DIRECTED BY: Chad Crawford Kinkle
FEATURING:Lauren Ashley Carter, Sean Bridgers, Sean Young, Larry Fessenden
PLOT: In an insular rural community, a malevolent pit periodically demands the sacrifice of whoever’s face appears on a jug.
WHY IT WON’T MAKE THE LIST: The notion of a supernatural hole in the ground that demands human sacrifice is just strange enough to put Jug Face on our radar, but once you buy into the outlandish premise, the remainder of the film is a standard horror outing, not a weird film per se. This under-the-radar release is still recommended for fans of offbeat, atmospheric horror.
COMMENTS: Beginning with animated folk art titles illustrating a bloody primeval ritual, Jug Face sets out its mood, mythology and themes with extreme efficiency. In the opening scene, teenage Ada very nearly engages in illicit intercourse in the sight of the mysterious Pit from the title sequence, beginning a fearful association between that hole in the ground and female sexuality that will only get queasier as the movie progresses. (Later, Jug Face will subject us to the most disturbing of gynecological exams). The movie is set in a mythical Southern Gothic enclave where moonshine is both the sole export and a sacrament, where outsiders are shunned, and where the occasional human sacrifice is tolerated as a harsh necessity of the land. The metaphysics of the Pit are never explained (we learn nothing more about it than that it “wants what it wants”), but the devotions it demands are revealed in detail. Falling into a trance, a simple-minded potter shapes the clay into the face of the Pit’s next victim, who is dispatched according to traditions handed down from generation to generation. If the process is subverted and the Pit doesn’t get what it wants, things get hairy for the locals. The idea of a Pit-worshiping cult hiding out somewhere in a remote mountain holler may sound hard to buy, but Jug Face‘s quiet conviction puts the far-fetched material over. The detailed script has an answer for almost every question you might have—even questions you hadn’t thought to ask. The direction is confident and straightforward. Most of all, the cast is dedicated to bringing this odd community to life. A hick nerd with duct tape holding his glasses together, Dawai (Sean Bridgers) is effective as the cult’s mouth-breathing chosen potter. Indie-horror stalwart Sustin (Larry Fessenden) leads the redneck sect, but his wife Loriss holds the power in their household. Played by Sean Young (where’s she been lately?), Loriss is a small role with a big impact; this chain-smoking harridan may just be enforcing tribal norms, but she takes a sadistic pleasure in lording her petty power over her helpless children. Although Young has vicious fun with her role, Lauren Ashley Carter, as the young daughter Ada, haunted by sexual guilt, carries the film. Looking like a young Christina Ricci, permanently clad in her one dowdy grey frock, Ada’s normal teenage urges towards experimentation and rebellion put her at odds with her community. She conveys a sympathetic torment as she struggles between self-preservation and loyalty to the only moral code she’s ever known. She’s a sinner, but one we can identify with. Playing out with grim fatalism, like a cross between Winter’s Bone and Shirley Jackson’s “The Lottery,” Jug Face creates a unique folk mythology and is filled with an creepy sense of backwoods doom. It’s a promising debut for writer/director Chad Crawford Kinkle.
As of this writing, Jug Face is available for viewing via video-on-demand outlets. It receives a limited theatrical run in August and is scheduled to show up on DVD and Blu-ray in October.
WHAT THE CRITICS SAY:
“…an insanely bizarre and creepy slow-burn with a lot of good ideas, and precise execution.”–Brad Miska, Bloody Disgusting (contemporaneous)