All posts by Gregory J. Smalley (366weirdmovies)

Gregory J. Smalley founded 366 Weird Movies in 2008 and has served as editor-in-chief since that time. He is a member of the Online Film Critics Society, and his film writing has appeared online in Pop Matters and The Spool.

TOP 10 MOVIES OF 2024: MAINSTREAM EDITION

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Here is my obligatory/traditional annual top 10 list of movies, ranked according to mainstream standards. In other words, weird movies are allowed on this list, but I attempt to rank the 2024 releases according to their general cinematic merit, intended for people who don’t specialize in the surrealer genres. We will announce our staff consensus top 10 weird movies of 2024 on this week’s Pod 366 released on Friday (print list to follow).

There are a fair number of films that might have made this list but for the fact that I didn’t have time to get to them in 2024, including, most notably, Sean Baker’s Anora and Nosferatu. I expect to see them, and maybe some other worthy movies I hadn’t considered, before awards voting season concludes in mid-January. Some of them may end up deserving inclusion here.

Before the official top ten starts, here are ten honorable mentions, in alphabetical order: Alien: Romulus, Animalia, Daaaaalí!, Juror #2, Kinds of Kindness, Megalopolis, Rumours, Santosh, Strange Darling, and The Wild Robot.

And now, the official list:

10. Hit Man: An undercover cop posing as a hit man falls for a woman who solicits his murder-for-hire services. Sounds like a fine film noir premise—and there is tension in the climax—but it plays out like a black romantic comedy. Solidly directed by , but the discussion rightfully revolves around the performance of Glen Powell, who dresses up (at one point donning a wig) to portray a dozen or so individual killers. Briefly released to theaters in order to qualify for the Academy Awards, but most people who saw it did so on Netflix. (There is some controversy in the film world about Netflix’s recent failure to give their projects decent theatrical runs, preferring instead to use even their prestige pictures as digital inventory). Based (very loosely!) on a true story, in that there are no such things as killers-for-hire: they are all undercover law enforcement agents. Think about that when considering how you want to bump off your spouse (just another friendly tip from 366 Weird Movies!)

9. Challengers: Tennis prodigies Patrick (Josh O’Connor) and Art (Mike Faist) meet the enchanting, and even more talented, Tashi (Zendaya) as teens; the trio’s careers take different paths as they form a love triangle over a decade, until Patrick and Art find themselves matched in the finals of a U.S. Open qualifying tournament for their first head-to-head meeting as professionals. The script serves up all the angles with these characters, and you can form a case for rooting for or against any of them. I side with audiences who find the inconclusive ending a bit disappointing, but it doesn’t undo all the good points that came before. The match sequences are thrilling, brilliantly edited and shot from unusual angles, Zendaya is scorchingly hot in a tennis skirt, and there’s a pretty obvious homoerotic subtext for those who dig that kind of thing. From .

8. Mars Express: A pair of private detectives on terraformed Mars investigate the death of a cybernetics student, which (naturally) Continue reading TOP 10 MOVIES OF 2024: MAINSTREAM EDITION

CAPSULE: ADULT SWIM YULE LOG 2: BRANCHIN’ OUT (2024)

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Recommended

Adult Swim Yule Log 2: Branchin’ Out is available to stream for free (with commercials) on AdultSwim.com until January 8.

DIRECTED BY: Casper Kelly

FEATURING: , Michael Shenefelt, Sharon Blackwood, Asher Alexander, Jesse Malinowski

PLOT: The killer yule log is back and looking for Zoe, who finds herself stranded in the Christmasy town of Mistletoe, which is planning their first annual Yule Log festival: can Zoe overcome her fear of being bashed in the head by an evil flaming log and embrace the spirit of Christmas, finding love with one of town’s clumsy hunks?

Still from Adult Swim Yule Log 2: Branchin' Out (2024)

COMMENTS: Adult Swim Yule Log, which dropped without warning in December 2022, had serial killers, aliens, ghosts, and a miniature plantation owner who lived in a fireplace in addition to its centerpiece: a flying, flaming, homicidal yule log. This sequel, which dropped without warning in December 2024, seemed unlikely to top all that insanity. And, wisely, writer/director Caspar Kelly doesn’t even try: instead, as the insouciant subtitle suggests, he pivots from an absurdist comedy with genuine moments of horror to a flat-out comedy, delivering a work that simultaneously parodies horror sequels and Hallmark Christmas rom-coms, with just enough bizarre touches to keep the franchise on brand. The result is a film that, while not as constantly surprising and weird as the original, is every bit as entertaining and watchable.

There are some nods to the previous installment (a trip inside a refrigerator that mirrors the trip inside the fireplace, gratuitous cameo appearances by beloved characters in the last scene), but you do not have to have seen the first one to enjoy this: if you’ve seen any horror sequel and a trailer for a Hallmark Christmas movie, you’ll be up to speed in no time. In fact, forget most of what you know about the first movie and just think of the Yule Log as an immortal slasher like Michael Meyers or Jason (despite being the most ridiculous inanimate horror villain since the Death Bed). Zoe, the final girl of the part 1, was understandably traumatized by the experience, so much so that she now carries a woodcutter’s axe with her wherever she goes—a running joke that gets funnier as the movie goes on. Her obligatory gay best friend suggests she needs a change of scenery to leave the memory of the horror behind her. Unfortunately, due to bad luck and possibly the machinations of a man in a Santa suit (whose character I never actually figured out), she finds herself stranded in Mistletoe, a Christmas-loving town peopled mainly by clumsy hunks who make every stroll down Main Street a never-ending ordeal of meets cutes. The movie takes on a meta tone as Zoe realizes that she is in either a horror movie or a Hallmark movie—and that she has, to some extent, the power to chose between them. The cinematography neatly goes fullscreen and full color for the romcom sequences, then narrows the frame to letterbox format and darkens in grade when the horror is predominant. This motif is employed well so that it always surprises you when it happens—but then you forget about the dual format, and it surprises you again the next time it happens.

Although she was the putative protagonist of the first movie, Andrea Laing particularly didn’t stand out in what was more of an ensemble film. Here, she stretches and impresses as she switches back and forth between plucky horror heroine and emotionally vulnerable romantic lead. And writer/director Caspar Kelly proves he can succeed at whatever he sets his mind to. If you cut out the Yule log related elements to leave only the Hallmark parody, you’d have one of the wackiest comedies of 2024, something with genuine box office potential. Despite the fact that this odd little TV movie will be seen by relatively few, it would surprise me if neither Laing nor Kelly expanded their profiles after this. Laing has talent, and Kelly may be outgrowing the Adult Swim sandbox—it’s time to branch out. True, AS gives Kelly a blank check for whatever weird project that swims through his strange mind, which is commendable; but there is an entire non-basic-cable audience of cinephiles (i.e., feature film snobs) out there who are missing out on a real original’s demented creations. You can’t take the Christ out of Christmas (because who wants to sing mas carols and open mas presents under the mas tree?); but you can take the Adult Swim out of Adult Swim Yule Log. Can you imagine seeing Yule Log 3: Wreck the Halls, starring Andrea Laing, in the cinema in two years?

WHAT THE CRITICS SAY:

“If you’ve ever wanted to see all the Hallmark ingredients (the skeptical “woman from the big city,” the supportive friend talking to her over Facetime, the interrupted kiss, the closing of the business followed by miraculous re-opening, leaving town but returning unexpectedly for love) but with some bizarre tangents, a bunch of death and some projectile vomiting, then merry Christmas to you. In between scenes like this there’s also a horror movie happening, with the flying yule log escaping from an evidence locker, blowing up the police station, stowing away on a family trip to try to chase Zoe to Mistletoe.”–Vern, outlawvern.com (contemporaneous)