366 UNDERGROUND: THE GAYS (2014)

DIRECTED BY: T. S. Slaughter

FEATURING: Chris Tanner, Frank Holliday, Mike Russnak, Flip Jorgensen, Matthew Benjamin

PLOT: The wacky adventures of the Gay Family, matriarch Bob Gay-Paris and patriarch Rod Gay, who raise their gay sons, Alex and Tommy, and teach them valuable lessons in empowerment.

Still from The Gays (2104)

COMMENTS: The Gays is T.S. (Skull and Bones) Slaughter’s twisted take on the family sitcom, where everyone learns a lesson along the way. It also spoofs the Conservative Nightmare about The Gay Agenda: what would happen if gay parents educated their offspring about being gay?

It’s intentionally over the top, in ‘ style, so conventional viewers should find a couple of things to be scandalized by.  Aided by the performances of the two leads, Chris Tanner and Frank Holliday, most of the intended audience for the film should find it empowering and hilarious, and in that aspect, there’s much to recommend.

Objectively, some might find most of the humor a bit one-note to sustain a feature, and some of the other performances aren’t up to the level of Tanner and Holliday, but I think that most of the people who’ll like this film will be more than willing to overlook the lack of Hollywood polish.

The Gays is now available on DVD and streaming video; visit The Gays official site for ordering information.

Still from The Gays (2014)

 

WEIRD HORIZON FOR THE WEEK OF 10/31/2014

Our weekly look at what’s weird in theaters, on hot-off-the-presses DVDs, and on more distant horizons…

Trailers of new release movies are generally available on the official site links.

IN THEATERS (LIMITED RELEASE):

ABCs of Death 2 (2014): Sequel to the sporadically good, sporadically weird original; the second-string lineup of directors still includes a couple of fascinating names like and .It will be playing in cities with an Alamo Drafthouse franchise this week; others will have to check it out on demand. ABCs of Death 2 official site.

Goodbye to Language [Adieu au Langage] (2014): The latest from  , now in his mid 80s, is shot in 3D and features nude women, dogs, philosophical discourses, and experimental visuals. Late Godard tends to be “difficult” (and usually not much fun), and we would expect nothing less here. Goodbye to Language official site.

Horns (2013): An accused killer (Daniel Radcliffe) awakes one day to find horns growing from his head and people suddenly anxious to confess their secrets to him. One critic called the movie “the pointless kind of weird,” which we view as the pointless kind of criticism. Horns official site.

IN DEVELOPMENT (Indiegogo):

California Electric (est. 2015?): The summary says “a family of three have collective seizures and start to have visions of one another doing terrible things,” and the teaser trailer is simply a man having a 90 second seizure. The director promises “it’s very much in line with and inspired by the films of [366].” They’re trying to raise $55,000 by Dec. 20.  California Electric at Indiegogo.

Dario Argento’s The Sandman (est. 2015?): ‘s latest work (like his flop Dracula) hasn’t inspired much confidence, but never let it be said he gives up easily. Seeking complete creative control, he’s crowd-funding his latest horror project, the story of a serial killer named the Sandman whose favored weapon is a melon baller. To sweeten the deal, is slated to portray the antagonist. Oh, and it’s a Christmas movie. One final note: at the minimum five dollar donation level, North Americans get a one-month subscription to Fandor—that’s a sweet deal. At this writing Argento has raised $108,000 of his $250,000 target, with nine days to go. Funding is flexible, so the project keeps whatever is pledged even if they don’t meet their goal. Dario Argento’s The Sandman at Indiegogo.

NEW ON DVD:

“The Complete Jacques Tati”: Read our review of Play Time. Deep-pocketed 366 readers (you exist, don’t you?) may be interested in the Criterion Collection’s 12-DVD compilation of the French clown’s six features and seven shorts, with the usual voluminous extras. Buy “The Complete Jacques Tati.”

NEW ON BLU-RAY:

“The Complete Jacques Tati”: See description in DVD above. Fits on 7 Blu-rays and currently is retailing for the same price as the bulkier DVD set. Buy “The Complete Jacques Tati” [Blu-ray].

The Devil’s Carnival (2012): Read our review. ‘s direct-to-DVD musical horror followup to Repo: The Genetic Opera fell under the radar, but it’s a worthwhile (if too short) treat for macabre cabaret fans. Buy The Devil’s Carnival [Blu-ray].

Nightbreed (Director’s Cut) (1990): This is a new director’s cut (not the infamous 160 minute “Cabal Cut” ) of Clive Barker’s 1990 cult horror about an encounter between a village of mutants and a serial killer. A limited edition Blu-ray that’s a bit too pricey for casual fans ($72 at this writing). Buy Nightbreed (Director’s Cut) [Limited Edition Blu-ray].

What are you looking forward to? If you have any weird movie leads that I have overlooked, feel free to leave them in the COMMENTS section.

JAMES WHALE’S THE BRIDE OF FRANKENSTEIN (1935) ON BLU-RAY

“With a few exceptions, The Bride of Frankenstein represented the last gasp of the horror film as a serious genre,” claimed Andrew Sarris. The late critic had a point. By now, Whale’s blackened horror comedy sequel to Frankenstein (1931) has become so legendary, it is almost too easy to forget how much Bride of Frankenstein (1935) is a standalone film, possessing a texture unlike anything before or since. Genre classifications be damned.

Director  had vehemently and repeatedly refused Universal Studio’s pleas for a sequel to his runaway 1931 hit, but when they promised him carte blanche, his enthusiasm was inspired.  Whale set to work on a high camp satire, playing havoc with Western family values. Our contemporary idea of a Gothic celluloid baseball bat taken to the bourgeoisie might be Barry Sonnenfeld’s Addams Family Values (1993). Compared to Whale’s authentic island of misfits, the creepy, kooky klan are comparatively status quo.

It may be tempting to dismiss the endless essays addressing the film’s homosexual themes as wishful revisionist hindsight, but the head-in-sand  types are as clueless as yesterday’s batch of “Liberace is gay?”naysaying muggles. Yes, James Whale was gay; shockingly, openly gay for the 1930s. The queered eye of Bride‘s hurricane blows in the form of Ernest Thesiger’s Dr. Pretorius, extending his role of Horace Femm from Whale’s The Old Dark House (1932). Accompanied by his horticultural box of little people, Pretorius endorses necrophilia, snubs his beautifully bitchy nose at homophobic mores, and constructs a deco bride for a simpleton bisexual monster, gesticulating with all the subtlety of a high-dive belly buster.

Still from Bride of Frankenstein (1935)Although Thesiger practically walks away with thespian honors, Boris Karloff excels in his greatest performance. Karloff initially objected to the monster’s dialogue, which is understandable in light of his mastery of silent pantomime that rivaled both Chaplin and Chaney. However, Continue reading JAMES WHALE’S THE BRIDE OF FRANKENSTEIN (1935) ON BLU-RAY →

5TH READERS’ CHOICE POLL RUNOFF VOTE

There were some surprising results in our annual readers’ choice poll. Despite spreading the voting among more than 60 movie candidates scattered across three groups, we ended up with two ties in the voting. In Group A Santa and the Ice Cream Bunny easily ran away from the competition (and we can’t complain about that; this is a truly bizarre Florida-set Christmas movie about Santa getting his sled caught in the sand and telling the assembled children the story of Thumbellina, all designed to promote a rather sad-looking theme park). Despite over two hundred votes being cast in the Groups B and C races, both somehow ended at the voting with two movies tied. In Group B it was ‘s cut-n-paste disaster Ninja Champion (1985) (a movie which stands in for Ho’s entire body of work), knotted up with ‘s black comedy Punch Drunk Love (2002) (in what other poll would Ho and Anderson possibly receive equal billing?) A similar standoff occurred in Group C, where incipient cult-comedy Scott Pilgrim vs. the World came from nowhere at the last minute to tie with and ‘s surreal sophomore giallo tribute, The Strange Color of Your Body’s Tears.

In a normal contest where we were just elevating two movies onto the List of the 366 Best Weird Movies ever made, we would probably just honor the tie and enshrine both flicks. Since we were already allowing for an extra movie this year and taking three votes rather than the usual two, we’re going to have a special runoff election here rather than put five reader choices on the List. (We’ll give special consideration to the runners-up when we consider new additions in the future).

We’re really biting our tongues on some of the choices here but we promise we’ll honor our obligation to Certify whichever movies you guys pick as weird. This runoff vote will last for one week, ending at midnight on Nov. 6. Same rules for the runoff as for the main vote—you are allowed to cast a vote once every 24 hours. Okay, start voting… now!


Celebrating the cinematically surreal, bizarre, cult, oddball, fantastique, strange, psychedelic, and the just plain WEIRD!