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CHANNEL 366: SCOTT PILGRIM TAKES OFF (2023)

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DIRECTED BY: Abel Góngora

FEATURING THE VOICES OF: Mary Elizabeth Winstead, Michael Cera, Satya Bhabha, Kieran Culkin, Chris Evans, , Brie Larson, Alison Pill, , Brandon Routh, Jason Schwartzman, Johnny Simmons, Mark Webber, Mae Whitman, Ellen Wong

PLOT: Slacker bassist Scott Pilgrim must defeat seven evil exes in order to win Ramona Flowers, the girl of his dreams… but a surprising outcome leads Ramona to investigate her own romantic past and the new world that has resulted. 

Still from Scott Pilgirm Takes Off (2023)

COMMENTS: When Scott Pilgrim vs. The World was unleashed upon audiences, the entertainment world braced itself for the perfect synthesis of teen romantic comedy and arcade-style fighting action, the arrival of Edgar Wright in the big leagues, and the birth of a storytelling phenomenon. And the result was… something less than that. The film captured the spirit of Bryan Lee O’Malley’s anime-inspired comic, Wright’s dense candy-colored melange of light and sound was groundbreaking, and the movie’s cast would ultimately be revealed as a murderer’s row of silver screen talent. But crowds did not throng to to the cinemas, and the film fell well short of breaking even at the box office. So Scott Pilgrim did the only thing it could do: it became a cult object.

The thing about cult objects is that their dedicated fan base can sometimes inspire the development of more product, but re-capturing that initial magic is often be such a fruitless pursuit that the reality is worse than the longing for more. So it’s not a question of whether the arrival of a Netflix animated series featuring nearly the entire movie cast lending their voices would produce a response from the most devoted Pilgrim-heads, but whether that series would leave diehards fulfilled, or furious. Intriguingly, “Scott Pilgrim Takes Off” charts a course that feeds into the nostalgia machine before almost immediately pulling the plug on it.

As if wanting to reassure faithful viewers that this is the very same material you fell in love with over a decade ago, the premier episode plays out as a near-repeat of Scott Pilgrim vs. The World’s first act, re-introducing all the familiar characters and playing out the meet-cute between slacker-dreamer Scott and doe-eyed dream girl Ramona. But the big twist—which is so fundamental to the miniseries’ execution that the producers begged critics to embargo the surprise during its release, so let’s just consider this a big ol’ SPOILER ALERT right now—is that Scott loses his first showdown with a member of the League of Evil Exes. Leaving nothing behind but a few coins, our ostensible hero is gone, with seven episodes to go. (Essentially, the “Takes Off” part of the title should be interpreted in the most Canadian manner possible.) And what we’re left with is the World Continue reading CHANNEL 366: SCOTT PILGRIM TAKES OFF (2023)

LIST CANDIDATE: THE VOICES (2014) [PLUS “7TH DAY” AND “ENTER THE DANGEROUS MIND”]

DIRECTED BY:

FEATURING: , Gemma Arterton, , Jacki Weaver, Ella Smith

PLOT: A likable schizophrenic struggles to corner reality when he accidentally kills the object of his affections after going off his meds.

THE VOICES
WHY IT MIGHT MAKE THE LIST:  The Voices is comic in the black style of Blood Diner (1987), yet unexpectedly hits us with grim, sometimes even poignant, perspectives—then throws us curve balls, such as when the movie bursts into a stylized dance number to represent a character’s transition to the afterlife.

COMMENTS: There’s no shortage of movies about crazy guys who murder women. While I like graphic horror, the violence has to further the plot and the plot has to either make me think, or grandly entertain me. In cinema, the torturing of helpless people presented as a spectacle to make up for a poor story line is sick and boring. That said, three recent and overlooked independent movies about crazy guys murdering women have caught my attention as standout works! These films are similar in that in each of them, the killer is the protagonist, and the character-study plots attempt to show us what’s going on inside his head and why.

In these three stories the slayers are vulnerable and delusional in ways that almost make us excuse their actions. Each misguidedly pursues, and us rejected by, an idealized love interest. Each strives to lead a normal life, but keeps tripping over his own mental illness. In all three films, the murderer is schizophrenic who rationalizes his thoughts and actions to, or is advised by, an imaginary confidant. Each entry in this demented trio of serial killer flicks effectively pulls off this fictitious friend gimmick, which not only adds and extra dimension to their respective stories, but oddly—and unsettlingly—compels a twisted sort of empathy for the homicidal central characters.

Still from Enter the Dangerous Mind (2013)In director Victor Teran’s Enter the Dangerous Mind (2013), featuring Scott Bakula and Jason Priestley, Jim (Jake Hoffman), is an aspiring electronic music composer who goes completely insane. It’s a serious film, and Jim has serious issues with the opposite sex. His low self-esteem and the near perpetual berating he receives over his ineptitude with girls compounds his emotional baggage. The admonishment and abuse comes from Jim’s caustic imaginary roommate. Rejection by his love interest leads to paranoia, exacerbated by the ever escalating timbre of a strange and terrible chorus of discordant sounds in Mark’s head; disembodied voices mixed with the maddening phonic trappings of our total-immersion electronic media culture.

7th Day (2012) is a gritty, low-budget but well-produced effort authored by Mark Leake, the writer/director of the -esque cannibal exploitation film parodies Isle (2008) and Pleasures of the Continue reading LIST CANDIDATE: THE VOICES (2014) [PLUS “7TH DAY” AND “ENTER THE DANGEROUS MIND”]