WHAT’S IN THE PIPELINE

Next week we’re turning back to new release reviews with looks at Ari (Waltz with Bashir) Folman’s partially-animated sci-fi opus The Congress; the trippy philosophical documentary The End of Time; and Simon Pegg’s bizarro phobia comedy A Fantastic Fear of Everything. Meanwhile, having wrapped up (for now, at least) his reviews of today’s s, Alfred Eaker turns his attention to the hits of yesteryear with a new mini-series of “25th Anniversary” remembrances. First up:  ‘s Batman (1989).

It’s time once again for our weekly survey of the weirdest search terms used to locate this site, a little feature we like to call “Weirdest Search Terms of the Week.” First up, we’ll mention this strange trio: “strange please,” “being strange,” and “strange much” (we like to think of that last one as a rhetorical question directed at us: “gee, is that 366 Weird Movies strange much?”) Speaking of strange, there was also the person looking for “strange creatures living on woman’s fingers.” But our official selection for Weirdest Search Term of the Week isn’t strange: it’s “sexy voids.” Because nothing turns us on more than Nothing.

Here’s how the ridiculously-long-and-ever-growing reader-suggested review queue stands: Abnormal: The Sinema of Nick Zedd; Rubin & Ed; The Real McCoy; Themroc; Candy (1968); The Fox Family; Angelus; Cloudy with a Chance of  Meatballs; Yokai Monsters, Vol. 1: Spook Warfare [AKA Big Continue reading WHAT’S IN THE PIPELINE

WEIRD HORIZON FOR THE WEEK OF 7/18/2014

Our weekly look at what’s weird in theaters, on hot-off-the-presses DVDs, and on more distant horizons…

Trailers of new release movies are generally available on the official site links.

IN THEATERS (LIMITED RELEASE):

Mood Indigo (2013): A wealthy bachelor inventor falls in love with a woman who has a flower growing in her lungs. The latest from stars erstwhile Amelie Audrey Tautou; diabetics and the whimsy-averse are being warned to avoid this cutesy confection, but rest assured we’ll forge ahead and tackle it (it’s in our reader-suggested review queue, but we’d surely hit that even if it wasn’t). Mood Indigo official site.

FILM FESTIVALS – Fantasia (Montreal, Canada, Jul. 17- Aug. 6):

As its name implies, Montreal’s Fantasia Festival originally began as a showcase for fantastic films from Asia; it has since morphed into a major event on the genre cinema calendar, a venue so big that geek event movies like Marvel’s Guardians of the Galaxy hold special pre-release screenings there. Not that they’ve let mainstream success get to their heads; there’s still more rare weirdness to be found at Fantasia than at just about any film festival on the globe. We make watchlists from Fantasia’s programming, and we’re always saddened when only half of the most daring films find meaningful distribution in the U.S. We’ve been following a number of 2014’s entries as they slowly make their way across the festival landscape: s Cheatin’, the post-apocalyptic love triangle in The Desert, the inflated-head indie rock comedy Frank, the horror-of-Hollywood allegory Starry Eyes, s White Bird in a Blizzard, and ‘s long-awaited The Zero Theorem. Here’s the stuff that’s new to us (along with a couple of the odder highlights from the festival’s blaxploitation and Shaw Brothers revival programs):

  • Bag Boy Lover Boy – A photographer specializing in unusual human specimens takes a hot dog vendor for his muse; the synopsis evokes the work of seedy underground New York filmmakers like . Screening July 23.
  • “La Buche de Noel” – The insane animated adventures of Indian, Cowboy and Horse (A Town Called Panic) continue in this 23-minute Christmas-themed short. Screens July 31.
  • Darktown Strutters (1975) – A rare blaxploitation/comedy/musical about a black female motorcycle gang fighting white supremacists led by a Colonel Sanders clone. This oddity is very rare—almost legendary—so catch it July 27 if you can.

  • Demon of the Lute (1983) – A kung fu maiden sets out to destroy the titular instrument with the help of the Three Armed Beggar and Old Naughty (who wields a giant pair of scissors). One of the craziest-sounding of the classic Shaw Brothers features screening at Fantasia; this one plays July 19 & 26.
  • Honeymoon – Well-reviewed psychological thriller about a groom who finds his new wife acting strange after the nuptials. Screens July 22.
  • I Am a Knife with Legs – Absurdist microbudget musical comedy about a pop star hanging out from a fatwa; the programmer’s synopsis uses the word “weird” to describe it more than once. Catch it July 25 only.
  • Jack et la mécanique du coeur – 3-D animation described as a “Gallic surrealist fairy-tale musical with a dash of Gothic macabre and a streak of steampunk.” It appears that it is playing in French only with no English subtitles on July 26.
  • Koo! Kin-dza-dza – An animated remake of the satirical 1986 Soviet cult sci-fi comedy about two Russian men teleported to a desert planet. Playing August 2.
  • Kumiko, the Treasure Hunter – A backwards Japanese woman mistakenly concludes that the movie Fargo is a documentary and sets out for Minnesota to discover the lost ransom money. July 23.
  • The Man in the Orange Jacket – An employee kills his rich boss and assumes his identity, only to be haunted by surreal occurrences. Screens July 27.
  • The Mole Song: Undercover Agent Reiji‘s latest is a comedy about an undercover cop, with animated sequences and “surreal fight scenes.” Catch it July 19.
  • Nuigulumar Z – The English translation, Gothic Lolita Battle Bear, may explain why this title caught our fancy; the less sane of two movies making their North American debut from the ludicrously prolific . Screening July 20.
  • Puzzle – Masked figures invade a school and force the adults to play strange and deadly games; are local bullies behind it? July 26.
  • Real – A man uses technology to enter the subconscious of his beloved as she lies in a coma, where he encounters “philosophical zombies” and other strangeness, in ‘s latest. Plays August 3.
  • The Satellite Girl and Milk Cow – A satellite transforms into a cyborg and romances a brokenhearted man who has metamorphosed into a cow; the animation style resembles with a more surreal bent. Screens July 19.
  • Sweet Sweetback’s Baadasssss Song – Arguably the first, and certainly one of the strangest, blaxploitation movies ever made, Melvin van Peebles’ explosive race revenge fantasy is as much avant-garde as it is exploitation. See it on the big screen July 23.
  • Thou Wast Mild and Lovely – A hired hand has an affair with the farmer’s daughter in what the director herself describes as “an intimate magical realist erotic thriller.” Screening July 19 & 21.
  • Zombie TV – Sounds like a sort of Japanese version of Kentucky Fried Movie themed around the undead; Twitch‘s Todd Brown is quoted as saying it “provides the viewer with a respite from one kind of weirdness by punching them in the face with another.” July 19 only.

Fantasia Film Festival home page.

NEW ON DVD:

Scanners (1981): A good Scanner (a telepath with the power to literally blow people’s minds) infiltrates a gang of evil Scanners. This gory cult favorite, made by before he fully transitioned out of his upscale exploitation mode, is something of a surprise acquisition for the Criterion Collection. Buy Scanners [Criterion Collection].

SX_Tape (2013): A couple play sex games in a spooky abandoned hospital, which proves to be a bad idea. We wouldn’t have taken any notice of what looks like a sex-heavy found-footage horror if not for an (actually negative but prominently displayed) review claiming the movie “dives face first in the deep end of weirdness.” Buy SX_Tape.

Under the Skin (2013): Read our capsule review. Trippy visuals highlight this minimalist arthouse sci-fi hit in which plays an alien who hunts lonely men on the moors of Scotland. Buy Under the Skin.

NEW ON BLU-RAY:

Scanners (1981): See description in DVD above. This combo pack includes two DVDs. Buy Scanners [Criterion Collection Blu-ray/DVD combo].

SX_Tape (2013): See description in DVD above. Buy SX_Tape [Blu-ray].

Under the Skin (2013): See description in DVD above. Buy Under the Skin [Blu-ray].

What are you looking forward to? If you have any weird movie leads that I have overlooked, feel free to leave them in the COMMENTS section.

ALFRED EAKER VS. THE SUMMER BLOCKBUSTERS: DAWN OF THE PLANET OF THE APES (2014)

In the 1960s, producer Arthur P. Jacobs purchased screen rights to Pierre Boulle’s novel “Monkey Planet” for Twentieth Century Fox. It became Jacobs’ dream project, facing an uphill battle with skeptical executives. Not helping the producer’s cause was Boulle’s public statement calling “Monkey Planet” his worst novel. ((Boulle had previously written the novel “Bridge on the River Kwai” and received credit for the screenplay, but declined to show up for the Academy Award. The reason for the no-show was that Boulle did not write the script, but agreed to receive credit for the film’s back-listed writers.))

Dawn of the Planet of the Apes (2014) posterRod Serling and Michael Wilson co-wrote the screen adaptation for the original Planet of The Apes (1968). The script is far more “Twilight Zone” than Boulle. Jacobs wisely cast  in the lead role. Heston, who loved the script, was helpful in influencing studio heads to greenlight the project and to assign director Franklin J. Shaffner, whom the actor had worked with in the underrated The War Lord (1965).

Studio misgivings were laid aside when Planet of the Apes (1968) proved to be a monstrous success. Before Star Wars, Batman, etc, Planet of the Apes was the original blockbuster franchise, spawning four sequels, a short-lived television series, an animated series, and a comic book. The original film retains its classic pop status, despite revisionist opinions, usually by those who have not seen it and dismiss it as a cheesy byproduct of the sixties and seventies. Actually, it is science fiction cinema at its most preferable: the cinematic equivalent of Cracker Jacks with its prize being smart dumb fun amidst caramel popcorn and salty peanuts. Who, in all honesty, would find ‘s academic psychedelia 2001: A Space Odyssey, made the same year, as fun an experience as American icon Heston being put through Sterling’s pulp karma in the form of gorillas on horseback? Heston’s Col. Taylor, disdainful of mankind, is replete with character flaws, yet we root for him as he is catapulted through a physical and emotional nightmare, in which he is forced to do a philosophical about-face, only to learn in the end he was right all along. Heston’s physicality responds perfectly to Sterling’s blunt ironies.

It is the hippest performance of the actor’s career and one can understand his hesitancy regarding the sequel, Beneath The Planet Of The Apes (1970). Heston’s performance there amounts to a cameo, with James Franciscus filling in, albeit in a second-rate Heston imitation. Still, once past the unnecessary rehash of the first film, Beneath, in its innovative second half, proves to be the strangest, most underrated entry of the franchise. It is also the only sequel that retains the original’s flavor.

Escape From The Planet Of The Apes (1971), the best of the sequels, benefits from the quirky performances of Kim Hunter and Roddy McDowell. Writer Paul Dehn crafted an inventive, humor-laden narrative that delighted in seventies pop culture. Dehn, a noted film critic, drew on Rod Sterling’s original script draft for the first film, as well as Boulle’s novel in which Apes and humans coexist in a modern society. Escape‘s Sterling-esque first half gives way to Dehn’s pre-apocalyptic sensibilities and pop social commentary on racism and violence.

Conquest Of The Planet Of The Apes (1972) is Bazooka Bubble Gum Armageddon,especially in the unrated version found on home video. The slavery Continue reading ALFRED EAKER VS. THE SUMMER BLOCKBUSTERS: DAWN OF THE PLANET OF THE APES (2014)

176. ENEMY (2013)

“Chaos is order yet undeciphered.”–epigraph to Enemy

Recommended

DIRECTED BY:

FEATURING: , Mélanie Laurent, 

PLOT: Adam, a professor of history, catches sight of a movie extra playing a bellhop who appears to be his exact double, and becomes obsessed with tracking him down. When they eventually meet they discover that Anthony, the actor, is Adam’s exact physical match, but has a nearly opposite personality, slick and scheming where Adam is passive and meek. Anthony, who has a rocky relationship with pregnant wife due to her accusations of infidelity, is drawn to Adam’s girlfriend; and though the professor wants to withdraw from their association, the actor’s machinations intertwine the two men’s lives.

Still from Enemy (2013)BACKGROUND:

  • Enemy is based on the novel “O Homem Duplicado” (literally “The Duplicated Man,” although the English translation was titled “The Double“) by the Portuguese Nobel laureate José Saramago. The novel has a very different, though equally chilling, ending than the film.
  • Director Denis Villeneuve and star Jake Gyllenhaal made Enemy back-to-back with the higher-profile, reality-based thriller Prisoners (2013). Enemy was made first but released second.
  • Villeneuve said that the plan to do the adaptation with Gyllenhaal came after a night of drinking in which the actor told the director he wanted to do the movie but needed to “dream” about it first.
  • Villeneuve said he wanted to make Enemy because he wanted to do something “free” in light of his anxieties over working under the constraints he feared would be imposed by a Hollywood studio on the upcoming Prisoners.

INDELIBLE IMAGE: Enemy is one of a few movies whose most unforgettable image can’t be mentioned without entering the territory where spoilers dwell. Fortunately, there are plenty of runner-ups to chose from. With arachnid imagery dominating the hallucinatory scenes, it’s easy to pick the picture of a giant, spindly-legged spider looming over the smoggy streets of Toronto as the film’s iconic image. The movie’s TIFF poster took that precise route.

WHAT MAKES IT WEIRD: As tightly controlled as a dictatorship and as enigmatic as a tarantula on a gold serving platter, the inscrutable Enemy evokes a panicky existential dread in the tradition of . The final scene will provoke debate for as long as people watch weird movies.


Original trailer for Enemy

COMMENTS: Enemy begins with the epigram “chaos is order yet undeciphered,” and I admit to having yet to decipher the twisty web of chaos the Continue reading 176. ENEMY (2013)

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