Category Archives: Miscellanea

WEIRD HORIZON FOR THE WEEK OF 9/1/2017

Our weekly look at what’s weird in theaters, on hot-off-the-presses DVDs, and on more distant horizons…

Trailers of new release movies are generally available at the official site links.

FILM FESTIVALS – Venice International Film Festival (Venice, IT, 8/30-9/9):

The world’s oldest film festival, Venice is still one of the most prestigious movie events of the year, although it has been losing ground in late years as many producers who miss the chance to debut at Cannes choose to premiere at the better-attended Toronto Film Festival instead. Like Cannes, its tastes tend towards the vino e formaggio crowd, but there’s always some adventurous and/or interesting  stuff to be found in the catalog, and some high-profile debuts, as seen in our list below:

  • Controfigura – French film about a small crew trying to remake The Swimmer in Marrakesh. Screening Sep. 8 &9.
  • Dangerous but Necessary – Documentary about two-time Certified Weird director (Dillinger is Dead, La Grande Bouffe). Screens Sep. 3 & 4.
  •  Il Signor Rotpeter – Italian Kafka adaptation about a monkey who becomes a man. Screening Sep. 8.
  • Mother – ‘s psychothriller starring Jennifer Lawrence is one of the most hotly anticipated movies of the year. First peek comes on Sep. 5.
  • The Shape of Water – ‘s adult fairy tale about a cleaning woman who falls in love with a merman; some critics are calling it the equal of Pan’s Labyrinth. The opening night screening has already passed but you can catch it in wide release in December.
  • Woodshock – Looks like a grieving woman () smokes synthetic cannabinoids in the woods and hallucinates a lot. Debuts Sep. 4, also playing Sep. 5.

Venice International Film Festival official site.

NEW ON BLU-RAY:

The Manster (1959): Read our review. Not sure this campy low-budget B&W creature feature merits a hi-def release, but B-Blu collectors may be interested. Buy The Manster [Blu-ray].

CERTIFIED WEIRD (AND OTHER) REPERTORY SCREENINGS:

The Rocky Horror Picture Show (1975). We won’t list all the screenings of this audience-participation classic separately. You can use this page to find a screening near you.

What are you looking forward to? If you have any weird movie leads that I have overlooked, feel free to leave them in the COMMENTS section.

WEIRD HORIZON FOR THE WEEK OF 8/25/2017

Our weekly look at what’s weird in theaters, on hot-off-the-presses DVDs, and on more distant horizons…

Trailers of new release movies are generally available at the official site links.

NEW ON BLU-RAY:

Barton Fink (1991): Read the Certified Weird review! This Kino Lorber special edition disc of the ‘ surreal writer’s block classic contains interviews and deleted scenes and fills a gaping hole in the Blu-ray market (and the Barton Fink market). Buy Barton Fink [Blu-ray].

Jezebeth (2011): A young woman “at war with God” invokes a demon. Looks like a feature-length goth-metal video, and one Amazon reviewer wondered “I have scratched my head until it bled trying to figure out what the heck I just watched?” Buy Jezebeth [Blu-ray].

.

CERTIFIED WEIRD (AND OTHER) REPERTORY SCREENINGS:

The Rocky Horror Picture Show (1975). We won’t list all the screenings of this audience-participation classic separately. You can use this page to find a screening near you.

What are you looking forward to? If you have any weird movie leads that I have overlooked, feel free to leave them in the COMMENTS section.

WEIRD HORIZON FOR THE WEEK OF 8/18/2017

Our weekly look at what’s weird in theaters, on hot-off-the-presses DVDs, and on more distant horizons…

Trailers of new release movies are generally available at the official site links.

IN THEATERS (LIMITED RELEASE):

Dave Made a Maze (2017): Dave builds a pillow fort in his living room and then gets lost inside its maze of booby-trapped corridors; his girlfriend assembles a team to go in and rescue him. The rare film to debut at the low-budget Slamdance festival and still earn a relatively wide release. Dave Made a Maze official site.

Lemon (2017): An unsuccessful, socially-inept jerk actor loses his blind girlfriend and finds a new interracial relationship in this indie comedy. Probably more in the quirky vein, but at least one critic called it “deeply weird.” Lemon official site.

.

CERTIFIED WEIRD (AND OTHER) REPERTORY SCREENINGS:

The Rocky Horror Picture Show (1975). We won’t list all the screenings of this audience-participation classic separately. You can use this page to find a screening near you.

What are you looking forward to? If you have any weird movie leads that I have overlooked, feel free to leave them in the COMMENTS section.

WEIRD HORIZON FOR THE WEEK OF 8/11/2017

Our weekly look at what’s weird in theaters, on hot-off-the-presses DVDs, and on more distant horizons…

Trailers of new release movies are generally available at the official site links.

IN THEATERS (LIMITED RELEASE):

The Ghoul (2017): A police detective goes undercover as the patient of a suspicious psychotherapist while investigating a series of bizarre murders that leave victims in an undead state. You have to take notice of any psychological thriller that gets a good review in “The Fortean Times.” The Ghoul official site.

Planetarium (2016): A movie director seeks to exploit two psychic sisters ( and Lily-Rose Depp) in between-the-wars Paris. Reviews suggest that it’s a mess, but perhaps a somewhat weird mess. Planetarium Facebook page.

IN DEVELOPMENT (completed):

Mother (2017): Paramount released the first trailer for ‘s Mother (starring Jennifer Lawrence) this past week. Anticipation is sky-high for this “psychological horror” movie, despite the fact that there have been few to no leaks about the plot. The trailer suggests weirdness is still a live possibility. It premieres at the Venice Film Festival in a couple of weeks, so we’ll know soon enough. Mother official Facebook page.

NEW ON DVD:

“Seijun Suzuki’s Taisho Trilogy”: Full of eroticism, ghosts, and mysterious widows, this set collects three surreal period films from Japanese maverick : Zigeunerweisen (1980), Kageroza (1981), and Yumeji (1991). All set during the Taisho era (1912-1926), these three movies have never been released on Blu-ray before and have been long out-of-print on DVD. Buy “Seijun Suzuki’s Taisho Trilogy” [DVD/Blu-ray].

NEW ON BLU-RAY:

Re-Animator (1985): ‘s influential 80s black comedy adaptation of ‘s story about a couple of mad scientists raising the dead is an outrageous hoot and a seminal cult film. Arrow Video pulls out all the stops with this 2-Blu Limited Edition that includes the original cut and the much-longer “integral” version (it’s complicated), along with the commemorative booklet and reams of extras you’d expect. Buy Re-Animator [Limited Edition Blu-ray].

“Seijun Suzuki’s Taisho Trilogy”: See description in DVD above. Set includes three DVDs and three Blu-rays. Buy “Seijun Suzuki’s Taisho Trilogy” [DVD/Blu-ray].

CERTIFIED WEIRD (AND OTHER) REPERTORY SCREENINGS:

The Rocky Horror Picture Show (1975). We won’t list all the screenings of this audience-participation classic separately. You can use this page to find a screening near you.

BOOKS:

“The Holy Mountain” – A full-length appreciation of Alejandro Jodorowsky‘s mystical masterpiece by Latin American literature professor Alessandra Santos. We haven’t gotten out hands on it yet, but we do now this site’s review is cited in the bibliography.  Buy “The Holy Mountain (Cultographies)”.

What are you looking forward to? If you have any weird movie leads that I have overlooked, feel free to leave them in the COMMENTS section.

2017 FANTASIA FESTIVAL: RECAP

Before and During:

When I volunteered to cover the  some months ago, I immediately started to worry a bit. It was something new for me, utterly unprecedented in length and scope. It was ambitious, too, as I’ve averaged less than two reviews a month since I was signed up here at 366. “Apprehensive” is how I’d label the sensation that increasingly gripped me as the start approached. Fortunately, my fears were for nothing — and as tiring as the “work” was, it also proved incredibly energizing.

Over the course of my three weeks in Montréal, I kept wonderfully busy and met dozens of interesting and varied individuals. The film-makers, many of them having their debuts, were brimming with energy; the audience, too, was brimming with energy — eager both to “Meow” ((It was only toward the end of the final week that I finally got the history of this bizarre tradition of the audience “meowing” when the lights first go down. A few times was fine; by the time it reached 40+ performances, a bit less-so.)) before a screening and to enjoy their investment of time and money; the other members of the press were eager to get a scoop on the New and Exciting. My long walks to and from the screenings were well worth the worn-out footwear, as each trek to either the Auditorium des Diplômés de la SGWU or the Salle J.A. DeSève brought the promise of transportation to something on the cusp of transcendent. By necessity not every movie brought an exciting feast for my eyes and ears, but more often than not, they did.

The Good:

All told, I watched 43 feature movies at one theater or another, three screeners on my computer, and four feature-length collections of short films: 50 in total, if my math is correct (and that doesn’t include the one and only movie I walked out of). I’ve already spoken well of Lowlife and Sequence Break, as well as others in the travelogue, but there were also largely unmentioned spectacles that amazed. and ‘s nerve-wracker The Endless was an end-of-Festival highlight ((Capsule review coming soon.)) ; Tommy Swerdlow’s A Thousand Junkies deserves far more than the one sentence I dedicated to it (although it’s probably not quite a 366 kind of movie); and I can claim to have been among the first in the world to see a blemish-free, 4K remastered Suspiria in a packed house teeming with ravenous fans. God bless my Press Badge, as it got me into almost five-hundred dollars’-worth of screenings, nearly all of which would have been worth the outlay. The adjustments, scribbles, and check-marks in the photo show the daily challenge of seeing as many of the right things as possible.

The Bad:

With the kind of tally I reached, there had to be some duffers. I will never for the life of me understand the appeal of Jojo’s Bizarre Adventure, a poorly done, cheesy comedy with vapid characters that adds insult to injury by being unfunny in addition to being un-developed. 68 Kill brought about my greatest clash with the rest of the audience. I’ve put forward my arguments earlier, so I’ll just reiterate that Trent Haaga’s violence-comedy committed the greatest cult movie sin: trying too, too hard to be ludicrous and hilarious with little to show for the effort. And for sheer tedium-sans-payoff, nothing took the cake more than the languidly paced suspense whats-it, Town in a Lake. That I enjoyed a by-the-numbers action-drama like Darkland more than those ostensibly weird and out-there travesties speaks volumes for those films’ ineptitude.

All Told:

The Fantasia Film Festival was a wonderful experience and I am thrilled to have been a part of it. I was able to get in on the ground-floor with a lot of rising talent, all while spreading the gospel of 366 Weird Movies. It was a tiring three weeks that kept me busy eight-plus hours a day — and I can’t wait to go again for Fantasia Festival 2018.