupid.  After two possibly accidental homicides, two kidnappings and a visit from a talking spider, Frankie’s world is turned upside down as he drifts through Blunderland searching for his missing wife.

COMMENTS:  The second feature from Caleb Emerson (Die, You Zobie Bastards!), Frankie in Blunderland shows a modicum of restraint compared to the previous film—it’s a bit more structured than the ‘everything and the kitchen sink’ approach of Bastards, yet it pumps up the surrealism.

Scripted by Marta Estirado (who appears in the film and died shortly after principal shooting was finished), Blunderland plays as a post-modern L.A. hipster bounce on Lewis Carroll’s well known tale, and possibly “The Odyssey” as well.  Aramis Sartorio (The Gruesome Death of Tommy Pistol) plays Frank, a loser who’s not so loveable, and who, truth be told, is probably his own main problem.  Despite everything, Frankie still believes that things can only get better, even after two possible murders, and the kidnapping of his wife, which leads him to wander the Blunderland landscape (AKA L.A.) looking for her and encountering various other misfits and oddkins such as a hobo prophet (John Karyus), a Mormon missionary who may actually be a space alien ( John Christopher Morton), lesbian robots, oracle spiders (Debbie Rochon), and just plain slackers all of whom either help or hinder his search for Katie.

Blunderland would make be a good double-bill companion with Tommy Pistol, in that both are absurdist looks at life in The City of Angles (and they share some of the same actors).  It’s a good candidate for The List mainly for its visual style and cast of crazy characters, but also because it’s an anti Rom-Com that’s actually successful and doesn’t cop out at the end.


Aramis Sartario and screenwriter Marta Estirado (R.I.P.)

Official Site /Facebook

WHAT’S IN THE PIPELINE

Next week we take a look at a couple of recent releases: we’ll discuss the big time Mickey Rourke/Megan Fox arthouse flop Passion Play (2010), while on the other end of the spectrum 366 Underground uncovers a weird one with the insane micro-budget comedy Frankie in Blunderland (2011).  We’ll also officially inaugurate the winner of the second readers’ choice poll, Pink Floyd the Wall (1982), onto the List of the 366 Best Weird movies ever made.

As the site grows and Google indexes more and more of our peculiar pages, the number of weird search terms we see in the logs piles up and it becomes a chore to slog through them looking for the most bizarre.  Nonetheless, we will gladly report on the strangest of the strange for your amusement.  Pervert searchers are usually good for a chuckle or two, but the guy looking for a “rape man-eating scull necrophilic brain porn video” was a little too creepy even for us.  As odd and disturbingly specialized as his porn fetish is, however, we think he might have more luck than the guy looking for “medieval christian pornography.”  And speaking of perverts, the possible suggestions for the person looking for “weird movies to masterbate to” are only limited by your imagination: My Dinner with Andre? Bambi?  Eraserhead?  We also have to mention the guy who came here searching for “weird drench movies”: we like to think he meant to type “weird French movies,” but these days you never know.  Still, the absolute weirdest search term of the week was, without question, “366′!&-!4%8$,” which sounds  like something Sarge might say if he caught Beetle Bailey reading our site on Army time.

Here’s the ridiculously-long-and-ever growing reader-suggested review queue: Kairo [AKA Pulse]; The Guatemalan Handshake;  The Seventh Seal;  Primer; 200 Motels; Private Parts (1972); Saddest Music in the World; Mulholland  Drive; The American Astronaut; Blood Tea Continue reading WHAT’S IN THE PIPELINE →

WEIRD HORIZON FOR THE WEEK OF 8/19/2011

A look at what’s weird in theaters, on hot-off-the-presses DVDs, and on more distant horizons…

Trailers of new release movies are generally available on the official site links.

IN THEATERS (LIMITED RELEASE):

3-D Sex and Zen: Extreme Ecstasy: Well, this is weird.  The world’s first (widely released) 3-D softcore sex movie is a remake of Michael Mak’s surreal 1991 sex comedy Sex and Zen, which featured a bungled horse penis transplant as its comedic centerpiece.  In Hong Kong, 3-D Sex had a record-setting opening and had already outgrossed Titanic and Avatar.  It’s playing Austin, TX at the storied Alamo Drafthouse, but no word on other venues.  3-D Sex and Zen official site (warning: explicit content and annoying music!).

Griff the Invisible: A clerk who moonlights as a masked vigilante meets a girl lost in daydreams in this Australian romantic comedy.  Half the reviewers who’ve seen it use some form of the word “quirk” to describe it (and one even uses a form of “weird”).  Griff the Invisible official site.

The Last Circus [Balada triste de trompeta]:  Read our festival report.  Though we didn’t think Álex de la Iglesia’s allegorical tale of harlequin havoc was quite weird enough to be inaugurated onto the List, we can guarantee many readers are going to make it a point to attend this Circus.  Those of you in New York City will have the chance to catch it this week, while readers in a dozen other US cities will have to keep their eyes out.  The Last Circus official site.

NEW ON DVD:

Cul-de-sac (1966): ‘s followup to Repulsion is another tense, eccentric and psychological tale about a gangster who hides out in a castle and terrorizes (at first) a wimpy Englishman and his French wife.  It’s always cause for celebration when the Criterion Collection restores another neglected Polanski classic. Buy Cul-de-sac [Criterion Collection].

Elvira’s Movie Macabre: The Brain That Wouldn’t Die (1962) /The Manster (1959):  In 2010, horror hostess Elvira relaunched her 1980s franchise show “Movie Macabre” in syndication; this DVD matches up two of the weirder b-horrors she featured.  The Brain That Wouldn’t Die is the incredibly sleazy (by early sixties standards) story of a mad doctor shopping for a body for his decapitated girlfriend; The Manster describes what happens when an American journalist lets a Tokyo scientist experiment on him and grows an extra, evil, head.  Not to spoil anyone’s good clean cleavage-based fun, but you do realize Cassandra Peterson is now your grandmother’s age, don’t you?  Buy Elvira’s Movie Macabre: The Brain That Wouldn’t Die / The Manster.

The Ward (2010): Psychological thriller about a woman who sees a ghost after she’s involuntarily committed to an asylum.  John Carpenter’s first film since 2001’s Ghosts of Mars was not the comeback hit he hoped for, but fans may want to check it out anyway. Buy John Carpenter’s The Ward.

NEW ON BLU-RAY:

Cul-de-sac (1966): See description in DVD above. Buy Cul-de-sac [Criterion Collection Blu-ray].

The Ward (2010): See description in DVD above. Buy John Carpenter’s The Ward [Blu-ray].

FREE (LEGITIMATE RELEASE) MOVIES ON YOUTUBE:

Plan 9 from Outer Space (1959):  OK, perhaps Ed Wood’s opus about aliens who come to Earth to raise the dead so that stupid humans won’t learn how to blow up sunlight isn’t that weird—but you know you want to see it anyway.  It’s a notorious and hilarious anti-masterpiece that everyone needs to see at least once to complete their cinematic education.  Watch Plan 9 from Outer Space free on YouTube.

What are you looking forward to? If you have any weird movie leads that I have overlooked, feel free to leave them in the COMMENTS section.

Celebrating the cinematically surreal, bizarre, cult, oddball, fantastique, strange, psychedelic, and the just plain WEIRD!