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Montréal 2024

I have taken so much complimentary coffee from the drinks stand in the lobby that I’ve grown somewhat furtive about it.

7/25: Rita

It’s impossible to deny the power found in Jayro Bustamante’s follow-up to his prior Fantasia feature, Piggy. The story, based upon a real-life incident that remains unresolved, concerns a 13-year-old girl who finds herself a ward of the state after running away from an abusive father. On the inside, she encounters various themed gangs—angels, fairies, bunnies, stars, and a fifth, more feral group whose nature eludes me—and is quickly taken under wing of the dominant Angels. Each of these form a function, both narratively and visually, and it is with them that Bustamante attempts to paint a fantastical veneer on a horrible set of circumstances. Unfortunately, he hedges his bets: Rita would have been more powerful as a realistic portrayal of the reasons and conditions of this prison; alternatively, it is not nearly wondrous enough, with the hints at fairy-tale trappings (the crone of a social worker makes for a perfect evil witch, and the pixie-dust powers of the Faery gang are a delight to witness) not coloring the underlying bleakness to any great degree. Still, it has some great set-pieces, as well as convincing performances from the few hundred girls cast from around Guatemala. Uneven, but recommended with reservations.

This Man

Dream Scenario meets J-horror in a fast-moving fusion of romance, comedy, frights, and existential philosophizing. Tomojiro Amano pivots around these loci with a story about a centuries-dead dark wizard seeking vengeance on humanity by appearing in dreams, dooming the dreamer. Deaths pile up, both squicky and hilarious (sometimes both), as two affable cops try to get to the bottom of the mystery (the senior of the pair always says, “It could just be a coincidence”; it’s assuredly not a coincidence). The story focuses on a young mother who consults a freelance sorcerer—he left his group because he disapproved of some of their activities—which results first in the tragic death of her daughter (which is also kind of hilarious), and culminates in the most action-packed-yet-action-bereft supernatural showdown I’ve seen. Bravo for thrash-industrial mystic mummery.

7/26: The Silent Planet

I’m always happy to observe areas of Earth that don’t look like they belong on this planet. Wherever Jeffrey St. Jules filmed this Continue reading 2024 FANTASIA FILM FESTIVAL: AND THE REST, PART TWO →