AVANT OPERA ON FILM, PART TWO
Daniel Barenboim and Harry Kupfer followed their acclaimed “Ring” cycle (discussed in last week’s column) with Richard Wagner’s final opera, Parsifal, which, if anything, was even more successful. Alas, the film of this version has been long unavailable.
Scene from Syberberg’s Parsifal (1982)
Comparing their geometric, sparse Parsifal to that of Neues Kino director Hans-Jürgen Syberberg’s controversial 1982 multi-layered [...]
