DIRECTED BY: Tim Burton
FEATURING: Vincent Price
PLOT: A seven year old boy wishes he could be just like the Vincent Price he sees in old movies.
WHAT MAKES IT WEIRD: It’s not quite weird; more mildly macabre. But it sure is cool.
COMMENTS: Vincent is a 5 minute poem, narrated by the mellifluous Vincent Price, about a morbid boy (also named Vincent) obsessed with emulating the horror icon’s tormented screen persona. It’s told in a singsong, storybook cadence and given a superlative reading by Price (who was so flattered by the tribute that he proclaimed it a greater honor than a star on Hollywood Boulevard). There are some specific references to Price’s work for the actor’s fans, though the short prefers to evoke their general atmosphere than to cite specific movies. Young Vincent’s daydreams involve dipping his aunt in wax, turning his dog into a zombie, and slowly being driven mad by his guilt over his unspeakable crimes. A representative stanza: “Such horrible news he could not survive/For his beautiful wife had been buried alive!/He dug out her grave to make sure she was dead/Unaware that her grave was his mother’s flower bed.” Vincent is visually impressive, deliberately shot in luminous black and white and drawing on the gloomy Gothic style of the old Universal horror movies with a powerful dose of German Expressionism. (Burton denied being directly influenced by The Cabinet of Dr. Caligari, but he’s the only one who doesn’t notice the similarity to the silent psychological horror classic in the geometrically warped sets). The look and childishly ghastly tone bring to mind a lighter version of the macabre black and white lithographs of Edward Gorey (who once created a primer where each letter illustrates the death of a tot). Burton’s visual sensibility is already fully formed here, and the elements of his classic style—his comic, cathartic synthesis of fresh childhood innocence and the must of the grave—are already in evidence. In fact, there may be no better example in the director’s entire body of work of than this crisp five minute exhibition of his talent for mixing the chuckle with the shudder.
Disney has traditionally made Vincent and Burton’s other pre-fame short Frankenweenie as extras on all their editions of The Nightmare Before Christmas. The film is also included on the anthology Cinema 16: American Short Films (buy) alongside Maya Deren‘s “Meshes of the Afternoon” and works by Andy Warhol, Todd Solondz and Gus Van Sant, among others.
WHAT THE CRITICS SAY:
“…a pastiche of styles lifted from the writings of Dr. Seuss and Edgar Allen Poe, and a range of movies from B-horror films, German expressionist works and the films of Vincent Price.”–Michael Frierson, Animation World Magazine (DVD)
[(This movie was nominated for review by reader “Maxwell Stewart.” Suggest a weird movie of your own here.)]
One thought on “SHORT: VINCENT (1982)”
This is one of my favorite shorts. It’s so charmingly macabre and visually interesting. I’m always impressed Burton could pack in so much that represents his own style into 5 minutes.