CAPSULE: BLOOD PARADISE (2018)

DIRECTED BY: Patrick von Barkenberg

FEATURING: Andréa Winter, Rolf Brunnström, Christer Cavallius

PLOT: A bestselling crime author goes to a Swedish farm to try to kick start her creative juices for a new book; naturally, murder ensues.

Still from Blood Paradise (2018)

WHY IT WON’T MAKE THE LIST: The scattered reports of “weirdness” lurking in this erotic thriller seem to be greatly exaggerated.

COMMENTS: Blood Paradise may be a horror film about an American woman vacationing in a remote part of Sweden, but Midsommar it ain’t. Robin Roberts (Winter) is a bestselling author of potboilers who’s photogenic enough to sell copies based on her author portrait alone. But her last book, “Return to Blood Paradise,” was savaged by critics as “vile” and “abusive.” The poor notices don’t seem to bother her too much; she spends her days drinking wine and smoking cigars poolside in-between trips to the boudoir for light bondage games and toe-sucking with her beefcake cabana boy (played by director von Barkenberg). But her agent nags her into taking a retreat to a remote Swedish airbnb on a farm with no wifi to remove distractions and churn her creative juices, and that’s where the trouble begins.

A jumpy fanboy Uber driver takes her to the farm, run by a crusty old Swede and his silent sister, with a creepy shirtless farmhand also hanging around. Soon enough, everyone is peeping on everyone else—lots of hidden male eyes spy on Robin when she skinny dips, but she also watches the farmer while he stealthily checks a locked shed and catches glimpses of a mysterious character with long stringy hair. The script tries to build suspense out of these few scraps, introducing more characters/suspects like the driver’s jealous wife, and for a while Blood Paradise has the feel of a low-key giallo. The mystery is revealed early in the third act, however, and the movie turns into a gruesome game of cat and mouse between victim and killer, with farm implements used to sever body parts.

Blood Paradise plays, more than anything, like a calling card for lead Andréa Winter, who is only competent as an actress but who has movie star looks and a fiery sex appeal stoked by her eagerness to frequently disrobe. In an earlier age, I could see her becoming an exploitation or softcore star or a major scream queen. There may be a place for her in modern low budget films; she can bring an aura of class to trash, if that’s what a project needs. Blood Paradise is almost entirely a joint venture between Winter and von Barkenberg, who appear to be an offscreen couple as well. He directed, she produced and composed the score, they co-wrote the script and both act in it, and they each appear in just about every credit, from editing to camerawork.

The Artsploitation Blu-ray has four deleted scenes. Despite a running time of just over 80 minutes, all of these were wisely cut, with the possible exception of “Blood Sex Dream,” which I think they chickened out on. There are also two von Barkenberg-directed music videos.

WHAT THE CRITICS SAY:

“…there is no lack of bizarreness in Blood Paradise… Patrick von Barkenberg’s debut film is worthwhile, even if its for the pure “WTF” factor. Are you looking for a hilariously erotic thriller comedy? Have you never heard of all those things together? Sit down and let the weirdness of Blood Paradise wash over you.”–EJ Moreno, Flickering Myth

One thought on “CAPSULE: BLOOD PARADISE (2018)”

  1. This one seems like my kinda movie. Thanks for the yearbook, Greg, this was by far the gnarliest of them.

    -Ryan

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