WHAT’S IN THE PIPELINE

Next week, look for a review of Marco Ferreri’s nearly forgotten avant-garde 1969 experiment, Dillinger Is Dead, which was recently resurrected by the Criterion Collection and issued on DVD for the first time this year.  There are several possibilities for other reviews to fill out the week, but we’re going to let them be a surprise…

It was a decent week for weird search terms used to locate the site.  We really wish we knew what the following searcher was looking for when he typed “WTF Japanese Horror Movie Trailer Destroy your lies lynch cronenberg” into Google.  But, just for the image it creates in our mind’s eyes, we’re going to go with “lactating dvd with plots” as the weirdest search term of the week.

The embarrassingly long reader suggested review queue looks like this: Suicide Club (soon);  Trash Humpers (DVD release is imminent, but this will probably be pushed back while we wait for it); Tales of Ordinary Madness; The Wayward Cloud; Kwaidan; Six-String Samurai; Andy Warhol’s Trash; Altered States; Memento; Nightmare Before Christmas/Vincent/Frankenweenie; The Science of Sleep; The Attic Expeditions; After Last Season; Getting Any?; Performance; Being John Malkovich; The Apple; Southland Tales; Arizona Dream; Spider (2002); Songs From The Second Floor; Singapore Sling; Alice [Neco z Alenky]; Necromentia; Hour of the Wolf; MirrorMask; Possession; Suspiria; Mary and Max; Wild Zero; 4; Nothing (2003); The Peanut Butter Solution; Ninja Scroll; Perfume: The Story of a Murderer; Danger: Diabolik; Faust; Sublime; Battle Royale; Pink Floyd: The Wall; Escanaba In Da Moonlight; Jesus Christ, Vampire Hunter; Zardoz; The Films of Suzan Pitt; Toto the Hero [Toto le Héros]; Paprika; The Holy Mountain; Brazil; The Casserole Masters; Dark Crystal; Throw Away Your Books, Rally in the Streets; The Nines; 964 Pinocchio; The Pillow Book; Final Flesh; Lunacy [Sílení]; Inmortel; Tetsuo; Dead Ringers; Kairo [AKA Pulse]; The Guatemalan Handshake; Dead Leaves; The Seventh Seal; Primer; Maniac (1934); Hausu; A Boy and His Dog; 200 Motels; Walkabout; Private Parts (1972); Possession; Saddest Music in the World; Mulholland Drive; The American Astronaut; Blood Tea and Red Strings; Malice in Wonderland; The Films of Kenneth Anger, Vol. II (for Lucifer Rising, among others); Willie Wonka and the Chocolate Factory ; The Bride of Frank; La Grande Bouffe; Uzumaki [Spiral]; Hedwig and the Angry Inch; Even Dwarves Started Small; Bunny & the Bull; “I Killed My Lesbian Wife, Hung Her on a Meat Hook, and Now I Have a Three-Picture Deal at Disney” (assuming I can find it); Cinema 16: European Short Films; Freaked; Session 9; Schizopolis; Strings; Dellamorte Dellamore [AKA Cemetery Man]; The Hour-glass Sanatorium [Saanatorium pod klepsidra]; The Addiction; Liquid Sky; The Quiet; Shock Treatment; Tuvalu; “Zombie Jesus” (if we can locate it); 3 Dev Adam; Fantastic Planet; “Twin Peaks” (TV series); Society; May; The Adventures of Buckaroo Banzai Across the 8th Dimension; Little Otik; Final Programme; Careful; Sweet Movie; The Triplets of Belleville; “Foutaises” (short); Johnny Suede; and “Jam” (TV, UK, 2000), The Tale of the Floating World, Un Chien Andalou, Bloodsucking Freaks; Fellini Satyricon; Three Crowns of the Sailor; 8 1/2; Death Race 2000; and Dororo.

WEIRD HORIZON FOR THE WEEK OF 5/14/10

A look at what’s weird in theaters, on hot-off-the-presses DVDs, and on more distant horizons…

Trailers of new release movies are generally available on the official site links.

IN THEATERS (LIMITED RELEASE):

The Living Wake:  This whimsical story about a self-proclaimed genius traveling about with his biographer in a bicycle/rickshaw on his final day of life before attending his own wake appears perched somewhere halfway between quirky and absurdist.  Reviews have been on the bad side of mixed, but it looks like it should score points for originality, if nothing else.  Opening in New York this week, with Los Angeles and Seattle to follow.  The Living Wake official site.

Metropolis [The Complete Metropolis] (1927): It is with extreme embarrassment that we confess we missed the chance last week to announce the US premier of the restored version of Metropolis, which incorporates 25 minutes of recently discovered footage into Fritz Lang’s expressionist science fiction masterpiece. Fortunately, it’s still playing the Film Forum in New York City for one more week. The current schedule shows that the masterpiece will tour the US through the summer, starting next week, including multiple stops in southern California along with dates in Cleveland; San Francisco; Denver; Minneapolis; Brookline, MA; Detroit; Shreveport, LA; upstate New York (Rochester, Ithaca and Schenectady); Philadelphia; St. Louis; San Antonio; Montreal; Columbus, OH; Kansas City; Tampa; Ann Arbor, MI; Milwaukee; and hopefully more. A new Metropolis is without a doubt the major cinematic event (weird or otherwise) of 2010.  They’re pulling the old short-sighted “embedding disabled by request” trick at YouTube, so view the trailer at The Complete Metropolis official website.

FILM FESTIVALS: CANNES

Cannes is upon us again, before many of last year’s most interesting weird entries (e.g. Dogtooth) have made it to this shore. It will be running from May 12 to May 23, and none other than fallen star Tim Burton is head of the jury. A refresher on Cannes terminology: “In Competition” means that the film is eligible to win one of the major awards like the Palme D’or, while “Un Certain Regard” means the film is too interesting to qualify for a major award.  Films shown “Out of Competition” are either too interesting to be shown in “Un Certain Regard,” or just plain crappy (e.g. Robin Hood).  Here are the movies we’ll be keeping an eye on this year (in what frankly looks like a very bland year):

  • Filme Socialisme:  Tell the truth: you didn’t realize Jean-Luc Goddard was still alive, either.  His latest film is enigmatically described as “a symphony in three movements,” titled “Things Such As,” “Quo Vadis Europe,” and “Humanities.”  The press kit is certainly weird, even if nothing else is.  Un Certain Regard.
  • Kaboom: Gregg Araki is growing up: the 53 year old has graduated from making movies about high schoolers to making movies about college students.  This one involves a hunky bisexual protagonist,  hallucinogenic cookies, and a murdered dream girl, and is also described as “a sci-fi story centered on the sexual awakening of a group of college students.”  Out of Competition.
  • Tender Son – The Frankenstein Project [Szelíd teremtés – A Frankenstein-terv]: A loose adaptation of Mary Shelley’s Frankenstein, with the part of the monster played by a son returning home from a mental institution.  Hungarian, In Competition.

NEW ON DVD:

Malice in Wonderland (2009):  Another twist on the Alice in Wonderland legend, this time deliberately dark and surrealistic.  This one is currently sitting in our reader-suggested review queue, and that’s a good sign! Buy Malice in Wonderland.

NEW ON BLU-RAY:

Rock n’ Roll High School (1979):  OK, this campy/spoofy tale of teen punk rebellion produced by Roger Corman and featuring the Ramones isn’t all that weird, but it is cult-y and psychotronic-y, and there’s a good chance it will interest those who also love weird movies. Buy Rock ‘N’ Roll High School [Blu-ray].

Samurai Princess (2009): Another Japanese exercise in absurd gory excess from the distributors of Meatball Machine and Tokyo Gore Police. Two words will tell you whether you’re interested in this: breast grenades. Buy Samurai Princess [Blu-ray]. We missed the announcement back in November 2009, but this is also available on DVD.

NEW ON VIDEO ON DEMAND:

The Immaculate Conception of Little Dizzle (2009): We noticed this very weird sounding movie, an absurdist comedy about janitors undergoing male pregnancy, way back in April 2009 and were wondering if it would ever see the light of day. Well, it’s finally shown up on Amazon Video on Demand, and we’re hopeful a DVD release will follow. Watch The Immaculate Conception of Little Dizzle on Video on Demand.

What are you looking forward to? If you have any weird movie leads that I have overlooked, feel free to leave them in the COMMENTS section.

PASSING THE TORCH FROM MAYNARD TO AUTRY: TOMBSTONE CANYON (1932), IN OLD SANTA FE (1934) & RIDERS OF THE WHISTLING PINES (1949)

Before Hollywood beckoned, Indiana native Ken Maynard had been a champion rodeo rider in the Ringling Brothers Circus and the Buffalo Bill Wild West Show.  Maynard was, possibly, the most popular of the “B” Western stars from the late twenties through the mid thirties.  Audiences loved him, but virtually everyone who worked or dealt with Maynard thoroughly hated him.  Excessive drinking, foul-mouthed, ego-driven tirades, supreme arrogance, and prima donna ways eventually burned every single bridge Maynard ever crossed, despite being given numerous chances to straighten out his act.  Eventually his excesses, reckless spending, womanizing, and difficult personality all caught up with him.  His last few films, from the mid-forties, show a dissipated, grotesquely overweight star well past his prime.  Since Maynard’s popularity had severely waned, his antics were no longer tolerated, and he was forced into retirement.  After his film career ended, Maynard did a few rodeo circuit shows, a radio show, started a circus, lost it, went through several more marriages, and filed bankruptcy.  His last few years were spent living in drunken solitude at a run-down trailer park, being cared for by his brother and fellow “B” Westerner Kermit Maynard, hawking off memorabilia (fake and real) and (secretly) receiving financial assistance from Gene Autry (Maynard gave Autry his start In Old Santa Fe, below).  Ken Maynard died destitute and suffering from severe malnutrition in the early 1970s.

When he was in his prime, one can easily understand Maynard’s appeal.  Personality quirks and sad ending aside, Maynard had undeniable, amiable charisma and, with his famous palomino horse, Tarzan, he seems the quintessential idea of a period “B” Western star.

Tombstone Canyon (1932) is a grand-guignol western directed by Alan James. As Ken and Tarzan are riding along Tombstone Canyon (actually Red Rock Canyon) they encounter the masked, cloaked Phantom Killer villain Sheldon Lewis (a hold-out, villainous favorite from the silent era).  Some bad local hombres try to jump Ken and Tarzan, but cutie Cecilia Parker appears from nowhere to lend Ken a helping hand in driving away the thieves.  When Cecilia introduces herself, Ken amiably exclaims, “Well that’s a might purty name you have there.”  The Phantom Killer, having observed from the rocks above, gives off a banshee cry and Ken tells Cecilia, “I’d like to meet up with that Phantom fellar.”

Still from Tombstone Canyon (1932)Cecilia finds out that Ken is in search of his identity and long lost father.  Local baddie Frank Brownlee has reasons for not wanting Ken to find out and it was his men who tried to bushwhack Ken in the desert.  Plenty of intrigue is afoot and Ken finds himself in numerous predicaments, including a run-in with the hideously scarred Phantom Killer (shades of the Phantom of the Opera, and even of Darth Vader to come).  The Phantom has sworn revenge against Brownlee and his gang, since it was they who beat him, scarred Continue reading PASSING THE TORCH FROM MAYNARD TO AUTRY: TOMBSTONE CANYON (1932), IN OLD SANTA FE (1934) & RIDERS OF THE WHISTLING PINES (1949)

CAPSULE REVIEW: BABA YAGA (1973)

AKA:  Kiss Me Kill Me

DIRECTED BY:  Corrado Farina

FEATURING: Carroll Baker, George Eastman, Isabelle De Funès,

PLOT: A fashion photographer is beguiled by a lesbian witch who seeks to dominate, seduce and consume her.

Still from Baba Yaga (1973)

WHY IT WON’T MAKE THE LISTBab Yaga is straight Euro-thriller.  While such films have an unconventional feel by US standards, the style is characteristic of this distinctive 1960’s-’70’s genre, and therefore very conventional on its own terms.

COMMENTSBaba Yaga is a very stylish Italian occult film in the Euro horror tradition of Suspiria.  It is based on artist Guido Crepax’s highly stylized graphic novel about a sorceress who tries to bewitch a fashion photographer.  Crepax adapted the novel from his risqué S&M comic .

Valentina (De Funès) is an up and coming fashion photographer with a knack for controversial shoots.  After she has a chance encounter with the fashionable and alluring society matron Baba Yaga, her life takes strange and eerie turns.  Yaga discovers Valentina on a darkened street, becomes attracted to her and begins to inject herself into the young shutterbug’s life in odd ways.  Yaga develops a strange fixation on Valentina, one that is more than platonic.

Yaga lives in a striking Gothic Revival mansion, it’s interiors bedecked with layers of satin, red velvet –and heavy leather in the boudoir.  While the house is very luxurious, it is in need of a few repairs.  There is a nasty hole under the oriental rug in the drawing room—the opening of a bottomless pit to Hell.  It is only fitting to have an eccentric home, because the owner isn’t exactly mainstream.  Babs is taken with keeping vipers and Australian fruit bats for pets, has some creepy taxidermy a la Norman Bates, and owns a collection of cursed curios.

In a gesture of benevolence, Baba Yaga gives Valentina a large Victorian doll “to protect” her.  Valentina counters that she doesn’t need any protection.  Well, she does now!  The Continue reading CAPSULE REVIEW: BABA YAGA (1973)

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