We are pleased to debut James Mannan and Robbin Panet’s short film “Hallow’s Dance” on the web. Although there is a mild Halloween theme to the film, Hallow’s Dance should not be confused with a horror film. It is in fact a drama, with the only horror being moral horror at the treatment of Frank/Mom. Co-directed by Robbin Panet and James Mannan, it co-stars 366 scribe Alfred Eaker along with Jason Hignite, Chelsea Rogers, and Terry Dellinger. It contains very mild scenes of suggestive sexuality. The weird part is the short, experimental dream sequence which ends the film, which is shot in black and white with streaming beams of light, accompanied by a catchy organ tune. The short runs approximately 14 minutes.
At the producers’ request, this film will not be released to YouTube or other video hosting sites, and will be available here for one month only.
[Our license to display “Hallow’s Dance” has expired. We will inform you if this film is released, on DVD or otherwise, in the future.]
In this occasional feature where we ask established directors and critics to list what they feel are their top 10 “weird” movies. There are no constraints on what the author can pick. This list comes fromJames Mannan, owner of Liberty or Death productions. James has directed and produced Wannabe, To Haunt You and Hallow’s Dance with partner R. Panet.
Un Chien Andalou (France 1929; dir. Luis Buñuel): The keystone of surrealist cinema. In its short 18 minutes this film turned the cinematic conventions of its day on their ear. The disturbing, subversive aesthetics continue to challenge today’s audiences and filmmakers.
Die Nackte und der Satan aka The Head (West Germany, 1959; dir. Victor Trivas): The ultimate summation of the mad scientist/transplant sub-genre, this is far more artistic and conceptually challenging than the better known knock-off The Brain That Wouldn’t Die (which was made in the US 3 years later). Expressionist production design was by Hermann Warm (Cabinet of Dr. Caligari) and atmospheric cinematography by George Kraus (Kubrick’s Paths of Glory). The most amazing (and later copied) image is, of course, the living severed head of Michel Simon as Dr Abel, but seemingly all of the characters are touched in some way by mad science, including the villainous Dr. Ood.
Manos, the Hands of Fate (USA 1966; dir. Harold P. Warren): This is a favorite of the “Mystery Science Theatre” crowd, but Manos needs no running commentary to point out its delicious oddities–chief among which is the performance of John Reynolds as the servant “Torgo.” Every element of this below-grade-Z production is sublimely dreadful in a way neither Ed Wood or Al Adamson could have achieved.
Satánico Pandemonium (Mexico 1975; dir. Gilberto Martínez Solares): A Mexican Nun is possessed by the devil and is soon corrupting the innocence of her fellow nuns and the nearby villagers. And you thought Linda Blair masturbating with a crucifix was shocking…
Lemora: A Child’s Tale of the Supernatural (USA 1973; dir. Richard Blackburn): Blackburn was fresh out of film school when he directed this gothic coming-of-age tale, inspired in parts by both H P Lovecraft and The Night of the Hunter. Extraordinarily ambitious, considering the low budget, the film has a unique atmosphere of weird dread. Lemora benefits enormously from the performance of Cheryl “Rainbeaux” Smith as the “singing angel” Lila Lee. Smith marvelously projects the adolescent girl’s wariness at each new threat to her innocence, in what amounts to a kind of a demented version of “Alice in Wonderland.” Continue reading JAMES MANNAN’S TOP TEN WEIRD FILMS→
Celebrating the cinematically surreal, bizarre, cult, oddball, fantastique, strange, psychedelic, and the just plain WEIRD!