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WEIRD HORIZON FOR THE WEEK OF 12/27/2013

Our weekly look at what’s weird in theaters, on hot-off-the-presses DVDs, and on more distant horizons…

Trailers of new release movies are generally available on the official site links.

Hollywood is off on Christmas break, and rather than flooding theaters and stuffing Redboxes with weird, challenging outsider fare, the indies are following suit and spending the holidays nodding out on egg nog. While there are no new theatrical debuts or video releases to mention this week, we did find one event to report on.

FILM FESTIVALS – AN ANIMATED WORLD: CELEBRATING FIVE YEARS OF GKIDS CLASSICS (New York City, IFC Center, Dec. 20 – Jan. 2):

We’re late getting word on this holiday retrospective of international children’s animation that started on December 20th, but we’re joyously shocked to see just how weird the stuff they’re pawning off as “culture” on today’s kids is. The slate includes many films we’ve already highlighted on these pages, including My Neighbor Totoro (a week-long engagement with the Catbus from Dec. 26 to Jan. 2), the Celtic mysticism of The Secret of Kells (Dec,. 28, 39, Jan. 2), Summer Wars‘s cyberapocalypse (Dec. 27, Jan. 2), the not-exactly-for-kids Judaica of The Rabbi’s Cat (Dec. 30), and the existential/class conflict parable The Painting (Dec. 30).

Here are some new-to-us (or at least, uncovered-by-us as yet) upcoming festival features that Manhattanites can enjoy in the upcoming week:

  • Azur and Asmar (2006): A light-skinned boy and his dark-skinned companion are raised as brothers, then become rivals as adults searching for a magical Djinn.  Dec. 27 & Jan 1. Also from animator Michel Ocelot: 2011’s shadow play Tales of the Night on Jan 1.
  • Nocturna (2007): French/Spanish co-production about a boy exploring the alternate world of Night. Although it’s out on DVD, tonight’s (Dec. 27) screening marks the US theatrical premier. Playing nightly until Jan. 2.
  • Sita Sings the Blues (2008): ‘s one-woman laptop-labor-of-love: a cutout retelling of the ancient Hindu epic “Ramayana” about a goddess separated from her husband. This hallmark of modern DIY animation is rarely seen on the big screen; catch it Dec. 28 or Jan. 2.

What are you looking forward to? If you have any weird movie leads that I have overlooked, feel free to leave them in the COMMENTS section.

TASTE BREAKERS

“The author was compensated for writing this article by a third party. Nonetheless, it  was written specifically for 366 Weird Movies, and we believe the  information and opinions contained in this piece will be of interest to our readers.

“Taste Breakers” by Brandon Engel

It was recently announced that independent film production company A24, who have contemporary filmmaker Harmony Korine in their alum roster, has partnered with Direct TV for a new collaborative business model. Direct TV will help finance the production of A24 films, which will then premiere on Direct TV’s Video on Demand service one month prior to being released in theaters. The possible implications of this move for modern independent filmmakers are vast; Korine’s transgressive contemporaries at A24 and elsewhere could stand to benefit from the industry moving in this direction.

Thankfully, the world has always been populated by thoughtful, provocative artists willing to address societal ills and provoke public discourse through their work. The big question for these subversive artists historically has always been: “how do you secure funding for projects (let alone sustain yourself) without having to relinquish creative control of your content?”

Nowadays, as companies like Direct TV use “TV on demand” as a distribution vehicle for independent film and even begin to fund films themselves, and others use the distribution model that sites like Hulu and Netflix are establishing, where films can be streamed instantaneously, independent filmmakers may now be able to reconcile their financial needs with their creative ambitions more simply than ever before. What does all of this mean for contemporary filmmakers and present-day viewers? Here’s a look at three contemporary subversive filmmakers who just might provide some insight on that very question…

Lars Von Trier

Lars von TrierThe Danish filmmaker is reportedly plagued by phobias and anxieties, which isn’t the least bit difficult to believe if you’ve seen any of his films. There’s no disputing the fact that he’s an extremely important, and unique, presence in the world of international cinema. He helped establish the guidelines of the Dogme 95 collective, which are essentially a list of restrictions that filmmakers should abide by based on the traditional values of story, acting, and theme, while excluding the use of extraneous special effects.

His film Dancer in the Dark (2000) featured Icelandic pop star Bjork in the lead role of Selma. Selma is a blind Czech immigrant working in a factory in the United States in 1964. She is ultimately wrongfully accused of harboring communist sympathies, and perceived as a threat to the United States. The film is perversely celebrated for having one of the most upsetting endings in the history of cinema.

There is also Antichrist (2009), which received mixed responses from critics and audiences. The film tells the story of an unnamed couple ( and ) grieving the loss of their infant son, who Continue reading TASTE BREAKERS →

WEIRD HORIZON FOR THE WEEK OF 12/20/2013

Our weekly look at what’s weird in theaters, on hot-off-the-presses DVDs, and on more distant horizons…

Trailers of new release movies are generally available on the official site links.

IN THEATERS (LIMITED RELEASE):

Her: returns with a romantic comedy about a writer who falls in love with an artificial intelligence. Likely to be only glancingly weird, at best, but Jonze (Being John Malkovich) is always worth a look. Her official site.

Wrong Cops: ‘s third feature is a comedy about cops-gone-wrong entitled, oddly enough, Wrong Cops. It has been expanded to a full-length feature from a 43-minute short that played at Sundance in January, and the cast includes , Marilyn Manson, and former “Twin Peaks” spouses and Ray Wise. Wrong Cops official site.

SCREENINGS – (Cinefamily, Los Angeles, CA, Dec. 23):

Nutcracker Fantasy (1979): A Rankin/Bass styled stop-motion Japanese adaptation of the Nutcracker, with a two-headed Rat King and no mention of Christmas whatsoever. Never released on DVD, this is another incredible obscurity dug up by the deranged archivists at Cinefamily.

NEW ON DVD:

Toad Road (2013): Drugged-out losers decide to drop acid and head down the abandoned country road that local legend claims leads straight to the gates of Hell. Partly improvised, it’s gained multiple comparisons to the work of . Buy Toad Road.

The Witch Who Came from the Sea (1976): A woman who survived abuse as a child grows up to kill (and, er, dismember) the men she sleeps with. Although this had an exploitative promotional campaign and was one of the movies that managed to get itself banned in Britain as a “video nasty,” it’s by all accounts a serious attempt at a downbeat psychosexual drama (with hallucination sequences, flashbacks and Freudian symbolism). Buy The Witch Who Came from the Sea.

What are you looking forward to? If you have any weird movie leads that I have overlooked, feel free to leave them in the COMMENTS section.

WEIRD HORIZON FOR THE WEEK OF 12/13/2013

Our weekly look at what’s weird in theaters, on hot-off-the-presses DVDs, and on more distant horizons…

Trailers of new release movies are generally available on the official site links.

IN DEVELOPMENT:

All My Heart’s Desires, A Feminine Film Concerning Phantoms and Beasts (est. 2014): Savage Witches‘ and have announced their next project. All they’re saying is that the “story is based on dreams and draws heavily upon mythology and folk tales and could be described as a mystical melodrama,” and that it’s being shot in Portugal. They’re also recruiting cast and crew, so if you’re in the Porto area and have acting or filmmaking experience drop them a line. All My Heart’s Desires announcement.

NEW ON DVD:

7E (2013): A man takes a job as caretaker for a traumatized woman convalescing an apartment with the same number as the one in Rosemary’s Baby; weird stuff happens. The only review we found of this one was from a user on IMDB who said “it’s as if they asked the crazy fellow who talks to himself on the park bench to write a story, then they made a film.” Buy 7E.

Berberian Sound Studio (2012): A neurotic British sound engineer used to working on quiet nature documentaries goes mad when he takes an assignment designing the audio for a 1970s Italian horror film. It seems like we’ve been waiting forever for this reader-suggested festival hit to release on DVD in the U.S. Buy Berberian Sound Studio.

“Bleach, DVD Set 19, Episodes 268-279”: This long-running cult anime series involves a teenage boy who can see ghosts and a complicated mythology about the afterlife. We might have passed on mentioning this one, but it gets extra points from us because the show, which finished in 2012, runs for exactly 366 episodes. Buy “Bleach, Set 19”.

“Cult Movie Marathon, Vol. 2” (Savage Island, Chatterbox, The Naked Cage & Angels from Hell): This set boasts two women-in-prison movies and one biker flick, but the real curiosity here is 1977’s Chatterbox, a softcore porn comedy about a woman with a talking vagina. Chatterbox is a remake of a French hardcore sex film from 1975 called Pussy Talk, which itself claimed to be an adaptation of Denis Diderot’s 1748 political satire “The Indiscreet Jewels.” Buy “Cult Movie Marathon, Vol. 2”.

“Martin Scorsese’s World Cinema Project”: See description in DVD below.

The Rooftop (2013): It looks like just your average ultra-stylized Taiwanese kung-fu romantic comedy musical, but the Los Angeles Times‘ Robert Adele warns “its tonal eccentricities [are] sure to wear out even the most dedicated connoisseur of silly cinema.” He’s never encountered dedication to eccentricity like we have here. Buy The Rooftop.

You Ain’t Seen Nothin’ Yet (2012): At a viewing of a video will of an experimental theater director, the assembled actors spontaneously begin re-enacting an old play. Made when he was ninety years old, director Alain (Last Year at Marienbad) Resnais isn’t slowing down, or losing his will to try new things. Buy You Ain’t Seen Nothin’ Yet.

NEW ON BLU-RAY:

Grey Gardens (1975): Cult documentary about two eccentric female relations of Jackie Onassis who became recluses and lost touch with the outside world (and with reality) at the decaying titular estate. This Criterion Collection Blu-ray upgrade also includes The Beales of Grey Gardens, a followup feature made out of footage left over from the first film. Buy Grey Gardens [Criterion Collection Blu-ray].

“Martin Scorsese’s World Cinema Project”: A six film collection (Touki Bouki, Redes, A River Called Titas, Dry Summer, Trances, The Housemaid) with no obvious connection between them except that they are made outside of the U.S. or Western Europe and thinks they are underseen. The title we’re interested in is Touki Bouki, a 1973 Senegalese road movie described as “Africa’s first avant garde film,” but we don’t really see why we should have to buy five random movies we don’t care about to see it. This is a Blu-ray/DVD dual format release. Buy “Martin Scorsese’s World Cinema Project” [DVD/Blu-ray].

Post Tenebras Lux (2012): From Mexico comes this kaleidoscopic, non-linear portrait of a family in crisis that looks a bit like a Mexican Tree of Life. Shoot, we’ve been meaning to review this since the DVD came out back in August. Buy Post Tenebras Lux [Blu-ray].

The Rooftop (2013): See description in DVD below. Buy The Rooftop [Blu-ray].

RECONSTRUCTION:

The Dark Crystal (1982): Read our review of the original cut of Dark Crystal. This one doesn’t fit into any of our usual categories. It’s an unauthorized fan-made reconstruction of ‘s original cut of The Dark Crystal, with deleted scenes spliced in from DVD extras and from a black and white work print someone discovered on an old VHS tape. The original cut had no narration or voiceover monologues and tested poorly with audiences; according to one commentator this version was “darker, weirder, and trippier” than what eventually made it on screen. The studio sent this cut back to the editing bay to add narration and commentary to clear things up for easily bewildered suburban audiences who were looking for a Muppets-style adventure instead of an experimental puppet fantasy. Thanks to L. Rob Hubbard for the find. Mental Floss has the story, video and an interview with Christopher Orgeron, the fan responsible for the reconstruction.

What are you looking forward to? If you have any weird movie leads that I have overlooked, feel free to leave them in the COMMENTS section.