31. FUNKY FOREST: THE FIRST CONTACT [NAISU NO MORI: THE FIRST CONTACT] (2005)

“Only appearing in your dream. Distorting every sound to create a world like to other. This is what they live for; jumping from one person’s dream to another. Once you have been chosen, you will lose all control of your dreams.”–from the script of Funky Forest: the First Contact

Weirdest!

DIRECTED BY: , Hajime Isimin (AKA Aniki), Shunichiro Miki

FEATURING: Tadanobu Asa, , Susumu Terashima, and a large ensemble cast

PLOT: Funky Forest is a series of absurdist skits—including both computer generated and hand drawn animation segments and musical interludes—sharing some common characters and situations, thrown together in a blender. The movie features the interwoven antics of two squabbling TV comedians, a trio of brothers who are unpopular with women, an English teacher in love with a recently graduated student who sees him as a friend only, and a school where strange bloodsucking creatures are growing, among many other threads. The comic nonsense sketches and dreams are loosely tied together by references to visitations from “alien Piko-Rico.”

Still from Funky Forest: The First Contact (2005)

BACKGROUND:

  • There is little hard information on this production available in English. Of the three credited co-directors, Katsuhito Ishii, who directed the majority of the sequences, is usually given most of the credit for assembling the collaborative project.
  • Ishii composed the animated sequences for Quentin Tarantino’s Kill Bill, Vol. 1 (2003) and had a minor arthouse hit with The Taste of Tea (2004).
  • Funky Forest is the first movie directing credit for Shunichiro Miki, whose only previous movie credit was a small acting role in The Taste of Tea. Miki directs commercials in Japan. He is responsible for the “monster” segments of the film.
  • Prior to Funky Forest, Hajime Isimin (who is also known as Aniki) had released one direct-to-video comedy in Japan and worked as the musical director on The Taste of Tea. He is responsible for the “Notti & Takefumi” sequences that contain the film’s major musical and dance numbers.
  • Funky Forest won the “Most Innovative Film Feature” award at the 2006 Toronto After Dark film festival.

INDELIBLE IMAGE: The still of the Japanese schoolgirl with a tube jammed into her navel hooked up to a strange machine encasing a large orifice while two strangely costumed men look on, from the segment titled “Wanna go for a drink?”, has already become an iconic image on the Internet. It’s the picture people post or email when they want to illustrate either 1. how weird the movie Funky Forest is, or 2. assuming the picture is from a mainstream Japanese soap opera, how weird they think the Japanese people in general are.

WHAT MAKES IT WEIRD: As the trailer indicates, Funky Forest‘s weird credentials are unimpeachable; if anything, this is a movie that’s almost too weird to be comprehensible, which is why it’s nice that it’s divided into small bites that can be digested independently. It works like a surrealist version of Altman’s Short Cuts.


Japanese language trailer for Funky Forest

COMMENTS: The opening paragraph of every review of Funky Forest is where critics get Continue reading 31. FUNKY FOREST: THE FIRST CONTACT [NAISU NO MORI: THE FIRST CONTACT] (2005) →

REVIEW WRITING CONTEST #1: WIN AN “A CLOCKWORK ORANGE” BLU-RAY!

A Clockwor Orange Blu-RayWe’d love to get our readers more involved in the forum and to discover new contributors, so we’re offering an incentive: write a review of a weird movie, win an A Clockwork Orange Blu-Ray!  (This is the slightly used copy of the film used to compose the review on this site).

The rules of the contest are simple:

  1. Write a review of a movie that you think should be on the List of the 366 weirdest movies ever made, but that hasn’t been covered here yet (you can find the titles we have covered here). Including the following sections: DIRECTOR, FEATURING (listing the most important actors), PLOT (a one sentence synopsis), WHY IT DESERVES TO MAKE THE LIST (a one sentence to one paragraph description of why you think the movie is weird), COMMENTS (one to two paragraphs describing the movie in more detail).  If you have a suggestion for a still to represent the movie and/or a quote from a critic on the film, you can include those, but they are not required.
  2. Submit your work on our contact form.  By submitting your entry on this form, you agree to allow 366weirdmovies.com to publish your work, either whole or in edited form, on this website. Your work may be selected for publication even if you are not chosen as the winner.
  3. The contest is open to anyone whose work has not previously been published on 366weirdmovies.com.
  4. You may not write a review promoting a film which you were involved in the production of, or in which you have a financial interest.
  5. This site strives to remain “PG” rated; do not use profanity in your review.
  6. The contest will remain open for one month, until September 3, 2009, at which time the editor will select the best entry.  The winner will be chosen on the basis of writing style, insight, and appropriateness of the movie chosen.  The deadline may be extended, depending on the number of entries received.
  7. In order to be eligible to receive the prize, you must supply a valid email address and a valid mailing address.  International addresses are acceptable.  If the winning entrant does not supply a valid mailing address, the Blu-Ray will be given to a randomly selected entry with a mailing address in the United States.  If no entries are from the United States, then the deadline to complete the contest will be extended.

TIPS: Avoid merely summarizing the plot in your comments.  Avoid giving away “spoilers” in your descriptions that might ruin the enjoyment of the film.  Obscure titles are fine—in  fact, they may be worth bonus points—but try to pick a film that is available on DVD, or is at least likely to be released.  If you write on a film no one will be able to view or locate, the movie may be judged as inappropriate.

One final tip: don’t be scared away by thinking you have to write something profoundly insightful.  Simply consider it as a chance to describe and recommend a film to that narrow audience people who are interested in the same kind of weird movies as you are.

Have fun!  The winner, and even the runners-up, may be invited to become regular contributors to the site!

BORDERLINE WEIRD: BAD BOY BUBBY (1993)

Bad Boy Bubby has been upgraded and placed on the List of the 366 Best Weird Movies of All Time. Please read the Bad Boy Bubby Certified Weird Entry and direct any comments about the film to that page. Comments are closed on this review, which is left here for archival purposes.

DIRECTED BY:  Rolf de Heer

FEATURING: Nicholas Hope

PLOT: Raised by his mentally ill mother with no knowledge of the outside world in what is

Still from Bad Boy Bubby (1993)

essentially a fallout shelter, middle-aged Bubby is suddenly released into a modern Australian society he can hardly comprehend, but must learn to fit into somehow.

WHY IT’S ON THE BORDERLINE:  Bad Boy Bubby has a unique tone that’s hard to capture, but the first words I’d choose to characterize it are “relentlessly offbeat,” rather than “weird.”  Sadly, the existence of a Bubby—a child raised in captivity by a crazed parent—is not some weird invention, but is actually torn from today’s headlines.  Although the incidents depicted often strain the bounds of plausibility (only briefly breaking them in the later reels), for the most part de Heer chooses to tell his story using a straightforward, realistic narrative style that makes us believe bizarre Bubby is a real person in a real world.

COMMENTS:  Bad Boy Bubby is a film that moves slowly from deep darkness into light.  It’s often shocking and depressing, particularly in that dingy first third, where Bubby’s unnatural relationship with his deranged mom in their claustrophobic basement hovel is made into a suffocating reality in which we are forced to share.  The saving grace is that the movie always treats Bubby with true affection.  Most of Bubby’s misbehavior, such as his tendency to shake a woman’s breast instead of her hand when he first meets her, comes out of childlike innocence.  But even when Bubby’s truly, purposefully being a “bad boy,” we understand what he’s suffered—even though he doesn’t fully—and we remain firmly on his side.  The script, which could have been ruthless to poor Bubby, rewards him (and the viewer) in the end, and the happy ending feels earned rather than tacked on.

Comic possibilities that were buried with Bubby in the dingy basement apartment emerge when Bubby escapes into the relative light of modern Australian society, but the movie never really threatens to become a comedy.  Bubby’s gift for mimicry raises all sorts of Continue reading BORDERLINE WEIRD: BAD BOY BUBBY (1993) →

WHAT’S IN THE PIPELINE FOR NEXT WEEK

Tune in tomorrow for a review of Bad Boy Bubby and later in the week for Funky Forest: The First Contact.  Also this week: sharpen your pencils as we announce our first review writing contest (with a prize!).  Tune in Tuesday for details.

In coming weeks, we’ll continue to do at least one reader-suggested review per week, sprinkling in some choices of our own along the way.  For reference, here’s the queue of movies we’ll be reviewing in the upcoming weeks and months:  Dr. Caligari (1989), Nekromantic, Stalker, UHF, Delicatessen, Pi, Angel’s Egg, Institute Benjamenta, Pan’s Labyrinth, Ex Drummer, Waking Life, Survive Style 5+, and The Dark Backward.

Weirdest Google search term used to find 366weirdmovies last week: “Film amanda virgin having sex with crosses snake.”

WEIRD HORIZON FOR THE WEEK OF 7/31/09

A look at what’s weird in theaters, on hot-off-the-presses DVDs, and on more distant horizons…

Trailers of new release movies are generally available on the official site links.

IN THEATERS (LIMITED RELEASE):

Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2009):  This documentary on Australian exploitation films of the 1970s and 1980s—the sleaze that was even madder than Mad Max—is unexpectedly getting rave reviews from mainstream critics.  Definitely wacky stuff that probably plays better as a compendium of clips of the “good bits.”  Currently showing in New York and L.A. only, and seems unlikely to move to screens in the center of the country.  Not Quite Hollywood Official Site (trailer is Not Safe For Work!).

Thirst [Bakjwi] (2009):  Chan-wook Park sinking his stylistic fangs into a vampire film?  If you’re not salivating at the possibilities, you may be reading the wrong site.  It tied for the Jury Prize at Cannes (impressive, even though “Jury Prize” translates into “Third Place”).  Thirst Official site.

Clip from Thirst

SCREENINGS (NEW YORK CITY: FILM FORUM)

You, The Living [Du levande] (2007):  Swede Roy Andersson’s episodic 2007 film is universally described as “absurdist,” although it’s also universally described as “brilliant” and “funny.”  New Yorkers are lucky people, to be able to see reputed hidden masterpieces on the big screen, while the rest of us have to wait and wait for a Region 1 DVD release that may never come.  You, the Living Official Site.

NEW ON DVD:

Bad Lieutenant (1992) (Special Edition):  Always over-the-top auteur Abel Ferrara gives us a blast of NC-17 nastiness and overwrought Catholicism that is unexpectedly real and powerful.  Only borderline weird, but a naked, strung-out Harvey Keitel simpering on a deserted cathedral floor as he hallucinates a visit from Jesus Christ is definitely a sight you don’t see everyday (and wouldn’t want to). Is this Special Edition being released now in anticipation of Herzog’s version (see below)?  Buy from Amazon.

Combat Shock (1985) (Special Edition) : A 2-disc (!) special treatment edition of this low-budget flick about a Vietnam veteran suffering from terrible flashbacks is rumored to be one of the most demented exploitation films ever made, often described as a cross between Taxi Driver and Eraserhead.  Distributed by, but not originally produced by, Troma.  Based on the underground buzz from folks I trust, this is a movie that must at least get consideration for inclusion on the List. Buy from Amazon.

Repulsion (1965):  Roman Polanski’s peek inside Catherine Deneuve’s disintegrating mind is a five-star classic has already been certified as one of the 366 weirdest movies of all time (read our full review).  Joy of joys!  Now the Criterion Collection has given the film, previously available in inferior versions, a proper 2-disc release.  Buy from Amazon. Also available on Blu-ray (buy).

Severed Ways: The Norse Discovery of America (2007):  To quote our 3/13/09 notice: “This micro-budget, DIY film about two Vikings stranded in North America in 1007 AD has been savaged by critics who are unimpressed by its ‘independent spirit.’  With a black metal soundtrack, amateur production values, dialogue in Old Norse, rape and defecation, this appears to be a genuine el cheapo oddity of the sort that in years past might have played at the bottom third of a drive-in triple bill.”  Watch at your own risk, but if you do, be sure to tell us what you think.  Buy from Amazon.

NEW ON BLU-RAY:

12 Monkeys (1995):  Terry Gilliam‘s remake of the time-travel classic 1962 short La Jetée is as visionary and disorienting as anything the master fantasist has ever done. With big-time movie stars Bruce Willis and Brad Pitt. Buy from Amazon.

IN PRODUCTION:

Bad Lieutenant: Port of Call New Orleans (2009):  A remake of the inimitable 1992 cult classic?   With the action moved from New York to New Orleans?  Starring Nic Cage as the Bad Lieutenant?  With Val Kilmer as a sidekick?  Directed by Werner Herzog?  With a leaked trailer that makes it look like a standard cop action comedy?  There’s no telling what this is going to be—but there’s an excellent chance that, whatever it is, it’s going to be weird.

What are you looking forward to? If you have any weird movie leads that I have overlooked, feel free to leave them in the COMMENTS section.

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