TOP 10 WEIRD MOVIES OF 2011

We’re such whiners.  Last year at this time, we were complaining that 2010 was “two or three weird movies shy of being a great year.”  We didn’t know how good we had it back then, frankly.  Movies like Black Swan, Inception and even Scott Pilgrim vs. the World all got major theatrical releases, while of this year’s nominees only The Tree of Life can claim the same level of exposure. Perhaps the great weird films of 2011 are still lurking in the shadows—we’ve found a few of them, but we expect more revelations as these unseen gems crawl their way out of the festival circuit and start getting belated DVD releases.  (Of course, that process can take a while: we’ve been waiting a year already for Jan Svankmajer‘s Surviving Life).

The truly deranged stuff just doesn’t make it into theaters, and 2011 continued the trend of re-releases and delayed DVD releases blowing away the theatrical releases in terms of weirdness.  We finally saw Bill Plympton’s worth-waiting for angelic black comedy Idiots and Angels (2008), Otto Preminger’s amazing psychedelic flop Skidoo (1968) surfaced after almost four decades, and the Criterion Collection resurrected ‘s two major forays into weirdness—Zazie dans le Metro (1960) and Black Moon (1975)—along with new editions of cult classics Shock Corridor and Solaris.  In terms of vintage oddities, 2011 was another banner year.

Though weirdness wasn’t omnipresent this year, the cinematically surreal did get a serious prestige boost from our top weird movie of the year.

  1. The Tree of Life: The year’s best weird movie is also the year’s best movie, period.Still from 2011's Best Weird Movie, TheTree of Life  Stunning cinematography, sacred music, the birth of the universe, graceful dinosaurs, childhood hallucinations and a glimpse of the afterlife all mixed together in the most ambitious movie of the past decade.  We dare the Academy to nominate this for Best Picture.
  2. Uncle Boonmee Who Can Recall His Past Lives: Technically a 2010 movie (it won the Continue reading TOP 10 WEIRD MOVIES OF 2011 →

TOP 10 MOVIES OF 2011 – THE “MAINSTREAM” EDITION

Tomorrow we will present our official Top 10 Weird Movies of the Year List.  This list covers all movies released in 2011, weird or not.

This year, for the first time, I will be voting for the Online Film Critics Society Awards.  Taking this commission seriously, I have watched perhaps a hundred of the most highly acclaimed 2011 movies, with a few nominees still left to see before my vote is due.  From the perspective of a weird movie specialist, this process has provided me two benefits.  First, it’s given me that baseline of movie normality that I need to be able to recognize the stuff that’s really out there to the average viewer.  Watching only the strangest of the strange week in and week out skews your perspectives.  Hopefully, I will never again fall into the trap of thinking The Tree of Life is too conventional, as I did in my initial review of the movie.

Secondly, gathering that “baseline of normality” has made me appreciate the weird all the more.  Conventional award-winning movies are all alike; but every weird movie is weird in its own way.  You can tick off the list of qualities that great movies should have: moving performances, arresting cinematography, sparkling dialogue.  A weird movie may have these qualities too, but it also has a spark of divine madness or folly that sets it apart from the herd.

You may notice that six of my top ten choices could be pigeonholed as children’s movies.  That’s not by design (last year my list would have contained only one, Toy Story 3).  But I did not feel the need to bump the children’s movies off the list to make room for more “adult” fare.  The truth is that children’s films are the most lucrative segment of the movie market right now, and studios are taking more time and care (not just more money) in making them.  They’re writing clever, multi-layered scripts to appeal to adults as well as kids; spending more time on storytelling basics and character development; and crafting more exciting and spectacular set-pieces.  If movies made for grown-ups are to increase their share of next year’s list, well, then, they’ll just have to make better movies.

We’ll start off this list with 10 Honorable Mentions.  I would have been comfortable including any of the films below on my year-end list, but by the narrowest of margins each came up a little short.

50/50; The Artist; Bridesmaids; Cave of Forgotten Dreams; Martha Marcy May Marlene; Melancholia; Tinker Tailor Solider Spy; Uncle Boonmee Who Can Recall His Past Lives; Weekend; We Need to Talk About Kevin

And on to my Top 10 Movies of 2011:

10. Harry Potter and the Deathly Hallows, Part 2: I’ll be honest—although it’s a good film, Continue reading TOP 10 MOVIES OF 2011 – THE “MAINSTREAM” EDITION →

2011 ONLINE FILM CRITICS SOCIETY AWARD NOMINEES

Here are the year-end nominees from the Online Film Society Awards.  This year 366 Weird Movies’ G. Smalley will vote in the poll for the first time.  The names of the winners will be released on January 2.

“The Tree of Life”, Terrence Malick’s exploration of suburban family life in the 1950’s, received seven nominations for the 15th Annual Online Film Critics Society awards. The film was nominated for Best Picture, Best Director (Malick), Best Supporting Actor (Brad Pitt), Best Supporting Actress (Jessica Chastain), Best Original Screenplay, Best Editing and Best Cinematography.

Joining “The Tree of Life” in Best Picture are Michel Hazanavicius’ “The Artist”, Alexander Payne’s “The Descendants”, Nicolas Winding Refn’s “Drive” and Martin Scorsese’s “Hugo”. Malick, Hazanavicius, Refn and Scorsese were joined in the Best Director race by “Melancholia” director Lars von Trier.

“Drive” was the second most nominated film picking up six mentions including the aforementioned Picture and Director as well as Best Supporting Actor (Albert Brooks), Best Adapted Screenplay, Editing and Cinematography. Brooks was nominated alongside John Hawkes in “Martha Marcy May Marlene”, Nick Nolte in “Warrior”, Pitt and Christopher Plummer in “Beginners”. In Best Supporting Actress, the nominees were Chastain, Melissa McCarthy for “Bridesmaids”, Janet McTeer for “Albert Nobbs”, Carey Mulligan for “Shame” and Shailene Woodley for “The Descendants”.

Woodley and Mulligan’s co-stars shared nominations in the Best Actor slate, George Clooney and Michael Fassbender respectively, who were nominated alongside Jean Dujardin in “The Artist”, Gary Oldman in “Tinker Tailor Soldier Spy” and Michael Shannon in “Take Shelter”. The Best Actress category features Kirsten Dunst in “Melancholia”, Elizabeth Olsen in “Martha Marcy May Marlene”, Meryl Streep in “The Iron Lady”, Tilda Swinton in “We Need to Talk About Kevin” and Michelle Williams for “My Week with Marilyn”.

Each year, the OFCS also submits nominations for Special Achievement Awards, granted only by a majority vote of the membership. This year, the Online Film Critics have selected two individuals, Jessica Chastain and Martin Scorsese, to receive special citations.

Chastain’s tremendous and quality-filled output this year has brought her instant acclaim and recognition marking one of the most stellar debuts in recent memory.

Scorsese has long been a champion of film preservation and with his love letter to the cinema this year, “Hugo”, he continues to show his admiration for film history and the many pursuits to keeping those records alive.

The full list of nominees for the 15th Annual Online Film Critics Society Awards: Continue reading 2011 ONLINE FILM CRITICS SOCIETY AWARD NOMINEES →

WHAT’S IN THE PIPELINE

You may have noticed that this column, which normally appears on Sundays, has been pushed back to Monday this week so that we could warm your weird heart with the tale of Santa and the Ice Cream Bunny on Christmas Day.  We’d like to tell you that things will be getting back to normal after that minor bit of schedule shuffling, but right about now we’re cursing whoever decided to schedule awards season in the middle of both the holiday season and the cold and flu season.  We’re simultaneously trying to catch up on the major awards nominees we missed in the past 51 weeks of 2011 while fighting off chills and sniffles and struggling to express seasonal cheer to well-wishers.  So this upcoming week we will be slacking off on new reviews and instead focusing on bringing you top 10 lists and year-end surveys of both mainstream and weird movies (although Alfred will chime in with a review of the 2010 small-screen documentary Gauguin: The Full Story).  When 2012 rolls around in a week, we’ll start diving back into that long-neglected reader-suggested review queue.

Since you’ve had to wait an extra day to get your weekly dose of weird search terms, you’re probably hoping for some extra-strange stuff.  And indeed, with overall search volume up moderately what with the kids out of school and on Google, we had a nice little haul of odd queries for our Weirdest Search Term of the Week contest.   We had the typically mangled searches for movies that may or may not exist, such as  “a film about a girl discovers cow movement” (not on the bottom of her shoe, we hope) and “cult film when kennedy killed a erection” (a search for Bubba Ho-Tep, only the viewer mistook the mummy for a woody?)  We also must mention the seeker looking for information on “our brain’s nativity comedy.”  And every week we can rely on horny English-as-a-second-language students for something bizarre: this week’s entry is “hookey sexy porn womence.”  But our official Weirdest Search Term of the Week goes to the absurdly specific “what about a list of one time seen on tv unpopular thriller movies in 1977 or 1979 about twins kids.”  The searcher gets bonus points for starting off his search with “what about” (as if he’s free-associating to his keyboard), and for writing his elaborate request to specifically exclude one-time seen on TV unpopular thriller movies about twin kids from 1978.

Here’s that reader suggested review queue (which we will be getting back to paring down during 2012, we promise!): Kairo [AKA Pulse]; The American Astronaut; Blood Tea and Red Strings; The Films of Kenneth Anger, Vol. II (for Lucifer Rising, among others); Willie Wonka and the Continue reading WHAT’S IN THE PIPELINE →

CAPSULE: SANTA AND THE ICE CREAM BUNNY (1972)

Santa and the Ice Cream Bunny was promoted onto the List of the 366 Weirdest Movies of all Time. Please make all comments on the official Certified Weird entry.

Beware

DIRECTED BY: R. Winer, Barry Mahon (Thumbelina)

FEATURING: Jay Ripley, Shay Garner

PLOT: Santa’s sleigh is stuck in the Florida sand, so he shows the assembled kids a movie until help arrives in the form of a giant rabbit-man in a fire truck.

Still from Santa and the Ice Cream Bunny (1972)

WHY IT WON’T MAKE THE LIST:  Santa and the Ice Cream Bunny is weird enough to make the List, but the fact that it can only be endured by injecting Novocaine directly into the part of the brain responsible for processing continuity would make Certifying this movie a public health risk.

COMMENTS: When someone like me, who’s watched They Saved Hitler’s Brain multiple times—voluntarily, not as part of a CIA experiment in breaking interrogee’s wills—tells you that Santa and the Ice Cream Bunny is quite possibly the worst movie they’ve ever seen, you should take notice.  First off, there’s the paradoxical fact that Santa and the Ice Cream Bunny is hardly Santa and the Ice Cream Bunny at all.  It’s actually much more Thumbelina.  Or, maybe it’s primarily an advertisement for a sad-sack, pre-Disneyland southern Florida bemusement park called Pirates [sic] World.  If you’re confused, and not concerned with the prospect of having Ice Cream Bunny‘s plot spoiled, then read on.

The movie begins with what looks like home-movie footage of Santa’s sleigh stuck in the sand on a Florida beach.  The tone-deaf Kris Kringle sings a plaintive (dubbed) tune of lament, then falls asleep, then psychically summons the neighborhood children to help him.  (This sequence of events suggests that the entire movie may be St. Nick’s heat-stroke influenced nightmare).  At any rate, the children flock to his aid, bringing livestock (?) and a man in a gorilla suit (??) to attempt to dislodge the sleigh out of the half-inch of sand it’s buried in (why did the kids think a pig would succeed where eight magical reindeer had failed?)  When this brain-dead plan predictably bears no fruit, Santa decides to tell everyone a story—a story of eternal hope, a story about a magical place called Pirates World.

Actually, the story is the fairy tale “Thumbelina.”  But we can’t simply jump into it.  That would Continue reading CAPSULE: SANTA AND THE ICE CREAM BUNNY (1972) →

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