WHAT’S IN THE PIPELINE

Reviews definitely appearing next week: we’ll be covering Desperate Living (1977), the third and final entry in John Waters‘ “Trash Trilogy;” looking into the 2009 “Un Certain Regard” winner, Dogtooth (2009), the absurd story of three children hidden away from the real world by rich parents; and rolling our eyes at Thankskilling, the DIY horror-comedy about an axe wielding turkey puppet.  From the reader suggested review queue, we’ll be tackling the “Beat” Kitano comedy Getting Any? and Michel Gondry‘s surreal Science of Sleep. And don’t forget to check back this evening for our review of one of the most outlandish exploitation movies ever made, 1934’s incredible Maniac.

It was a good week for entertainingly weird search terms used to locate the site.  The perverts (God love ’em) were out in full force, scouring 366 for info on “Georges Melies adult movies,” “overdeveloped jugs,” “weird sissy sex movies,” “mofo sexo,” and hoping for the opportunity to “watch a movie of sexual footmen and his daughter.”  The most striking search term, however, in our view was “wierd girl has unusualy tiny vagina.” 

Here’s the state of the reader-suggested review queue: Trash Humpers (still waiting for the DVD); Maniac (1934) (coming later today); The Science of Sleep (next week); Getting Any? (next week); The Attic Expeditions; After Last Season; Performance; The Apple; Arizona Dream; Songs From The Second Floor; Singapore Sling; Alice [Neco z Alenky]; Necromentia; Hour of the Wolf; MirrorMask; Possession; Suspiria; Wild Zero; 4; Nothing (2003); The Peanut Butter Solution; Ninja Scroll; Perfume: The Story of a Murderer; Faust; Sublime; Battle Royale; Pink Floyd: The Wall; Escanaba In Da Moonlight; Jesus Christ, Vampire Hunter; Zardoz; The Films of Suzan Pitt; Toto the Hero [Toto le Héros]; Paprika; The Holy Mountain; Brazil; The Casserole Masters; Dark Crystal; Throw Away Your Books, Rally in the Streets; The Nines; The Pillow Book; Final Flesh; Lunacy [Sílení]; Inmortel; Tetsuo; Dead Ringers; Kairo [AKA Pulse]; The Guatemalan Handshake; Dead Leaves; The Seventh Seal; Primer Hausu; A Boy and His Dog; 200 Motels; Private Parts (1972); Saddest Music in the World; Mulholland Drive; The American Astronaut; Blood Tea and Red Strings; The Films of Kenneth Anger, Vol. II (for Lucifer Rising, among others); Willie Wonka and the Chocolate Factory ; The Bride of Frank; La Grande Bouffe; Uzumaki [Spiral]; Hedwig and the Angry Inch; Even Dwarves Started Small; Bunny & the Bull; “I Killed My Lesbian Wife, Hung Her on a Meat Hook, and Now I Have a Three-Picture Deal at Disney” (assuming I can find it); Cinema 16: European Short Films; Freaked; Session 9; Schizopolis; Strings; Dellamorte Dellamore [AKA Cemetery Man]; The Hour-glass Sanatorium [Saanatorium pod klepsidra]; The Addiction; Liquid Sky; The Quiet; Shock Treatment; Tuvalu; “Zombie Jesus” (if we can locate it); 3 Dev Adam; Fantastic Planet; “Twin Peaks” (TV series); Society; May; The Adventures of Buckaroo Banzai Across the 8th Dimension; Little Otik; Final Programme; Careful; Sweet Movie; The Triplets of Belleville; “Foutaises” (short); Johnny Suede; “Jam” (TV, UK, 2000), The Tale of the Floating World, Un Chien Andalou, Bloodsucking Freaks; Fellini Satyricon; Three Crowns of the Sailor; 8 1/2; Death Race 2000; Dororo; Lost Highway; Valerie and Her Week of Wonders; Dogville; and Julien Donkey-boy; Amelie; The Ten; The 7 Faces of Dr. Lao; 1; Fast, Cheap and Out of Control; Tokyo Gore Police; At Midnight I’ll Take Your Soul; The Trial [Le procès) (1962); Marquis; Hell Comes to Frogtown; Hellzapoppin’; Seom [The Isle]; Allegro Non Troppo; Fur: An Imaginary Portrait of Diane Arbus; Lust in the Dust; Celine and Julie Go Boating; “Franz Kafka’s It’s a Wonderful Life;” The Magic Christian; Black Cat, White Cat; The 5,000 Fingers of Dr. T; Abnormal: The Sinema of Nick Zedd; Robot Monster; Nightdreams; 3 Women; Rubin & Ed; Teeth; Vera; Weirdsville; Prospero’s Books; Inferno; Garden State; Persona; and The Real McCoy; Rat Pfink a Boo Boo; Themroc; Candy (1968); Run Lola Run; Pink Flamingos; Buffalo ’66; Northfork; Weekend; The Room; Glen or Glenda?; Night of the Hunter; The Fox Family; Midnight Skater; Angelus; Cloudy with a Chance of Meatballs; Twister (1989); Yokai Monsters, Vol. 1: Spook Warfare [AKA Big Monster War]; Haxan; This Filthy Earth; Conspirators of Pleasure; Piano Tuner of Earthquakes; Clean, Shaven; Bubba Ho-Tep; Sheitan; Innocence; “Chingsao the Clown”; Léolo; 2001: A Space Odyssey; Blue Velvet; ID (2005); Master of the Flying Guillotine; Yesterday Was a Lie; The Ninth Configuration; Forbidden Zone; The Cell; The Illustrated Man; The Man Who Fell to Earth; Fando y Lis; Rampo Noir; Head; Christmas on Mars; “Broken Glass”; Videodrome; Air Doll; The Ossuary and Other Tales; Arrebato; Symbol; Wicked City (1992 live action); Barbarella; Picnic at Hanging Rock; The Cars that Ate Paris; The Boxer’s Omen [aka Mo]; Solyaris (1972); Portait of Jennie; Salo, the 120 Days of Sodom; The Last Sunset (1961); and Orpheus (1950).

SATURDAY SHORT: LADY BLUE SHANGHAI (2010)

I believe a “thank you” is in order for all the companies that are making advertisements less monotonous for their viewers.  David Lynch was, once again, commissioned to make a short to promote a product, and this sponsor, Dior, seems just as unlikely as the last (42 Below Vodka).

To avoid disappointment, be informed that Lynch held back a little on his eldritch style.  It has an otherworldly feel to it, but it’s weirdness pales in comparison to some of his more famous work.

WEIRD HORIZON FOR THE WEEK OF 9/3/2010

A look at what’s weird in theaters, on hot-off-the-presses DVDs, and on more distant horizons…

Trailers of new release movies are generally available on the official site links.

IN THEATERS (WIDE RELEASE):

Machete:  A machete-wielding vigilante chops up his enemies in this grindhouse-styled (expanded from one of the fake trailers in Grindhouse, in fact) action flick  featuring some major star power (in mostly minor roles).  Starring Danny Trejo, with Robert De Niro, Jessica Alba, Steven Segall and Lindsay Lohan.  Weird?  We’re betting no, but cult director Robert Rodriguez‘s numerous followers will be checking this out for sure.  Machete official site.

TORONTO INTERNATIONAL FILM FESTIVAL: SEP 9 – 19

The TIFF is one of the world’s top film festivals; frankly, though, we dropped the ball by not covering the horror-oriented alternative festival, Toronto After Dark, last week.  Next year, TAD (though we admit we’re skeptical about any festival that could give The Human Centipede a silver medal).  Regardless, here are some of the movies featured at TIFF of interest of that we’ll be keeping an eye out for in the upcoming months:

  • 13 AssassinsTakashi Miike’s latest is a bloody but reportedly non-weird period samurai film
  • The Adder’s Bite – this 9 minute short film (described as “deliciously surreal” by Twitch) is based on a chapter of Nietzsche’s “Thus Spake Zarathustra” and has been garnering positive buzz for upcoming director Firas Momani; perhaps he’ll get a feature deal out of it
  • At Ellen’s Age [Im Alter von Ellen] – an airline hostess falls in with a group of radical animal rights activists in a story that’s described as containing “a pinch of the surreal”
  • Black Swan – highly anticipated psychological thriller from Darren Aronofsky about rival ballerinas, starring Natalie Portman
  • Bunraku – alternate reality dystopian actioner starring Josh Hartnett, Woody Harrelson (as a samurai bartender), Ron Perlman and Demi Moore
  • Deep in the Woods [Au Fond des Bois] – in 19th century France a bourgeois woman is abducted by a magical wild man and taken into the forest for a “nightmare of carnal sex” (?)
  • The Four Times [Le Quattro Volte] – the four stage journey of a shepherd’s soul through the afterlife, told according to one of geeky Greek cult leader Pythagoras’ lesser-known theorems
  • The Illusionist [L’illusionniste] – Sylvain Chomet’s followup to The Triplets of Belleville is a nearly silent animated feature about an out-of-fashion magician, from an unproduced script by Jacques Tati
  • John Carpenter’s The Ward – thriller about a woman in a mental institution; we’ll be watching simply to see if Carpenter has returned to form yet
  • The Last Circus [Balada Triste] – from Alex (The Day of the Beast) de la Iglesia comes a parody of the Spanish Civil War with killer clowns battling over a circus dancer
  • L.A. Zombie – hardcore gay porn/gore horror/art film from oddball Bruce LaBruce
  • Machete Maidens Unleashed! – best-of exploitation compilation in which director Mark Hartley tries to do for the Philippines what he did for Australia with Not Quite Hollywood
  • Man with a Movie Camera: The Global Remake – the title explains it: a remake of the groundbreaking Russian classic Man with a Movie Camera recreated by folks who uploaded their recreations of scenes to a website
  • Passion Play – fantasy fairy-tale starring Mickey Rourke as a jazz musician and Megan Fox as a “Bird Woman”
  • The Sleeping Beauty [La Belle Endormie] – before we’ve even had a chance to catch Bluebeard, Catherine Breillat is back with another postmodern fairy tale
  • The Strange Case of Angelica – story of a photographer who sees the dead as the living when he looks through his camera, from 101-year old director Manoel de Oliveira
  • Uncle Boonmee Who Can Recall His Past Lives – for some reason we didn’t notice this Thai fantasy about the afterlife until after it won the Palme D’Or
  • You Are Here – a series of absurdist narrative snippets make up Daniel Cockburn’s feature debut; promoters are bandying about Charlie Kaufman‘s name as a stylistic touchstone

There’s also an exhibit of Tim Burton‘s artwork to check out for Torontoians (Torontites?)  Toronto International Film Festival official site.

SCREENINGS (NEW YORK CITY: ANTHOLOGY FILM ARCHIVES)

Our Beloved Month of August [Aquele Querido Mês de Agosto, AKA This Dear Month of August] (2008): A narrative experiment: the filmmaker (Miguel Gomes) could not find funding for his movie but starting filming anyway, creating a documentary about vacationers in the Portuguese mountains in August.  Then, he introduced a fictional drama without explaining to the audience what was documentary and what was scripted.   It’s questionable whether this is truly weird, but it’s definitely experimental and “postmodern.”  Aquele Querido Mês de Agosto Official Site (French).

NEW ON DVD:

Lorna the Exorcist (1974):  There’s nothing truly weird debuting on DVD this week, but if you’re desperate to rent something off-the-wall you might give this Jess Franco lesbian-heavy occult fairy tale a go-go. Buy Lorna The Exorcist.

NEW ON BLU-RAY:

The Evil Dead (Limited Edition) (1981): Sam Raimi‘s bloody low-budget debut, which was half remade/half sequelized as the Certified Weird Evil Dead II.  There are a veritable zombie host of extras, but all of them appeared on one or another of the film’s previous video incarnations with the exception of a new commentary track from Raimi, star Bruce Campbell and producer Robert Talpert. Buy The Evil Dead (Limited Edition) [Blu-ray].

FREE (LEGITIMATE RELEASE) MOVIES ON YOUTUBE:

Boxing Jesus [Il Pugno di Jesu] (2007): An odd title and plot description (Jesus returns to earth as a boxer but is sent to a madhouse where he meets John the Baptist).  We couldn’t swear that this unknown Italian film is weird, rather than a lame comedy, but you can try it out and report back to us.  Watch Boxing Jesus free on YouTube.

What are you looking forward to? If you have any weird movie leads that I have overlooked, feel free to leave them in the COMMENTS section.

BATMAN RETURNS (1992): A SUPERHERO BURLESQUE

In 1992 some damn silly, so-called Christian organization threw a bullying hissy fit at McDonalds for its Happy Meal deal tie-in with Tim Burton‘s Batman Returns. McDonalds, true to form, prematurely withdrew its merchandising. Rumor has it that McDonalds issued a stern warning to Warner Brothers not to tap Burton for the next Batman film. For whatever reason, Warner Brothers caved into the golden arch and, consequently, put its franchise into a decade long grave with the unwise hiring of director Joel Schumacher.

Only the fundamentalist mindset can associate Big Macs with a certain brand of morality. Looking at Batman Returns (1992), one wonders what the Christian organization was bitching about. The Bible is all throughout the film and, actually the good book itself has far more sex and violence than Batman, Tim Burton, Warner Brothers and McDonalds combined.

Regardless, Batman Returns remains the greatest cinematic comic book movie to date and one of Tim Burton’s most uniquely accomplished films. Admittedly, I am not a fan of comic book movies, even if I did read comics some when I was kid, but then most kids I knew did. I was in the minority in preferring DC to Marvel, and I guess I am sort of looking forward to the new Green Lantern movie, mainly because the Green Lantern/Green Arrow comic was a favorite when I was a wee lad in the 1960s and 1970s. That was a comic that was delightfully of its time, a bit like Star Trek in espousing an ultra-liberal message with all the subtlety of a pair of brass knuckles. Even though Green Lantern himself was a bit too righteous and bland, I liked that he was obsessed with the color green and was rendered impotent by the color yellow. There was something surreal in that, and I find the insistence of realism in comics to be a huge oxymoron. Perhaps that’s why the dark surrealism of Batman Returns did not bother me like it did mainstream audiences, comic book geeks, and militant pseudo-Christian organizations.

Still from Batman Returns (1992)Even though I will acknowledge that Christopher Nolan‘s Dark Knight (2008) was well crafted, it would not have worked without Ledger’s performance holding it together. Christian Bale’s Bruce Wayne, however, pales compared to ‘s much more intense, internalized, subtle and complex Wayne. Finally, Nolan’s film feels like it has one subplot too many. Comparatively, Tim Burton’s Batman Returns is a Continue reading BATMAN RETURNS (1992): A SUPERHERO BURLESQUE

CAPSULE: THE GOOD, THE BAD, THE WEIRD [JOHEUNNOM NABBEUNNOM ISANGHANNOM] (2008)

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Recommended

DIRECTED BY: Ji-Woon Kim

FEATURING: Kang-ho Song, , Jung Woo-sung

PLOT: Set in 1930’s Manchuria (during the Japanese occupation of China) and loosely based on Sergio Leone’s The Good, The Bad, and The Ugly, the film concerns the mad-cap, gunslinging antics of three men in search of a mythical treasure.

Still from The Good, The Bad, The Weird (2009)

WHY IT WON’T MAKE THE LIST: Sure it’s got a fun premise and goofy atmosphere, but the weirdest thing about the film is the “Weird” of the title, who’s primarily a wacky take on Eli Wallach’s “Ugly” character from Leone’s film, with spiky hair and the best jokes in the script.  It’s an excellent, peculiar movie, but never reaches List-worthy levels of bizarre.

COMMENTS: Yoon Tae-goo—AKA “The Weird” (Song Kang-ho)—is a resilient petty thief who chances upon a treasure map while robbing a group of Japanese soldiers. Park Chang-yi—AKA “The Bad” (Lee Byun-hun)—is a malicious assassin sent to reclaim the map, who resigns himself to hunting down Tae-goo. Park Do-won—AKA “The Good” (Jung Woo-sung)—is a taciturn bounty hunter chasing after both men’s rewards, who eventually teams up with Tae-goo in the search for the treasure.  Sprinkle in some curious Manchurian bandits and a dedicated group of Japanese soldiers, and soon you’ve got an all-out chase replete with wackiness, gunfights, and thrills!

There’s a lot going on in this film, but the sheer enthusiasm that brings it together makes it all completely work.  The story is fun and interesting, the action is loud and inventive, the characters are appealing, and the visuals are detailed and colorful.  There’s a range of costumes, weapons, and gadgets, giving the movie a slightly anachronistic/steampunk feel.  The premise is both an homage to and appropriation of Leone’s original, but infused with its own imaginative mythos and offbeat sense of humor, distinguishing it from a simple remake.  The addition of complex Manchurian history involving a multinational conflict gives the story a unique perspective.

The three leads are superb, but Song Kang-ho really owns the film.  As “The Weird” he’s hilarious, likable, and unexpectedly capable.  Plus, he’s got a secret past!  The writers did well to make him the central character, devoting the most time to his story and giving him the best lines.  Song is adept at wacky comedy but never slides into flat characterization, making him both engaging and intriguing to watch.  Lee Byun-hun as “The Bad” spends most of his time being incredibly badass and looking sharp.  Jung Woo-sung as “The Good” is a bit bland, and it doesn’t help that there isn’t much attention paid to his character.  He has impressive firearms and his mustache looks silly.

There is very little about this movie to criticize (except perhaps the under-utilization of The Good’s character).  With its oft-frenetic pace, out-there stunts, and silly, exuberant atmosphere, it had the audience laughing out loud and gasping at crazy moments in equal measure.  The final chase scene at the end is guaranteed to have everyone riveted, while the film itself leaves viewers instinctively smiling from ear-to-ear. I believe the technical critical term is “a rip-roarin’ good time.”

WHAT THE CRITICS SAY:

“It’s a live-action comic book. More good than bad, and with a liberal sprinkling of weird, it’s got a rock ’em, sock ’em energy that knocks the dust off a dying breed of storytelling.” –Michael O’Sullivan, Washington Post (contemporaneous)

NOTE: This review is published in slightly different form at Film Forager.

The Good, The Bad, The Weird [Limited Edition]
  • The story of two outlaws and a bounty hunter in 1940s Manchuria.

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