Weirdest Movie of All Time, plays a storytelling wolf-man in Flying Lotus’ new music video. The special effects may seem familiar; this short was co-directed by ., director of the recently crowned
David Firth’s most infamous series returns with its first new episode in five years. The long wait is justified, not solely by the improvement in animation, but by following the progression of being more uncomfortable to watch than the last.
Content Warning: This short contains gross and violent imagery.
PLOT: A remixed collection of David Firth’s absurdist flash animation cartoons, like “Salad Fingers” and “Health Reminder,” assembled into a stream-of-consciousness feature with some new material.
WHY IT MIGHT MAKE THE LIST: The nature of the project—an anthologized (though “remixed”) collection of previously published material as opposed to something originally conceived as a unified piece—makes Umbilical World somewhat suspect as an official List entry. There is enough bizareness here to merit the “ ” tag, however, and that will be more than enough endorsement for many folks.
COMMENTS: Umbilical World begins with “Salad Fingers,” the sweet green goblin with vegetable digits (and David Firth’s most popular creation) struck by lightning and dissolving into a puddle, out of which a glistening umbilical organ rises and glides into low Earth orbit, where it grows on to have relations with celestial objects.
It’s totally and delightfully surreal, of course, but this opening is also a way of implying connectivity between these shorts, although in reality there is no serious connective tissue between the segments. The absurdist miniatures here range from the silly tale of Salad Fingers adopting some sort of oil-soaked battered tin war surplus cylinder, to a skit with skinless gangsters using twisted Prohibition-era slang to order drinks, to straight-up satires of ads and public-service announcements, to a truly nightmarish bit involving a razor-taloned doctor puppet who wounds a horse and feasts on its blood. (Those who have only been exposed to Firth’s lighter, satirical side may be shocked by how terrifyingly dark he can go.) There is, at least, a unity of style and attitude, themes of insanity and death and despair and tubes suck through your skull, and a consistent vein of coal-black humor used to cope with these existential terrors. Extra-weird bits include a character vomiting scrabble tiles when questioned by a head sticking out of a tree stump—not to mention a baby-faced umbilicus entering a photograph of a vagina, emerging from a photograph of an anus, and vomiting eyeballs. There’s a new insane concept once every thirty seconds on average. And there are a surprising number of decapitations—usually not fatal—running throughout the work.
The transitions between the sequences are new material, with ideas like Salad Fingers taking place on a microscopic world on a piece of moldy bread. Characters also watch new cartoons on televisions embedded in the back of other characters heads. Stylistically, much of the animation remains true to Firth’s original flash versions, updated to HD; there are also segments dabbling in an ultra-grotesque form of cutout animation, with cross-eyed photorealistic heads bobbling unsteadily on animated bodies. One extended, trippy bit of digital manipulation, where 21st century Fjellström, and others—is eerie and well-matched to the mood. And while the individual pieces featured here may work better as shorts—there can be too much of a good thing, at least in one sitting—the experience is like leaving Firth’s YouTube channel on autoplay while waiting for the drugs to kick in, then checking in just when you’re peaking to find something on that plays like a collaboration between , , and a serial killer.amoebas morph in pseudo-3D over the image before exploding into a fractal supernova and then turning into a stop-motion / homage with mannequin heads and a spinning plate of fruit and sundered body parts, ventures into brave new territory. The music—by Flying Lotus, the late Marcus
On a personal level, I was only familiar with the three Firth shorts previously published on these pages, plus a few more we screened and passed over for another day. I suspect someone like me may be in the best position to appreciate this collection. If you have too much familiarity with Firth’s work, you might be disappointed in how little new material is here, or be upset if your personal favorite was left out. If you have too little familiarity with Firth’s work, you might miss out on a bit of context or some of the umbilical connections, or simply be stunned by the mix of click here for options), or on DVD with a bonus “making of” documentary and director’s commentary.-style jokes with nightmares bolt up in bed screaming. In any case, there is an obvious pitch to this work: Firth has worked hard publishing on YouTube to build a fan base, but paltry streaming advertising revenues don’t pay the bills for 99% of content providers. Like a Kickstarter reward, Umbilical World offers fans a chance to show him a little financial support, and to receive something new and exclusive in exchange. Umbilical World also immortalizes Firth’s work in a less ephemeral fashion. It’s available streaming (
WHAT THE CRITICS SAY:
A doctor gives suspect health information in this absurdist medical satire from 366 fave.
‘s work is notoriously dark and unfriendly for advertisers. He recently found himself in a financial bind, and was considering getting a day job. He plead his case to the internet, and started a Patreon campaign that succeded almost immediately. To express his thanks, he released a short he spent an entire year developing.
“Cream” is a cure-all for everything imaginable. Do you have acne? Just rub some Cream on it. Is your TV broken? All it needs is a dab of Cream.
Content Warning: This short contains disturbing imagery.
David Firth, creator of our first Saturday Short “Crooked Rot”, receives his second appearance on our site with the eighth episode of his bizarre comedy series, Salad Fingers. (If you haven’t seen the previous seven, don’t worry. There’s no background information you’ll need in order to understand this one.) Whether you laugh so hard you puke, or curl up in the fetal position during this clip, one thing is certain, David is a master of weird.
“Saturday Short” (suggestions on a better title are welcome) is a new feature where we’ll be featuring a new (to us), full-length, weird short every Saturday. Shorts are selected by our new “shorts editor” Cameron Jorgensen.
This stop-motion animation by David Firth is just over a year old. David found a lot of the props he uses in this animation in his own backyard. Beware, most of his shorts are very creepy, and “Crooked (Orcus) Rot” is no exception. A lot of his work can be defined as dark humor while this would better fit under experimental. Musical score written by Marcus Fjellstrom.
For more of Firth’s work be sure to visit his site: http://www.fat-pie.com/
Filmmakers: if you have a short you’d like to see featured in this space, please contact us using the contact form.