We are pleased to debut James Mannan and Robbin Panet’s short film “Hallow’s Dance” on the web. Although there is a mild Halloween theme to the film, Hallow’s Dance should not be confused with a horror film. It is in fact a drama, with the only horror being moral horror at the treatment of Frank/Mom. Co-directed by Robbin Panet and James Mannan, it co-stars 366 scribe Alfred Eaker along with Jason Hignite, Chelsea Rogers, and Terry Dellinger. It contains very mild scenes of suggestive sexuality. The weird part is the short, experimental dream sequence which ends the film, which is shot in black and white with streaming beams of light, accompanied by a catchy organ tune. The short runs approximately 14 minutes.
At the producers’ request, this film will not be released to YouTube or other video hosting sites, and will be available here for one month only.
[Our license to display “Hallow’s Dance” has expired. We will inform you if this film is released, on DVD or otherwise, in the future.]
We are pleased to debut Alfred Eaker and Robbin Panet’s short film film “9” on the web. This is the movie they made for the 2009 48 Hour Film Festival. The rules of the contest festival are simple: every team has only 48 hours to complete the film, and each must incorporate three elements given by the festival : a character name, a line of dialogue, and a prop. Look for a character named “Professor Sherman Kane,” a ball, and the line “I’m not talking to you.”
Rather than making a straightforward short that looked like everyone else, “9” takes an experimental approach, becoming a sepia-hued exploration of domestic abuse through the generations, in a Western setting. The bizarre free-association poetry of John M. Bennet replaces traditional narration. It runs approximately seven and a half minutes.
[Our license to display “9” has expired. We will inform you if this film is released, on DVD or otherwise, in the future.]
At the producers’ request, this film will not be released to YouTube or other video hosting sites, and will be available here for one month only. UPDATE: Because this film was reviewed and linked from Rogue Cinema, we are leaving the film up for another week, until October 12, 2009.
“Alfred Eaker’s Fringe Cinema” is a column published on Thursdays covering truly independent cinema: the stuff that’s so far under the public radar it may as well be underground. The folks making these films may be starving artists today, but they may be recognized as geniuses tomorrow. We hope to look like geniuses ourselves by being the first to cover them.
July 31st -Aug 2nd, the 48 hr Film Festival came to Indianapolis, sponsored by the Big Car Art Gallery. Jim Walker of Big Car curated the event. 30 Indiana film making teams signed up to participate, including the Liberty or Death Team of James Mannan and Robin Panet.
Jim and Robin approached me about six weeks ago, inviting me to participate in this year’s 48 Hour Film Festival. Since I assisted in last year’s event with them to do Hallow’s Dance, I was a tad reluctant to do all this again. However, they shrewdly threw out a couple of temptations when they told me they wanted to do something surreal, which is my forte, along with inviting me to write and direct with Robin. Jim would be producing. If I recall correctly, my response was something akin to “Oh, alright, goddammit.”
For those who don’t know the set up of the festival, it goes like this: the teams go in on Friday night at 7:30 pm and draw a genre out of the hat. Jim drew Horror, which was apt as this is Jim and Robin’s forte. Then, everyone is given the same character name, his profession, a line of dialogue, and a prop.
The character name was Professor Sherman Kane, the prop was a ball and the line of dialogue was “I’m not talking to you”. Now the teams leave, write their script, shoot it, edit and turn it in by 7:30 pm on Sunday night. Showing of films: Wednesday and Thursday evening at the IMA.
I would imagine the whole idea for said festival came from Roger Corman. The story is well known among film aficionados. Corman had finished The Raven 48 hours ahead of schedule, with the actors, including Boris Karloff and Jack Nicholson, still on contract for the remainder of the shooting schedule. That night Corman went home, wrote a script called The Terror, came back the next day and shot it within the 48 period. The problem with this story is that The Terror is indeed a terror to Continue reading REFLECTIONS ON THE 48 HOUR FILM FESTIVAL & THE “9” DIARY.→
In this occasional feature where we ask established directors and critics to list what they feel are their top 10 “weird” movies. There are no constraints on what the author can pick. This list comes fromR. Panet, half of the production team behind Liberty or Death Productions. With partner, James Mannan she directed Hallow’s Dance, and also directed Revenant, along with assisting on numerous other productions, including Blood Moon, Quench and Going All The Way.
It takes a lot to really unnerve or disturb me these days, but these 6 films were all viewed in the 80’s when I was barely legally able to intoxicate myself, when my mind was young and unmarred by such weirdness, despite the fact that I was myself deemed weird by most anyway, and I personally blame these films for my quest to seek out all things weird, bizarre, and of the illimitable creative artistic expression, and yes, to add to my own wonderful weirdness. Before I viewed these films I did not know such a world existed. My experimental film cherry was popped.
The 6 weird movies that left a lasting impression on my young mind- in order of disturbance;
1. Pier Paolo Pasolini’s Salo-120 Days of Sodom and Alejandro Jodorowsky’s La Montana Sagrada [The Holy Mountain] tie for first.