Tag Archives: 2023

TOP 10 WEIRD MOVIES OF 2023

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2023 is officially in the books, and we’re still here, against all odds.

Actually, for the purposes of weird movie accounting, we put 2023 to bed last month. Our annual movie calendar traditionally ends on the last day of November. We’re usually not missing out on much; December releases are typically limited to Oscar bait dramas and extended-universe tentpoles. This year, however, a pair of major weird releases dropped in December, too late to qualify for this list: ‘s animated fantasy The Boy and the Heron and ‘ horror/sci-fi satire Poor Things. I have a feeling that, based on their performance in my overall 2023 list (which, confusingly, does include December releases), you will see both of them place high in next year’s weird movie list.

Once Within a Time, Weirdest Movie of 2023As always, there were hard cuts at the bottom of the list. struck again with another absurdist comedy, the picaresque, kaiju-esque Smoking Causes Coughing. Dream Scenario gave a mainstream prestige role, but still allowed him the chance to explore a nerdier shade of weird.  A New Old Play, which was made in 2021 but didn’t screen in the U.S. until this year, was a phantasmagorical trip  through Chinese history (and into Chinese Hell). Minimalist surrealism found expression(ism) in the low budget, mythologically-sourced Leda. And Zapper!, another microbudget psychedelic marvel with flying moose heads and banana guns, was the final film to miss the top 10 cut.

This year, this is my personal list, with no input from the rest of the staff—although you can see Giles Edwards‘ and El Rob Hubbard‘s choices at the bottom of this post (along with a composite from the three of us), and also in our most recent episode of Pod 366. Therefore, if you feel that it’s a crime that your favorite came in at #3 when any idiot can see it obviously deserves to be #1, I am the idiot to blame. When ranking, I use a secret proprietary formula that accounts for cinematic craftsmanship, the degree of surrealism/weirdness, and the perceived prestige in the weird movie community based on buzz and reader feedback, then I shuffle them into whatever arbitrary order I momentarily feel like without regard to any of that.

So, on to the official Weirdest Movies of 2023 List! As always, films are listed in random order—the weirdest of orders.

1. Once Within a Time: Also coming in at #10 on my overall 2023 top Continue reading TOP 10 WEIRD MOVIES OF 2023

TOP 10 MOVIES OF 2023: MAINSTREAM EDITION

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Here is my obligatory/traditional annual top 10 list of movies, ranked according to mainstream standards. In other words, weird movies are allowed on this list, but I attempt to rank the 2023 releases according to their general cinematic merit, intended for people who don’t specialize in the surrealer genres. If you want an advance peek at the weird list (coming tomorrow), check out our latest episode of Pod 366.

There are a fair number of films that might have made this list but for the fact that I didn’t have time to get to them in 2023. Notably, I wasn’t able to screen awards contenders All of Us Strangers, American Fiction, American Symphony, Anatomy of a Fall, Apolonia Apolonia, The Color Purple, Fallen Leaves, Ferrari, Four Daughters, Maestro, May December, The Mother of All Lies, Rustin, Saltburn, Society of the Snow, The Taste of Things, or The Zone of Interest before drafting this list. I expect to see most of these before awards voting season concludes, and some of them may end up deserving inclusion here.

Before the official top ten starts, here are 2023’s numerous honorable mentions, in alphabetical order: Beau is Afraid, Beyond Utopia, Blackberry, Blind Willow Sleeping Woman, Dream Scenario, Dungeons and Dragons: Honor Among Thieves, Give Me Pity!, John Wick 4, Killers of the Flower Moon, Lynch/Oz, Mission Impossible – Dead Reckoning Part 1, Past Lives, Robot Dreams, Suzume, Talk to Me, Unicorn Wars, Unidentified Objects, and When Evil Lurks.

Before commenting on this list, take a look here and see if your comment fits into one of these predefined categories.

And now, the official list:

10. Once Within a Time: Curtains open on a glowing, chanting golden tree woman, then children watch a couple with wicker cages around their heads wander through incidents of apocalypse, technology, and wonder. Simultaneously ancient and hyper-modern, Godfrey  Reggio‘s visually-stunning surrealist experimental feature is as an apocalyptic dispatch from the far reaches of reality and a major cinematic event of 2023. With a new Philip Glass score, Iranian vocalist Sussan Deyhim as a tree-mother-goddess-spirit with a glowing heart, and a very special guest star as a pied piper who speaks in saxophone solos. Under an hour long, but because of its esoteric nature (Reggio dubs it a “bardic fairy tale”) its exposure was limited to museums and major art-house venues; hopefully it will find it’s way onto disc/streaming services soon.

9. The Origin of Evil [L’Origine du mal]: A sardine factory worker (a ruthless but needy Laure Calamy) reconnects with her rich, estranged father, who lives in an isolated mansion with four women, each of whom have their own secrets and schemes. A meticulously plotted French film where no one may be who they seem, slowly unraveling a great deal of nasty behavior amidst a sprinkling of satire and split screens. You’ll be wondering who’s plotting against whom— Continue reading TOP 10 MOVIES OF 2023: MAINSTREAM EDITION

366 UNDERGROUND: THE SUDBURY DEVIL (2023)

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The Sudbury Devil can be rented or purchased on-demand.

DIRECTED BY: Andrew Rakich

FEATURING: Benton Guinness, , Josh Popa, Matthew Van Gessell, Kendra Unique

PLOT: In 1678, 2 years after King Philip’s War, two Puritan witch hunters from Boston, John Fletcher (Guinness) and Josiah Cutting (Popa), are sent to a town in the Massachusetts sticks to investigate allegations of witchcraft and deviltry in the nearby woods by Isaac Goodenow (Van Guessel), where they encounter Patience Gavett (Gregg) and her companion Flora (Unique).

Still from "The Sudbury Devil" (2023)

COMMENTS: American folk horror is an established genre in literature, but it hasn’t quite made the jump to movies or television to the extent that its British cousins have. Outside of adaptations of Washington Irving’s “The Legend of Sleepy Hollow” and Nathaniel Hawthorne’s works (“The House of the Seven Gables”, “Young Goodman Brown” to name a couple), ‘s Eyes of Fire is probably the film people would point to, along with Ravenous and The Witch.1

The Sudbury Devil is a good addition to that slim lineup, and even more impressive for accomplishing what it does on its budget; of the films mentioned, it’s certainly the one that qualifies as microbudgeted, and it makes the most of its available resources.

If you mashed up A Field in England with Ravenous and The Witch,  you’d get The Sudbury Devil. It’s more than apparent that director/writer Rakich is a hardcore fan of the aforementioned films, and it’s to his and his cast and crew’s credit to have produced a film which goes further than its predecessors, as proper Hellspawn should.

Director/writer/actor Andrew Rakich is known for his Atun-Shei YouTube page, where he utilizes his knowledge and interest in history—he was a ‘living historian’ at Gettysburg National Military Park and a New Orleans tour guide—to produce work that amuses and informs. Starting from highlighting sites and events in New Orleans, he progressed to a Civil War series, “Checkmate, Lincolnites!”, which takes on the mythology of the South’s “Lost Cause” propaganda in entertaining fashion. Entertaining here means comedic, which makes sense; hard and unflattering truths tend to be accepted easier if there’s a laugh or joke involved, and once hooked, thinking can begin (ask filmmaker .) The same effect can be obtained by replacing laughs and jokes with dread and horror in Sudbury (although there is a touch of black humor in what the filmmakers describe as a “mischievous indictment of America’s foundational rot”).

As Sudbury lays it out, hypocrisy is at the heart of that rot. The justification of King Phillip’s War, which eradicated much of the indigenous population of New England, still weighs heavily on Fletcher in his nightmares. The “piety” of Cutting and Reverend Russell allows their disdain of women (specifically Patience). Russell supports  Mosley’s Company and the war, despite actively avoiding any involvement in it. Cutting dsiplays racism towards the original inhabitants of the land and towards Flora, despite his attraction.

While sex has always been a part of folk horror, it’s usually presented obliquely rather than directly. Sudbury puts it upfront: polyamory, homoeroticism, masturbation, gender-shifting, and even a climatic double penetration (although not in the way that you might expect.) Sex and sexual freedom is usually presented as aligned with devilry in folk horror, though Sudbury subverts that expectation.

In that sense, Sudbury is not only folk horror, but also a subset of what could be termed ‘Woke Horror’ (Get Out, Us, Harvest Lake, The Angry Black Girl and Her Monster). This vein of film includes the works of , ‘s The People Under the Stairs (1991), and others; a long established tradition, so ‘Woke Horror’ isn’t such a new thing after all.

The Sudbury Devil will be available on VOD today, December 21—in time for Xmas!— on Rakich’s website, Atun-Shei Films. Other related work that may help in understanding the nuances of the film (King Phillip’ War, Sudbury area history, and specifics in the film) can be viewed there and on YouTube, as well as the webseries Checkmate, Lincolnites and The Witchfinder General, a lighter look at Puritanism. A physical media release may also happen sometime in 2024.

A note of interest for those literary horror aficionados who notice the name Tabitha King as an executive producer: yes, it is that Tabitha King (novelist and wife of an obscure writer named Stephen King). As Rakich explained in the Pod 366 interview, she is also a noted genealogist and had heard about the production and contributed to it.

Listen to our interview with Andrew Rakich and producer Veronika Payton about The Sudbury Devil.

  1. I’m certain there will be “That Guy” who pops in with some titles not named. That’s a protracted discussion for another time, after Vol. 2 of “All the Haunts Be Ours” is released… ↩︎