A cheerful girl in a leotard dances to avant-garde jazz through a cosmic hallucination. Hopefully you won’t be disappointed by the complete lack of skeletons having sex.
POD 366, EP. 103: POD 366 AFTER DARK
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Discussed in this episode:
Terri “Goregirl” McSorely on X and BlueSky (for stills too explicit to be featured here)
Beneath the Valley of the Ultravixens (1979): Read Alfred Eaker’s review. Russ Meyer‘s most explicit film follows the comic escapades of a small-town, sex-crazed woman (Kitten Nativdad); recently restored by Severin Films. Buy Beneath the Valley of the Ultravixens.
Cafe Flesh (1982): Read Terri McSorley’s review. The ultimate weirdo porn film from the team that would go on to make Dr. Caligari. Released in a limited edition of 2000 copies from Mondo Macabro, this sold out almost immediately, so you’ll have to search for a used copy (which may be difficult since major retailers like Amazon and Ebay won’t carry adult items).
Cannibal! the Musical (1993): Read Pete Trbovich’s review. First time on Blu-ray for the Trey Parker/Matt Stone dark comedy musical, with tons of extras including a full-length documentary. Buy Cannibal the Musical.
“Death Laughs Among Us: Films by John Schnall”: Animator Schnall went on to make videos for MTV and Saturday Night Live, but this collection focuses on his lesser-known and little-seen early underground work. Buy “Death Laughs Among Us: Films by John Schnall”.
Ghost Cat Anzu (2024): Read Giles Edwards’ review. This Ghibli-esque anime is available to buy (only) on VOD (presumably a rental option will follow at some point); a physical media release is also coming in the first week of March. Buy Ghost Cat Anzu.
Girl Slaves of Morgana le Fay (1971): Read Gregory J. Smalley’s review. Also an exclusive limited edition from Mondo Macabro, pre-orders for this dreamlike softcore lesbian fairytale have not yet sold out as of this writing. Buy Girl Slaves of Morgana le Fay.
Hippo (2023): Read Giles Edwards’ review. The black and white black comedy arrives on Blu-ray, with a bonus short and behind-the-scenes footage. Buy Hippo.
Hundreds of Beavers (2022): Read the Apocryphally Weird entry! We hear this isn’t bad. Buy Hundreds of Beavers.
The Keep (1983): Read Shane Wilson’s review. No missing footage from Michael Mann’s notoriously slashed supernatural thriller, but a lot of extra features in this Vinegar Syndrome UHD/Blu release. Buy The Keep.
Kuso (2017): A series of surreal vignettes set in a post-apocalypse Los Angeles, from musician-turned-filmmaker Flying Lotus. This film shocked Sundance with its weirdness, but was not well-received by mainstream critics; it was previously available on an international DVD, but this is its first appearance on Blu-ray. Buy Kuso.
Love Me (2024): Kristen Stewart and Steven Yeun star as a bouy and a satellite (respectively) who meet after humanity’s extinction and fall in love. This film that Tasha Robinson of Polygon calls “a daringly weird debut” is now in theaters across the country, after debuting at Sundance last year. Love Me official site.
Supervixens (1975): Read Alfred Eaker’s review. Zany sexploitation that marked a return to bodacious form for Russ Meyer after a flirtation with the mainstream; Severin adds 3+ hours of bonus material. Buy Supervixens.
WHAT’S IN THE PIPELINE:
No guest scheduled for next week’s Pod 366, when Greg and Giles expect to cover the week’s weird movie news and releases. In written content, Shane Wilson returns to Once Within a Time (2023), Gregory J. Smalley plans to catch Love Me (see above), and we’ll release our (somewhat late) nominations for the 2024 Weirdcademy Awards. Onward and weirdward!
ONLINE FILM CRITICS SOCIETY 28TH ANNUAL AWARDS (2024) (WITH OUR VOTES)
The Online Film Critics Society awards for 2024 are in the books. Sean Baker’s entertaining stripper-meets-Russian-oligarch’s-son dramedy Anora was the big winner (Best Picture, Best Actress, Best Original Screenplay). Movies from our weird movie coverage universe earned a handful of nominations this year. The Substance garnered an impressive six nominations and two wins (Coralie Fargeat for Best Director and Margaret Qualley for Best Supporting Actress), I Saw the TV Glow was nominated for Best Picture, A Different Man got a nomination for Sebastian Stan and a special technical award for makeup, and Vera Drew‘s The People’s Joker was a surprise winner in the Best Feature Debut category. Shockingly, Hundreds of Beavers scored zero nominations, despite my votes and presumably votes from the dozen or so of my colleagues who universally lauded it.
As always, despite the occasional levity in my tone, I take my voting responsibility seriously. I do not put forward weird films at the expense of worthier mainstream candidates just because it’s “my thing.” Here is the list of this year’s winners, along with my choices and a touch of personal commentary. And I apologize that this year, due to personal circumstances, I missed an unusually high number of nominated movies. But I did get in all of the Best Picture nominees, with the exception of Nosferatu (which was not a serious contender for the top prize).
BEST PICTURE

Winner: Anora
Also nominated (listed ranked in final order of votes): The Substance, The Brutalist, Challengers, Nickel Boys, Conclave, Dune: Part Two, Nosferatu, I Saw the TV Glow, Wicked
My vote: The Substance
Comments: Clearly a strong contender based on its second place finish and directorial win, The Substance is awards-caliber horror that does not skimp on the squick. The consensus ultimately settled on a more palatable choice with Anora (my personal fifth place pick).
BEST ANIMATED FEATURE
Winner: Flow
Also nominated (in alphabetical order): Inside Out 2, Memoir of a Snail, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot
My vote: Inside Out 2
Comments: Confession: I did not see Flow, Memoir of a Snail, or the new Wallace & Gromit, so my vote here doesn’t count for much. Between Inside Out and Wild Robot (which both made my top 20 movies of the year), I picked the more secular-minded choice. Continue reading ONLINE FILM CRITICS SOCIETY 28TH ANNUAL AWARDS (2024) (WITH OUR VOTES)
51*. HUNDREDS OF BEAVERS (2022)
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“We had the spirit of Jean Nicolet and Werner Herzog with us as we were attempting to make the greatest Wisconsin film of all time. Hopefully.” ― Mike Cheslik

DIRECTED BY: Mike Cheslik
FEATURING: Ryland Brickson Cole Tews, Olivia Graves, Doug Mancheski, Luis Rico, Wes Tank
PLOT: Following the destruction of his home and factory, applejack purveyor Jean Kayak attempts, and fails, to outwit a variety of woodland creatures in his quest to find food and shelter. Thanks to the tutelage of a master trapper, he learns the fur trade, and his exploits catch the eye of a pretty furrier; however, her merchant father demands that he bring in hundreds of dead beavers to obtain her hand in marriage. Jean sets out to fulfill this request – under the watchful eye of a pair of bucktoothed detectives – whereupon he stumbles upon a massive supervillainous plot.

BACKGROUND:
- High school best friends Cheslik and Tews worked together previously on Apocrypha candidate Lake Michigan Monster. The idea for Hundreds of Beavers was concocted at a bar during the 2018 Milwaukee Film Festival, where Lake Michigan Monster was screening.
- The film was shot near small towns in Wisconsin and Michigan over the course of 12 weeks, spread across two winters in 2019 and 2020.
- Some of the cast have found fame outside of film acting. Graves (the Furrier) has earned renown under the name The Witch of Wonderlust as a folk magician, travel blogger, and pole dancing instructor (the latter talent of which she demonstrates to great effect in a surprising moment in the film), while Tank (the Master Trapper) gained viral fame for his mid-pandemic video series featuring rap performances of Dr. Seuss books.
- Cheslik and producer Kurt Ravenwood put the total budget at $150,000, with a full $10,000 allotted to the purchase of the mascot costumes. All told, the filmmakers purchased 6 beavers, 5 dogs, 2 rabbits, one raccoon, one wolf and one skunk. (The horse costume, such as it is, is bespoke.) The vast number of woodland creatures on screen at any given time were courtesy of the film’s 1,500 visual effects, all composed in Adobe After Effects.
- Recognizing that selling the film to a traditional distributor would likely result in a cursory release before being dumped on video, the producers retained the exhibition rights and commenced a roadshow tour of festivals across North America, complete with live wrestling battles between Tews and a beaver mascot. They report that more than half of the $500,000 in box office receipts came after the film became available through video-on-demand.
- The film’s poster is modeled after the one-sheet for It’s a Mad, Mad, Mad, Mad World.
- Named to multiple “Best of 2024” lists, including the Boston Globe and the Los Angeles Times. The movie took the prize for Best Narrative Film at the Kansas International Film Festival, while Cheslik was named Best Director at the 2023 Phoenix Film Festival. The film also claimed both of those awards at that year’s Wyoming Film Festival.
- The consensus pick by the writers of this site as the Best Weird Movie of 2024.
INDELIBLE IMAGE: From start to finish, Hundreds of Beavers is almost nothing but indelible images. After the zany animated prologue, there’s the silly running gag of surprise holes in the ice that turn out to be integral to the plot; every single appearance of an animal costume, including gay rabbits, overfed raccoons, and dogs playing poker; mascot guts; ice pond pinball; and so many groups of beavers that take the form of construction crews, a police force, and even a jury. There are no wrong answers. But nothing sums it all up quite like the sight of Jean Kayak on the run from the eponymous horde, his absurd raccoon hat flying off his head while innumerable human-sized Castor canadensis give chase. It’s an intentional borrow from Buster Keaton, solidifying the connection with the glory days of silent comedy and making good on the promise of the provocative title.
TWO WEIRD THINGS: The unhittable spittoon; Elementary, my dear Beaver
WHAT MAKES IT WEIRD: For a film that looks and feels like it should be a two-reeler from a hundred years ago, Hundreds of Beavers pulls off the astounding trick of using current-day, commercially available technology to assemble vintage styles and hoary-chestnut jokes into something new and entirely unexpected. Between Cheslik’s endlessly inventive microbudget solutions that result in an action film to rival a Fast and Furious entry (at .03% of the bankroll) and Tews’ gloriously full-bodied, rubber-faced performance, the elements are in place to build a tale of ever-escalating silliness and absurdity. Most of the time, you can’t really predict what’s going to happen next, and even in those moments where you might anticipate what is to come, it is accomplished with grin-inducing surprise and wit.
Trailer for Hundreds of Beavers (2022)
COMMENTS: Jean Kayak’s applejack distillery is called “Acme.” That Continue reading 51*. HUNDREDS OF BEAVERS (2022)
SATURDAY SHORT: THE FORK – OSCAR JEROME (2024)
A man in a suit digs up a bronze bust that resembles his own visage and uses it to unlock a montage of images.