DIRECTED BY: William Peter Blatty
FEATURING: George C. Scott, , Jason Miller
PLOT: A seasoned police lieutenant notices details of a recent homicide case that are eerily similar to those of a dead serial killer’s 15 year-old murder spree.
WHY IT WON’T MAKE THE LIST: If The Exorcist III was about 30 minutes long, consisting of the most oblique, intense moments in the theatrical version, it may very well have been one of the most terrifying and bizarre films to emerge from the ’90s. This 110-minute crawl, however, somehow manages to find the mundane in supernatural goings-on and ritual murder sprees.
COMMENTS: A serial killer is on the loose, preying on the weak and the innocent in Washington, D.C., mutilating their bodies in the same grotesque fashion as The Gemini, a psychopath who was convicted and executed for his crimes 15 years ago. It falls to veteran police lieutenant William Kinderman to stop this madman before he kills again. Can he unravel the mystery in time, or will Kinderman be the killer’s next victim?
Oh… and there’s an exorcism. Did I mention that?
One could easily imagine the origin of the THIRD entry in The Exorcist franchise sounding like that of other famous horror icons’ origin stories: “locked away in an asylum until one fateful Halloween night”, “summoned from Hell into this dimension by unwitting pleasure-seekers”, and, perhaps most appropriately, “the bastard son of a hundred maniacs.” The execution doesn’t sound too pleasant, either; a vacated director’s chair is filled by the writer of the original film’s source material, the focus turned from Regan MacNeil to Detective Kinderman (!), and several studio butcher-block decisions radically alter the final product. But The Exorcist III is actually a bit more inspired than anyone expected it to be, which is what makes its place in horror history so complicated and its ultimate failure so frustrating.
This inspiration comes from writer/director William Peter Blatty, Continue reading CAPSULE: THE EXORCIST III (1990)