APOCRYPHA CANDIDATE: DAY OF THE WACKO (2002)

 Dzien swira

366 Weird Movies may earn commissions from purchases made through product links.

Recommended

DIRECTED BY: Marek Koterski

FEATURING: Marek Kondrat

PLOT: An easily irritated Polish teacher with OCD spends a long day in increasingly surreal, comic situations.

Still from Day of the Wacko (2002)

WHY IT MIGHT MAKE THE APOCRYPHA: This cult Polish comedy is a long shot for consideration among the weirdest of all time, but it does offer numerous imaginary sequences, a uniquely cynical perspective, and a scene where the main character complains, “where are all these weird people coming from?”

COMMENTS: Day of the Wacko’s Adas Miauczynski is a comic creation who transcends cultural boundaries. Perpetually annoyed, he strides through Warsaw like a Polish Basil Fawlty, arguing with noisy neighbors, defecating on their lawns, and sending a crippled lapdog flying over a hedge with a swift kick. He’s no role model, but his take-no-guff attitude is perversely appealing; his misbehavior allows the audience to live out a fantasy of taking out their frustrations on annoying urbanites. But while Adas’ antics are vicariously satisfying, the film never loses sight of how utterly miserable the man really is. The first twenty minutes or so show him engaged in his obsessive morning rituals, which involve him washing up and making coffee, always using multiples of seven. He’s the kind of sad sack who, when he finally meets a dream lover in a fantasy sequence, immediately begins worrying about how he’ll be able to get rid of her. And his final monologue as night falls over his apartment block is utterly despairing, tonally inconsistent with the foregoing comedy, and yet somehow not at all out-of-character.

The movie is essentially plotless, showing Adas mucking his way through various social disappointments over the course of a long day. After completing his persnickety ablutions and raging at his noisy neighbors, he gets peeved and walks out of the poetry class he’s teaching; visits his mother, ex-wife, and son, all of whom disappoint him to various degrees; putters about attempting to complete errands; tries to take an afternoon nap just as a wandering minstrel decides to stroll by with an accordion; and decides to take a trip to the beach, where he falls asleep and dreams about death. These adventures are peppered throughout with little fantasy sequences and skits: snippets of the serene-but-constantly-interrupted poem Adas tries vainly to compose, a TV ad for dildos. The satirical material aimed at millennial Polish audiences may go over your head: for example, a scene where various factions tug at a medieval flag, which rips apart and bleeds. The film occasionally looks like it was shot on video, and the fantasy sequences lack visual fireworks, but the imagery isn’t really the thing here: it’s all about Kondrat’s peeved performance, which keeps you watching to see what outrage he will suffer, or commit, next.

Marek Kondrat plays the role of Adas Miauczynski in two other Koterski films, Dom wariatów (1985) and Wszyscy jestesmy Chrystusam (2006). Cezary Pazura played the same character (although named “Adam” instead of “Adas”) in Nothing Funny (1995) and Ajlawju (1999), and at least one other actor has portrayed Miauczynski at a different stage in life. Like Mick Travis in ‘s movies, there is little narrative or stylistic continuity between the various Miauczynskis; Wszyscy jestesmy Chrystusam, for example, seems to be an earnest drama about alcoholism, and in another, the character is described as a film director rather than a teacher. Other than Nothing Funny and Wacko, none of the Miauczynski movies appear to have been translated into English. Wacko is the most universally praised.

WHAT THE CRITICS SAY:

“A nonstop screwball screed against the multitude of perceived indignities in contempo Poland… sheer chutzpah alone should propel this unique item to brave fests and perhaps a bit of business.”–Eddie Cockrell, Variety (contemporaneous)

(This movie was nominated for review by “haui.” Suggest a weird movie of your own here.)

CAPSULE: CREATING REM LEZAR (1989)

366 Weird Movies may earn commissions from purchases made through product links.

DIRECTED BY: Scott Zakarin

FEATURING: Jack Mulcahy, Courtney Kernaghan, Jonathan Goch

PLOT: Ashlee and Zack mysteriously share an imaginary friend, a being whom they must aid in a search for his medallion before the sun sets and the evil Vorock triumphs.

Still from Creating Rem Lazar (1989)

COMMENTS: This pint-lengthed movie hits above its weight in the realm of cringeful oddness. Filmed in the late 1980s, it has the hair extremes and the soft-n-smooth musical flair of a stone polished into a glassy spheroid. As a children’s movie, it features the inevitable amateurity found when young actors are thrust to the fore. Multi-cultural feel-good-ism gets an extended nod during a the protagonists’ Central Park encounter with a gang of flamboyant a-cappella greasers, who then move on to a hip-hop black fellow, with then a pair of fiddlers. And the aesthetics behind the titular hero’s ensemble might raise questions, were the viewer not struck dumb by the intense blue motif—blue lycra body suit, blue cape, and Rem Lezar’s mullet dyed blue to match. Creating Rem Lezar is a trial by Aghh, waltzing from one schmaltz piece to the next at a speed which leaves no room for the viewer to collect their wits. That said, presuming you can endure the vehicle, the various messages in this experiment are worthwhile.

Tykes Ashlee and Zach are day-dreamers, often in trouble at school and home for ignoring their surroundings in favor of spending time with a mutually manifested entity who comforts their fears and doubts. Rem Lezar’s creation—through sheer force of belief and cooperation by the youngsters—leads to many teachable moments. And despite his absurd appearance, Lezar has much wisdom to offer—to children in particular, and to people in general.

The pair of kids differ vociferously about how to overcome the challenge from the villain (an ’80s-FX malevolent head), prompting Lezar to calmly explain, “Differences of opinion are fine, and you have to stand behind what you believe. But you have to work together, and giving in a little doesn’t mean giving up.” Later, Zach complains about not fitting in, asking his hero why others have a hard time understanding him. Quite Socratically, Lezar asks the boy, “Why do you think others have a hard time understanding you?” This kicks off a moment of reflection on how comprehension needs to go both ways.

That, and many similar moments, left me with overall positive feelings about this little film. Every piece of advice on offer is sensible, thoughtfully phrased and communicated, and largely dispels the immediately preceding (and surrounding) obtuseness. There’s a lot of hate for this movie among reviewers, with much condemnation of the film’s alleged “creepiness.” This could hardly be further from the truth. Creating Rem Lezar often approaches insufferable, but I was relieved at how harmless the titular character proved to be, and delighted at how well-anchored the film is in regards to how we should treat one another. I only wish these sentiments hadn’t been buried under this mountain of expired cheese.

WHAT THE CRITICS SAY:

“Rem, I suppose, could be a reference to REM, or rapid eye movement, the phase of sleep where we have our most vivid dreams. Given the film’s bizarre, dreamlike nature, this seems to make some sense. On the other hand, the only explanation I can come up with for the word “lezar” is that it is the Creole word for ‘lizard,’ which makes a great deal less sense, unless Creating Rem Lezar is less a bizarre, misguided attempt at an empowering children’s film and more a story of a Lovecraftian, shape-shifting, nightmare-reptile which invades the dreams of impressionable youths, masquerading as an amiable–if somewhat inappropriately friendly–superhero, in a wicked plan to sow delusion and madness in the minds of poor, unsuspecting children through mind-numbingly awful sing-songs.” — Derek Miller, BadMovieRealm.Com

(This movie was nominated for review by Emil Hyde, who called it “quite possibly the worst/best/weirdest ‘children’s’ film ever made” and went on to add, “It’s not quality like most of the films on the list, but it is baffling on every level”. Suggest a weird movie of your own here.)

WEIRD VIEW CREW: ROCK N’ ROLL FRANKENSTEIN (1999)

Beware

This review isn’t too NSFW (we’d rate it PG-13 for penile synonyms), but the movie sure is. Kids shouldn’t watch Rock n’ Roll Frankenstein. Other people who shouldn’t watch Rock n’ Roll Frankenstein: people who care about movies or about being entertained.

(This movie was nominated for review by Brian O’Hara, director of Rock n’ Roll Frankenstein. Suggest a weird movie of your own here.)

IT CAME FROM THE READER-SUGGESTED QUEUE: FOUR ROOMS (1995)

366 Weird Movies may earn commissions from purchases made through product links.

DIRECTED BY: Alison Anders, Alexandre Rockwell, Robert Rodriguez, Quentin Tarantino

FEATURING: Tim Roth, , Valeria Golino, Madonna, Ione Skye, Lili Taylor, , , David Proval, Antonio Banderas, Tamlyn Tomita, Lana McKissack, Danny Verduzco, Kathy Griffin, Marisa Tomei, Paul Calderón, Quentin Tarantino, Bruce Willis

PLOT: On a particularly crazy New Year’s Eve at a rundown Hollywood hotel, a harried bellman’s first night on the job is highlighted by the wild goings-on in the various guestrooms, including a coven of witches, a dysfunctional married couple, a pair of disorderly children, and a film director’s sadistic game of chance. 

COMMENTS: Every now and then, someone gets the bright idea to assemble an anthology film, bringing together a unique roster of top-flight directing talent. They’re almost never a success, financially or critically, but they keep coming back, and every age gets their turn. In the mid-90s, it was time for the young guns of the new Hollywood to join forces for a project set in a crazy hotel, and Four Rooms is the result.

All four filmmakers were coming off big successes, and while few people would ever look for common ground between, say, Gas Food Lodging and Desperado, it’s not completely impossible that the common setting and diverse storytelling styles could combine to make for an interesting melange. Unfortunately, all four seem to have settled on “unbridled chaos” as a guiding principle for their segments. It’s comedy by way of breathlessness, which is typically more exhausting than amusing. In addition, they’re counting on Tim Roth to be a unifying element, providing his own brand of untethered mania. Alas, they don’t seem to have checked in with each other on how they were using Roth, which means we really get four (and arguably five or six) different versions of Ted the Bellboy, a character developed via exquisite corpse.

The first story, Anders’ “The Missing Ingredient,” is a joke with no punchline. A collection of witches, ranging from glamour queen Madonna to crunchy granola Taylor, have gathered in the Hotel’s honeymoon suite to resurrect one of their sisterhood, lost to a curse years ago. By turning the whirlpool tub into a cauldron and adding such items as blood and sweat, they can restore her, but the only thing missing is naive babe-in-the-woods Skye’s assigned contribution: semen. The solution? Seduce the bellboy. And this is exactly what happens. Roth goes full-on Hugh Grant here, stammering and sputtering his way through Skye’s come-ons. He poses exactly no obstacle to the Continue reading IT CAME FROM THE READER-SUGGESTED QUEUE: FOUR ROOMS (1995) →

POD 366, EP. 58: ON OUR WAY TO HUNDREDS OF “HUNDREDS OF BEAVERS” INTERVIEWS

366 Weird Movies may earn commissions from purchases made through product links.

Quick links/Discussed in this episode:

Hundreds of Beavers (2023): Introduction to the interview begins. Read El Rob Hubbard’s Apocrypha Candidate review. and join us for a second time to talk about their surreal slapstick semi-silent Canadian-tinged comedy. Hundreds of Beavers official site.

Divinity (2023): Discussion begins. Read Giles Edwards’ Apocrypha Candidate review. This black and white dystopian would-be cult film  divided critics down the middle, with some camps claiming its just pretentious, and others saying its pretentious but wild enough for a recommendation. You can now decide for yourself, on VOD or Blu-ray. Buy Divinity.

Dream Scenario (2023): Discussion begins. Read Gregory J. Smalley’s review. Shlubby professor becomes a celebrity after he starts inexplicably appearing in the background of people’s dreams. Now on Blu-ray or VOD rental or purchase. Buy Dream Scenario.

Kamikaze Girls (2004): Discussion begins. A high school girl obsessed with Lolita fashion befriends a biker chick. In our reader-suggested queue, and now on Blu-ray for the first time (in North America). Buy Kamikaze Girls.

Liarmouth (202?): Discussion begins. 77-year-old wants to film his 2022 novel “Liarmouth: A Feel-Bad Romance.” wants to help him by starring as sociopathic suitcase-stealer Marsha Sprinkle. We would give this union our blessing. Rumor rag World of Reel “broke” the story, but Waters himself called the news “pure speculation.”

On the Silver Globe (1977/1988): Discussion begins. Read El Rob Hubbard’s Apocrypha Candidate review. Unfortunately, this standalone Blu-ray of ‘s unfinished weird sci-fi epic is only available in Europe at the current time. Interested parties can order On the Silver Globe from amazon.uk.

Poor Things (2023): Discussion begins. Read Gregory J. Smalley’s Apocrypha Candidate review. ‘ absurdist comedy about a woman with a fetus brain is now on VOD (Blu-ray coming). It will also stream for free (for subscribers) on Hulu from March 7. Buy Poor Things on VOD.

The Third Part of the Night (1971)/The Devil (1972): Discussion begins. Read El Rob Hubbard’s reviews of The Third Part of the Night and The Devil. ‘s first two features on a 2-disc Blu-ray set; like Silver Globe, this release is aimed at Eurofolk. Buy The Third Part of the Night/The Devil from amazon.uk.

The Tune (1992): Discussion begins. Cartoonist ‘s debut feature was about a songwriter entering a surreal alternate world in search of inspiration. This Deaf Crocodile Blu-ray release includes three early Plympton shorts, and a Pympton dub of the silent short “Dreams of a Rarebit Fiend,” among its extra features.  Buy The Tune.

Weirdcademy Awards: Discussion begins. It’s your last week to vote in the Weirdcademy Awards (features or shorts): winners announced on Sunday, Mar. 10.

WHAT’S IN THE PIPELINE:

There’s no guest currently scheduled for next week’s Pod 366, but Giles and Greg will be back to discuss the week’s weird movie news. Also on our YouTube channel (which you should probably subscribe to), Pete Trbovich reviews Brian O’Hara’s 1999’s spoof Rock and Roll Frankenstein on “Weird View Crew,” a movie that was recommended to us by… Brian O’Hara. Seguing to print reviews, Shane Wilson clears out Four Rooms (1995) from the reader-suggested queue, Giles Edwards creates his impression of Creating Rem Lazar (1989), and the day has finally come for Gregory J. Smalley to cover Day of the Wacko (2002). Onward and weirdward!

Celebrating the cinematically surreal, bizarre, cult, oddball, fantastique, strange, psychedelic, and the just plain WEIRD!