THE POISONOUS IMAGE IN WISCONSIN DEATH TRIP (1999)

A note about the following essay, from the author.

Wisconsin Death Trip is a 1999 film directed by James Marsh, an oddball, morbid documentary inspired by a 1973 nonfiction book of the same title. The film is structured as a chain of anecdotes and vignettes about life in small-town Wisconsin in the late 1800’s. This was a period of depression and hardship, and the psychological toll it took on the populace is apparent: most of the anecdotes are about murder, suicide, and madness, provided with a total lack of context that makes them seem uncanny and inexplicable. The visuals are a combination of period black-and-white photographs and stylized reenactments, and all the accompanying narration is drawn from actual newspaper reports of the time.

The film is a dreamy, dissociative experience, the ramblings of a ghost walking through a funhouse of bad mojo. If you haven’t seen it, I recommend going in fresh, and then reading this essay afterward. As an analysis of the structure and subtexts of the film, this essay is intended to augment and heighten that pure experience, rather than preview it or assess it. It’s a beautiful, stark, unapologetically eccentric documentary, definitely worth a couple hours of your time. If it intrigues you as much as it did me, come on back, and hopefully you’ll get something out of the critical observations to follow.

The Poisonous Image in Wisconsin Death Trip (1999)

Still from Wisconsin Death Trip (1999)From the photographs and newspaper reports, the last decade of the 19th century was a tough time in rural Wisconsin. In the sick sunlight of a national and regional depression and a hard winter, a garden of small disasters sprung up, blossoming with incidents of suicide, murder, and delusion; this was where you could see the fragility of civil society and stoic reason, the hard ground of rationality cracking over the pressure of the uncanny. Wisconsin Death Trip–a 1999 Continue reading THE POISONOUS IMAGE IN WISCONSIN DEATH TRIP (1999) →

WHAT’S IN THE PIPELINE

We’ve got the usual eclectic mix of movies on our slate next week: first up is an in-depth analysis of the strange 1999 documentary Wisconsin Death Trip, about the tragic travails of a small town in the 1890s. We’ll follow that with a report on Beasts of the Southern Wild, this year’s breakout indie darling, about a six-year old girl who imagines (?) marauding beasts in her post-Katrina bayou home. And our quest for signs of intelligent weirdness in the universe will lead us on a psychedelic expedition to Fantastic Planet [La planète sauvage] (1973), where giant mystical blue aliens keep humans as pets, at least when their heads aren’t floating around the stratosphere.

You want weird search terms? We get the weirdest search terms, which is why we run them down each week in our Weirdest Search Term of the Week contest. We start off with a search for a movie we’d like to see, if it exists and can be located: “short film midgets eat feet.” To be perfectly honest, we wouldn’t mind checking out “strange sucking girls romance,” either.  And something strikes us as very humorous about this search for information on the “shoe quinn of blood island” (heck, would would have considered the “shoe queen of blood island” a bizarre search). In a pretty weird week, we’ll select “what is the next section of the dot that should be shaded in this sequence on the crows licorice box” as the weirdest term to cross our server logs this week. If the original searcher is reading this article now, you’ll really have to send us that particular crow’s licorice box for us to answer the question with any kind of accuracy.

Here’s your weekly progress report on that ridiculously-long-and-ever-growing reader-suggested review queue: Fantastic Planet (next week!); “My Wrongs 8245-8249 and 117″; The Hour-glass Sanatorium [Saanatorium pod klepsidra] (out of print in Region 1, but we’ll keep looking); Liquid Sky (re-review); “Twin Peaks” (TV series); Society; May; Little Otik; Final Programme; Sweet Continue reading WHAT’S IN THE PIPELINE →

WEIRD HORIZON FOR THE WEEK OF 7/13/2012

Our weekly look at what’s weird in theaters, on hot-off-the-presses DVDs, and on more distant horizons…

Trailers of new release movies are generally available on the official site links.

IN THEATERS (LIMITED RELEASE):

Alps (2011): Giorgos Lanthimos’ followup to Dogtooth involves a service that sends impersonators out to pretend to be the deceased loved ones of mourning families. It appears to be another weird one, but in a more subtle and quiet mode than the Greek’s provocative debut. Alps official site.

SCREENINGS (Jul. 19, Montreal, Canada):

For Love’s Sake: The latest from extreme provocateur Takashi Miike is a violent J-pop musical comedy based on “West Side Story.” Opening the Fantasia festival; we’ll be bringing you more coverage on this premier genre film showcase next week, but we had to mention this one as it’s playing for one night only. For Love’s Sake at Fantasia Film Festival.

IN DEVELOPMENT:

The Prophet (est. 2013): An animated adaptation of Kahlil Gibran’s popular collection of poetic/philosophical essays. We could care less about “The Prophet,” but the animators assembled for the project get us excited: Marjane Satrapi (Persepolis, Chicken with Plums), Tomm Moore (The Secret of Kells), and the great weirdo . Here’s the scoop from the Hollywood Reporter.

Tales from the Hanging Head (est. 2014): An anthology of world fairy tales for children, each on the them of metamorphosis and with a strict “no CGI” rule. That might be interesting, but it gets more intriguing when you look at the lineup of outside-the-box directors: underground diva Sara Driver, Alfonso Cuarón, Marjane Satrapi (again), , and two-time Certified Weird director Michel Gondry. No official site yet, but here’s a story from IndieWire.

NEW ON DVD:

Black Limousine (2010): David Arquette stars as a down-on-his-luck alcoholic film composer who takes a job as a limo driver and meets a movie star (Bijou Phillips) who he hopes can put his career back on track. Despite an accomplished cast this movie was apparently too strange to get a Hollywood release and flew completely under the radar; the limited word-of-mouth says it’s extremely weird, however. Buy Black Limousine.

NEW ON BLU-RAY:

Altered States (1980): Read the Certified Weird entry! Ken Russell’s apocalyptic mushroom-trip-on-film is a Blu-ray must for any respectable stoner. No extras on this release, just a hi-def upgrade. Buy Altered States [Blu-ray].

Bitch Slap (2009): Read our capsule review. Get your cleavage in high definition with this unexpected Blu release of the cheesy Russ Meyer tribute film. Buy Bitch Slap [Blu-ray].

FREE (LEGITIMATE RELEASE) MOVIES ON YOUTUBE:

Adaptation. (2002): Read our capsule review.  Don’t get us wrong—we loved ‘s script about a scriptwriter named Charlie Kaufman who can’t get started writing a script. We’re just torn on whether it’s weird, or just super-duper clever. Watch it and tell us what you think.  Watch Adaptation. free on YouTube.

What are you looking forward to? If you have any weird movie leads that I have overlooked, feel free to leave them in the COMMENTS section.

THE COLLECTIVE VOLUME 4: EMOTIONS (2012)

Indie filmmaker Jason Hoover and JABB Pictures are on their fourth volume of “the Collective.” Each volume contains ten 10 minute short films, each created by a different team. This anthology deals with the themes of emotion. (Volume three, a collection of  shorts directed by women, revolved around the theme “Ten Minutes To Live”; Volume Two was themed around a box, and Volume One explored “the Meat Eater.”)

If Indiana has a reputation at all in the independent film scene, it is for its endless crop of ultra low-grade horror corn. Being an Indiana-based project, The Collective, predictably, caters to that independent horror scene, which limits it. That aside, the selection of films, although naturally uneven, is steadily improving. The first volume was, for the most part, a weak start. Volume Two was a slight improvement, but the ongoing series started picking up steam with volumes Three and Four. At at least there are no zombies this time out (the genre’s tell-tale sign of creative bankruptcy).

Volume Four features two films with exceptional acting, one of which is refreshingly surprising.  was the star of the 2010 indie feature Lethal Obsession where essentially, she played the walking, talking doll that we have seen a thousand times in unimaginative films. I do not know if Duncan has taken acting lessons, privately studied better examples of film acting, or has simply become more introspective, but her performance in Bryan Wolford’s “Myctophobia” is a vast improvement over her previous work. Duncan plays Kelly, a woman who has an almost crippling FEAR of the dark. This has made her sensitive to how her handicap may affect her marriage and suburban life. In the space of a few, brief moments, Duncan impressively balances expressed aspirations, self-doubt, fear of marital and societal expectations, and fragility. Unfortunately, her accomplished acting has a mundane script to overcome. The beginning promise, with Kelly conveying her crippling phobia to a psychologist (Steve Christopher), soon flounders. We immediately see it coming because we have seen Michael Caine in De Palma’s Dressed To Kill (1980), along with countless other films. Soon, Duncan’s Kelly is yet another victim being pursued. One somewhat endearing oddity is Wolford’s decision to use the assigned emotion in a positive light, although the effects conveying Kelly’s fear are kitschy. The camera work and lighting compliments Duncan’s earthy, mature performance. In the opening and closing segments, hiding within the skin of her coat, Duncan sheds all plasticity to reveal an awkwardly vulnerable, real person .This makes her far more Continue reading THE COLLECTIVE VOLUME 4: EMOTIONS (2012) →

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