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WEIRD HORIZON FOR THE WEEK OF 7/25/2014

Our weekly look at what’s weird in theaters, on hot-off-the-presses DVDs, and on more distant horizons…

Trailers of new release movies are generally available on the official site links.

IN THEATERS (WIDE RELEASE):

Lucy (2014): directs as a woman who develops nearly omnipotent psychic powers after being accidentally dosed with an experimental drug. The trailer makes this movie look particularly stupid, and we would have avoided mentioning it if not for early reviews proclaiming that it “ends as a bad LSD trip” (Rolling Stone) and talking up “the sheer weirdness of Lucy‘s imagery…” (A.V. Club). Perhaps coincidentally, perhaps not, “Lucy” is a slang term for LSD. Lucy official site.

SCREENINGS – (Cinefamily, Los Angeles, July 25-27):

“Sexperiments: A Collection of Turned-on Cinema”: Three nights of libidinous cinematic excess at the venerable Tinseltown institution. Friday night is “a collection of turned-on shorts” featuring obscene experimental movies of the 196os and 1970s, headlined by Warhol/Velvet Underground associate Barbara Rubin’s pre-hippy body painting/orgy film Christmas on Earth (1963), with live musical accompaniment. Saturday and Sunday’s features turn to the X-rated work of , with the post-apocalyptic sex tale Cafe Flesh screening Saturday night (with Sayadian and writing collaborator Jerry Stahl in attendance), followed by the Surrealist porn flick Nightdreams on Sunday. Altogether, it promises to be an erotically exhausting weekend of bizarro sexiness for lusty Los Angelinos. Promo for Sexperiments: “A Collection of Turned-on Cinema at Cinefamily” (warning: trailers are NSFW).

IN DEVELOPMENT:

Overlook Hotel (est. 2015):  is in negotiations to helm a prequel to The Shining, showing how evil took root at the Overlook Hotel. Fans of both Stephen King and are already expressing emotions ranging from nervous skepticism to premature outrage. Variety has the scoop.

NEW ON DVD:

“The Essential Jacques Demy”: The Criterion Collection releases a 13-disc (!) DVD?Blu-ray combo set of the works of the famed French musical director. The only film of particular interest to us is the 1970 fairy tale adaptation Donkey Skin, wherein a princess (Demy muse ) magically disguises herself as a donkey to avoid marrying her father (!!).  Also includes the five features Lola, Bay of Angels, Umbrellas of Cherbourg, The Young Girls of Rochefort, and Une Chambre en Ville, along with four Demy short films, three documentaries, and all the usual Criterion bibelots. Buy “The Essential Jacques Demy” [Criterion Collection Blu-ray + DVD].

NEW ON BLU-RAY:

“The Essential Jacques Demy”: See description in DVD above. Buy “The Essential Jacques Demy” [Criterion Collection Blu-ray + DVD].

FREE (LEGITIMATE RELEASE) MOVIES ON THE WEB:

Evil Brain from Outer Space (1964): Undercover alien superhero Starman fights an evil brain and its band of mutant henchmen. Edited together from three different Japanese films, with about half the original footage removed and furious voiceovers racing to explain why new characters keep popping up all the time, this is the most incoherent of the four Starman features unleashed on unsuspecting American kids in the early 1960s. Given the strangeness of Attack from Space, that’s quite a feat!

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What are you looking forward to? If you have any weird movie leads that I have overlooked, feel free to leave them in the COMMENTS section.

WEIRD HORIZON FOR THE WEEK OF 7/18/2014

Our weekly look at what’s weird in theaters, on hot-off-the-presses DVDs, and on more distant horizons…

Trailers of new release movies are generally available on the official site links.

IN THEATERS (LIMITED RELEASE):

Mood Indigo (2013): A wealthy bachelor inventor falls in love with a woman who has a flower growing in her lungs. The latest from stars erstwhile Amelie Audrey Tautou; diabetics and the whimsy-averse are being warned to avoid this cutesy confection, but rest assured we’ll forge ahead and tackle it (it’s in our reader-suggested review queue, but we’d surely hit that even if it wasn’t). Mood Indigo official site.

FILM FESTIVALS – Fantasia (Montreal, Canada, Jul. 17- Aug. 6):

As its name implies, Montreal’s Fantasia Festival originally began as a showcase for fantastic films from Asia; it has since morphed into a major event on the genre cinema calendar, a venue so big that geek event movies like Marvel’s Guardians of the Galaxy hold special pre-release screenings there. Not that they’ve let mainstream success get to their heads; there’s still more rare weirdness to be found at Fantasia than at just about any film festival on the globe. We make watchlists from Fantasia’s programming, and we’re always saddened when only half of the most daring films find meaningful distribution in the U.S. We’ve been following a number of 2014’s entries as they slowly make their way across the festival landscape: s Cheatin’, the post-apocalyptic love triangle in The Desert, the inflated-head indie rock comedy Frank, the horror-of-Hollywood allegory Starry Eyes, s White Bird in a Blizzard, and ‘s long-awaited The Zero Theorem. Here’s the stuff that’s new to us (along with a couple of the odder highlights from the festival’s blaxploitation and Shaw Brothers revival programs):

  • Bag Boy Lover Boy – A photographer specializing in unusual human specimens takes a hot dog vendor for his muse; the synopsis evokes the work of seedy underground New York filmmakers like . Screening July 23.
  • “La Buche de Noel” – The insane animated adventures of Indian, Cowboy and Horse (A Town Called Panic) continue in this 23-minute Christmas-themed short. Screens July 31.
  • Darktown Strutters (1975) – A rare blaxploitation/comedy/musical about a black female motorcycle gang fighting white supremacists led by a Colonel Sanders clone. This oddity is very rare—almost legendary—so catch it July 27 if you can.

  • Demon of the Lute (1983) – A kung fu maiden sets out to destroy the titular instrument with the help of the Three Armed Beggar and Old Naughty (who wields a giant pair of scissors). One of the craziest-sounding of the classic Shaw Brothers features screening at Fantasia; this one plays July 19 & 26.
  • Honeymoon – Well-reviewed psychological thriller about a groom who finds his new wife acting strange after the nuptials. Screens July 22.
  • I Am a Knife with Legs – Absurdist microbudget musical comedy about a pop star hanging out from a fatwa; the programmer’s synopsis uses the word “weird” to describe it more than once. Catch it July 25 only.
  • Jack et la mécanique du coeur – 3-D animation described as a “Gallic surrealist fairy-tale musical with a dash of Gothic macabre and a streak of steampunk.” It appears that it is playing in French only with no English subtitles on July 26.
  • Koo! Kin-dza-dza – An animated remake of the satirical 1986 Soviet cult sci-fi comedy about two Russian men teleported to a desert planet. Playing August 2.
  • Kumiko, the Treasure Hunter – A backwards Japanese woman mistakenly concludes that the movie Fargo is a documentary and sets out for Minnesota to discover the lost ransom money. July 23.
  • The Man in the Orange Jacket – An employee kills his rich boss and assumes his identity, only to be haunted by surreal occurrences. Screens July 27.
  • The Mole Song: Undercover Agent Reiji‘s latest is a comedy about an undercover cop, with animated sequences and “surreal fight scenes.” Catch it July 19.
  • Nuigulumar Z – The English translation, Gothic Lolita Battle Bear, may explain why this title caught our fancy; the less sane of two movies making their North American debut from the ludicrously prolific . Screening July 20.
  • Puzzle – Masked figures invade a school and force the adults to play strange and deadly games; are local bullies behind it? July 26.
  • Real – A man uses technology to enter the subconscious of his beloved as she lies in a coma, where he encounters “philosophical zombies” and other strangeness, in ‘s latest. Plays August 3.
  • The Satellite Girl and Milk Cow – A satellite transforms into a cyborg and romances a brokenhearted man who has metamorphosed into a cow; the animation style resembles with a more surreal bent. Screens July 19.
  • Sweet Sweetback’s Baadasssss Song – Arguably the first, and certainly one of the strangest, blaxploitation movies ever made, Melvin van Peebles’ explosive race revenge fantasy is as much avant-garde as it is exploitation. See it on the big screen July 23.
  • Thou Wast Mild and Lovely – A hired hand has an affair with the farmer’s daughter in what the director herself describes as “an intimate magical realist erotic thriller.” Screening July 19 & 21.
  • Zombie TV – Sounds like a sort of Japanese version of Kentucky Fried Movie themed around the undead; Twitch‘s Todd Brown is quoted as saying it “provides the viewer with a respite from one kind of weirdness by punching them in the face with another.” July 19 only.

Fantasia Film Festival home page.

NEW ON DVD:

Scanners (1981): A good Scanner (a telepath with the power to literally blow people’s minds) infiltrates a gang of evil Scanners. This gory cult favorite, made by before he fully transitioned out of his upscale exploitation mode, is something of a surprise acquisition for the Criterion Collection. Buy Scanners [Criterion Collection].

SX_Tape (2013): A couple play sex games in a spooky abandoned hospital, which proves to be a bad idea. We wouldn’t have taken any notice of what looks like a sex-heavy found-footage horror if not for an (actually negative but prominently displayed) review claiming the movie “dives face first in the deep end of weirdness.” Buy SX_Tape.

Under the Skin (2013): Read our capsule review. Trippy visuals highlight this minimalist arthouse sci-fi hit in which plays an alien who hunts lonely men on the moors of Scotland. Buy Under the Skin.

NEW ON BLU-RAY:

Scanners (1981): See description in DVD above. This combo pack includes two DVDs. Buy Scanners [Criterion Collection Blu-ray/DVD combo].

SX_Tape (2013): See description in DVD above. Buy SX_Tape [Blu-ray].

Under the Skin (2013): See description in DVD above. Buy Under the Skin [Blu-ray].

What are you looking forward to? If you have any weird movie leads that I have overlooked, feel free to leave them in the COMMENTS section.

BLAXPLOITATION ZOMBIES: SUGAR HILL (1974)

Guest review by Brandon Engel, a freelance writer specializing in entertainment and pop culture, as well as an aspiring filmmaker.

What if a real zombie outbreak occurred during a zombie pub crawl? Imagine everyone liquored and latexed up to such a degree that nobody could differentiate the real zombies from the fake zombies. My point, I guess, is that this zombie thing has gotten out of hand.

Hearken back to a time when people were still appropriately freaked out by the living dead. Because of directors like George A. Romero, zombies became a fashionable cinematic device to address a myriad of social issues, starting in the late sixties. The films might have made more of an impression because zombies still elicited a strong reaction from viewers. Romero’s frequently remade and frequently cited Night of the Living Dead (1968), for instance, addressed the increasingly violent and sensational mass media coverage of the Vietnam war, and was notable also for featuring a black actor (Duane L. Jones) as the film’s leading man. Dawn of the Dead (1978), Romero’s follow up, offered a satire of North American consumerism by having a bunch of zombies putter mindlessly around a shopping mall.

Dawn also, incidentally, also featured a black male in it’s lead (Ken Foree), and even delved thematically into race issues with the extended segment that shows how the zombie apocalypse might manifest in the projects. But a few years prior to Dawn, the blaxploitation/horror film Sugar Hill (1974) had also appropriated the zombie motif to comment on race relations and social inequities.

The film was directed by Paul Maslansky, whom some may know as producer of the Police Academy films and Return to Oz (1985).  In the film, Diana “Sugar” Hill (Marki Bey) is engaged to marry the owner of a lucrative Haitian-themed bar. At the beginning of the film, members of a predominantly white crime syndicate approach Sugar’s fiance. When he refuses to acquiesce to the gang’s protection racket, Sugar’s fiance is beaten to death.

Still from Sugar Hill (1974)Sugar seeks the assistance of a voodoo priestess, Mamma Maitresse (Zara Cully), who in turn summons Baron Samedi, the Voodoo Loa who presides over funerals and acts a medium between the realm of the living and the realm of the dead. Samedi enlists an army of Voodoo zombies to avenge Sugar’s lover’s murder. The white gangsters are picked off, one by one. One guy is fed to a pack of hogs. One guy is thrown into a coffin filled with dangerous snakes. Blaxploitation films usually depicted black characters in positions of power over the “archetypal white oppressor” character. The title character from Superfly accomplishes this by dominating the drug trade. Shaft and Cleopatra Jones were cunning law enforcement agents. Part of what makes Sugar’s story so compelling in the annals of blaxploitation/revenge films, however, is the supernatural element. The film even evokes the transatlantic slave trade directly by suggesting that Sugar’s band of voodoo zombies were all slaves transported to the United States from Guinea. So, it becomes a revenge film in a much broader sense. It’s not merely about Sugar avenging her boyfriend’s death, but she’s also avenging (symbolically, at least) the wide-scale oppression and dehumanization of her ancestors.

The film was produced by American International Pictures, who were eager to follow up on the success of their earlier blaxploitation/horror genre blenders Blacula and Scream, Blacula, Scream. Part of what distinguishes Sugar Hill is that it isn’t based on a piece of 19th century European literature, but is instead a more distinctly black American narrative which synthesizes elements of Voodoo iconography, fairy tales, and classic b-horror film tropes. It’s occasionally clumsy and highly stylized script offers all of the cliches that you’d hope for in a blaxploitation film.

While Sugar Hill is frequently overlooked (even by cult film fanatics), it’s now enjoying a resurgence in popularity thanks to midnight screenings throughout the U.S., and regular showing on ‘s El Rey Network. Vintage horror fans (especially anyone with a fondness for either blaxploitation or seventies Italian zombie films) should absolutely check this one out.

WEIRD HORIZON FOR THE WEEK OF 7/11/2014

Our weekly look at what’s weird in theaters, on hot-off-the-presses DVDs, and on more distant horizons…

Trailers of new release movies are generally available on the official site links.

IN THEATERS (LIMITED RELEASE):

“An Animated World: Celebrating Five Years of GKIDS Classics”: Independent animated distributor GKIDS is re-releasing a program of eight films to select cinemas this summer. Of most interest to weirdophiles are the sorta-strange The Secret of Kells and My Neighbor Totoro; the other titles are A Cat in Paris, Ernest and Celestine, Tales of the Night, Eleanor’s Secret, Mia & the Migoo, and Nocturna, along with a selection of shorts. New York, Washington D.C., Dallas, Sacramento, Honolulu and San Diego are the cities blessed with the mini-festival, which tours through September 3. Animation World has more details.

Closed Curtain (2013): When dogs are banned in public, a writer retreats inside his home with his beloved pooch, but (possibly imaginary) visitors keep showing up to interrupt his work. A defiant, postmodern meta-movie from Iranian dissident Jafar Panahi, who is under house arrest and technically prohibited by the Ministry of Culture and Islamic Guidance from making movies. Closed Curtain on Facebook.

IN DEVELOPMENT:

Untitled project (est. 2015): There is almost no information on this one other than that it will be a “small” film, in black and white, del Toro wants in it, and he describes it as “really, really bizarre” and a “strange little movie.” Only a glimpse of the Pale Man stirring could give us as many chills down our spine as this tease does. Collider breaks the story, with quotes from del Toro.

NEW ON DVD:

Jodorowsky’s Dune (2013): Read our review. This 2-disc DVD/Blu-ray combo set contains 45 minutes of additional documentary footage not seen in the theatrical version. Buy Jodorowsky’s Dune [DVD/Blu-ray].

Nymphomaniac, Volume I and II (2013): Discovered beaten in an alley, a nymphomaniac relates her life story full of dark erotic adventures to a kind stranger. Sexually explicit, but probably not so weird; it is part of ‘s unofficial “depression” trilogy, however, that includes the Certified Weird Antichrist (2011) along with the quieter Melancholia (2011). Although it’s a single story, Vol. I and Vol. II are also sold separately, although we’re not sure how many people would want to pay more to buy them that way. Buy Nymphomanic, Vol. I & II.

NEW ON BLU-RAY:

Jodorowsky’s Dune (2013): See description in DVD above. Buy Jodorowsky’s Dune [DVD/Blu-ray]

Nymphomaniac, Volume I and II (2013): See description in DVD above. As with the DVD, Vol. I and Vol. II are also sold separately. Buy Nymphomanic, Vol. I & II [Blu-ray].

Point Blank (1967): Lee Marvin stars as a mysterious man taking on a criminal syndicate for the return of a small debt. An underseen late 60s experimental film noir from the talented director who went on to float a penis-hating stone head in the stunningly misbegotten Zardoz. Buy Point Blank [Blu-ray].

What are you looking forward to? If you have any weird movie leads that I have overlooked, feel free to leave them in the COMMENTS section.

READER RECOMMENDATION: PEE-WEE’S BIG ADVENTURE (1985)

Reader recommendation by “Brad”

DIRECTED BY:

FEATURING: , Mark Holton, Elizabeth Daily, Diane Salinger

PLOT: Pee-Wee Herman, the eccentric childlike persona of Paul Reubens, sest off on a strange and dreamy cross country search for his prized bicycle after local rich “kid” Francis (Holton) steals and the sells the bike.

BACKGROUND:

  • This was weird auteur Tim Burton’s first feature length film.
  • Burton was hired as director after Paul Reubens was impressed with his early short films “Frankenweenie” and “Vincent“.
  • Phil Hartman, the late great comedy performer/writer, contributed to the script, along with Reubens and screenwriter Michael Varhol.
  • Pee-wee’s Big Adventure was also Burton’s first collaboration with composer Danny Elfman, whom he’d work with frequently throughout his career.

INDELIBLE IMAGE: There is a lot of visually weird eye candy here: for example, dead truck driver “Large Marge”‘s frighteningly cartoonish face as she describes her body being dragged out from her crashed truck in an iconic stop-motion scare.

WHY IT SHOULD MAKE THE LIST: An eccentric lead, situated somewhere between child and grown man, who lives in a house of self-made gadgets and toys, cross-dressing with a convict, creepy clown nightmares, stop motion dinosaurs, and a meta-Hollywood ending: Pee-Wee’s Big Adventure doesn’t let up on strange situations.

Pee Wee's Big AdventureCOMMENTS: I am sure this is usually passed off as some juvenile movie with quirky humor, but it truly is a great collaboration between two originally weird minds. This isn’t Tim Burtons’ film. This isn’t Paul Reuben’s film either. It’s a perfect merging of both. Coming off of his live performance show, the “Pee-Wee” character gained a cult following, allowing Reubens to get this film made. Lucky us. The film is quite warm, although there are plenty of bizarre and dark images throughout. It’s not a perfect film, but it’s a labor of love. A definite “passion project.” We see some early Burton stop-motion experimentation, which he later used in many films such as The Nightmare Before Christmas, Corpse Bride, etc. Of course this film also helped start Burton’s film career as a director, which led to some of America’s weirdest film projects. Reubens took the Pee-Wee character and created the equally bizarre children’s show “Pee-Wee’s Playhouse.”

WHAT THE CRITICS SAY:

“…somewhere between a parody of kitsch and a celebration of it, and it has the bouncing-along inventiveness of a good cartoon… 26-year-old director Tim Burton shows his flair for the silly-surreal.”–Pauline Kael, The New Yorker (contemporaneous)