DIRECTED BY: Marian Dora

FEATURING: Zenza Raggi, Carsten Frank, Janette Weller

PLOT: Two middle-aged men, an old artist, and some women embark on a series of depravities.

WHY IT MIGHT JOIN THE APOCRYPHA: It is not only one of the most disturbing movies ever, but an incoherent mess that most of the time does not make any sense.

COMMENTS: German extremism has a rich cinematic tradition stretching from Jörg Buttgereit’s infamous Nekromantik in 1988 until today. In the 21^st century, where extreme cinema has developed as a distinct genre worldwide, even more disturbing works of dubious artistic quality appear. And in the extreme horror landscape of our day, Buttgereit is no longer at the forefront. A new voice has emerged, as out of our worst nightmares. The name of that voice is Marian Dora.

Melancholie der engel (The Angel’s Melancholy) remains Dora’s most widely known movie, considered by many to be the most disturbing film to ever exist. We follow two men, seemingly with no purpose in life, who seduce three women and take them to an isolated building deep inside a creepy forest, full of dead animals, worms, and slugs. An old friend of theirs introduces himself as an artist early on, bringing another, handicapped, woman with him. And the depravity begins.

Many scenes of violent torture, mostly of a sexual nature, take place both towards the women, and towards living (or even dead) animals. The violence persists from the first moment of the movie, even when its narrative function is not always clear. Rapid editing and many close-ups create a sense of disorientation, while grotesque imagery attacks the viewer from every direction. No coherent story emerges. In the tradition of contemporary extreme cinema, as we read in “Extreme Cinema: Affective Strategies in Transnational Media” by Aaron Michael Kerner and Jonathan L. Knapp, we have something more akin to an episodic structure, with the disturbing events being the episodes.

What kind of extreme imagery are we talking about? Images of decay, mostly, in its many forms. Worms, corpses, and decomposition are always in the background. However, the cinematography maintains a painterly quality, especially in its blurry landscapes. The dreadful forest that engulfs our characters reminds us of the forest in Lars von Trier’s Antichrist (2009), if it was even more extreme and perverted. But the real evil remains inside our protagonists, the three men, and their disgusting acts.

The women are not always the typical female victims of a slasher flick or torture porn. Sometimes they seem to enjoy the depravity around them, which makes the movie even more disturbing and difficult to watch. The exhausting duration,  around two and a half hours, does not help either. It is surely a weird movie, but it is recommended only for hardcore fans of extreme horror. Everyone else, stay away from this.

WHAT THE CRITICS SAY:

“…once we reach the house, that’s when everything starts getting progressively weirder. And filthier… If you like art films as well as scatological torture of young women (you have to like both), and you can handle pretentious dialogue and depictions of real animal death, AND you’re a fan of Marian Dora’s work (a lot of criteria to fill here), you might want to try and hunt down Melancholie der Engel.”–Sean Leonard, Horror New Network (Blu-ray)

(This movie was nominated for review by “Dee Coles.” Suggest a weird movie of your own here.)