Screening online for Canadians at 2020’s online Fantasia Film Festival
For a well-deserved break from reality, instead I spent my Sunday morning enjoying thirteen cartoon shorts from around the world.
“The Spinning Top” – dir. by Shiva Momtahen
An ornately told tale from Iran about an enthusiastic child who ends up trading his ability to sing and shout for a spinning top. The animation is distinctly non-Western, and beautiful. The little boy in question travels within an ever-shifting frame of stylized flowers as he encounters the quilt man, pool man, and the salt man. The up tempo feel is brought down to earth when the salt man takes away the boy’s youthful vigor, leaving only the memories within the top.
“Kkum” – dir. by Kim Kang-min
This is the only foam-imation I’ve ever seen, and accompanying the weird look achieved by animating its weird narrative about a young man who is protected by his mother’s dreams with polystyrene. Four dreams in particular–“Fire,” “Insect,” “Pumpkin,” and “Corpse”–are highlighted, each heavily symbolic and lovingly rendered in Styrofoam. The short ends with the mother advising her son (grown, with wife and child) not to go out that day; the grateful lad thanks the heavens for the meticulous fence his mother has constructed around him.
“There Were Four of Us” – dir. by Cassie Shao
By a whisker, this was the strangest short of the crop—both to listen to, and to look at. The sound is purposely muted, as if one is listening to the dialogue (actually, mostly monologues) through a telephone propped against an old tape recorder. The visual element, however, practically shouts from the screen. What is going on here? There are too many clues, too many things going on, to be certain; the final shot suggests a hospital. And the garbled vocal exposition suggests a mental one, at Continue reading FANTASIA FILM FESTIVAL 2020: GILES WATCHES CARTOONS