Tag Archives: “Weird Al” Yankovic

FANTASIA FILM FESTIVAL 2020 CAPSULE: TINY TIM: KING FOR A DAY (2020)

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Screening online for Canadians at 2020’s online Fantasia Film Festival

Recommended

DIRECTED BY: Johan von Sydow

FEATURING: Tiny Tim,

PLOT: Johan von Sydow chronicles the improbable rise and unfortunate fall of ’60s icon Herbert Butros Khaury, aka “Tiny Tim”.

COMMENTS: Beginning and ending his career as a mere circus performer, Herbert Butros Khaury nonetheless hit it big—nay, hit it huge—as the nebulous singer and cultural icon “Tiny Tim.” Ukulele in hand and falsetto in throat, he captured the hearts of the American people for a few glorious years in the late ’60s through early ’70s. His first wedding garnered a viewership of between forty- and fifty-million people when broadcast live on “The Johnny Carson Show,” a record exceeded at the time only by the ratings for the lunar landing.

That fact and many others are courtesy of Johan von Sydow’s well-researched and rather moving documentary, Tiny Tim: King for a Day. Chronicling Herbert Khaury’s semi-tragic childhood, joyful period of success, and ending with his semi-tragic decline (both in popularity and in health), Tiny Tim is a very straight-forward film about one of the strangest popular phenomena of the 20th century. Herbert Khaury was one of those celebrities who are only ever “real” when on stage, and his private life was a cavalcade of sadness and discomfort as he tried and failed to tone himself down for mundane day-to-day activities like love, friendship, and business.

Most people know only the stage name of the man, and maybe his break-out hit “Tiptoe Through the Tulips.” I knew about him primarily through his board game, “The Tiny Tim Game of Beautiful Things.” But this performer was known by all kinds of big names. Influential television producer George Schlatter, documentarian D.A. Pennebaker, Tommy James (of “and the Shondells” fame), and Peter Yarrow (of Peter, Paul, & Mary) all had kind words to say about this strange, wonderful man. Even famous fringe artists Jonas Mekas and Wavy Gravy chime in at length—the latter providing an hilarious anecdote about the time he and a buddy saved Khaury from an encounter with the mob.

Tiny Tim: King for a Day is a “talking heads” kind of affair, but it is made novel in a couple of ways. Most strikingly, there are animated segments depicting experiences chronicled in Khaury’s personal diary (these are narrated impressively by none other than ‘Weird Al’ Yankovic, who I imagine leapt at the chance to be involved with this picture). They provide an intimate grounding of the man behind the persona. And von Sydow’s choice to avoid close-ups when recording the “talking heads” pays off handsomely, as you can see each of the commentators in their natural habitat. The contrast between executive Schattler’s organized award statues and “power desk” and Wavy Gravy’s obscenely cluttered study deftly illustrates the variety of Khaury’s friends and associates. The documentary is thorough, but short; appropriate, I feel, for a man known to the world as “Tiny Tim.”

WHAT THE CRITICS SAY:

“…an energetic, wildly creative account of an inimitable figure who lived an almost unbelievable life.”–Christopher Schobert, The Film Stage (festival screening)

CAPSULE: UHF (1989)

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AKA The Vidiot from UHF

DIRECTED BY: Jay Levey

FEATURING: “Weird Al” Yankovic, Michael Richards

PLOT:  Walter Mitty-style daydreamer George becomes manager of an independent television station, and his bizarre programming becomes a surprise hit.

Still from UHF (1989)

WHY IT WON’T MAKE THE LIST:  I wouldn’t begrudge Al his weirdness, but he means something more juvenile by “weird” than we do.  UHF has an irreverent and independent spirit and takes a few turns into the decidedly offbeat, but it’s basically Al’s mildly skewed idea of mainstream comedy.

COMMENTSUHF saw pop-parodist “Weird Al” shift his gentle satirical sights from hit singles to movies and TV. The framing plot is stock: likable ne’er-do-well comes to have responsibility for a failing enterprise and unexpectedly makes it a success, drawing the ire of soulless corporate powers who seek to crush him. While you won’t be surprised to find out the Weird Al wins the day and gets the girl back, the plot is just a frame on which to hang a series of skits and parodies.

Al tackles movies like Raiders of the Lost Ark, the facetious Gandhi sequel Gandhi 2, and Rambo. Like his music videos, the satire is not exactly incisive (Conan the Barbarian becomes Conan the Librarian, for example), but that’s OK: Weird Al is in the business of making puns, not enemies. Film nuts will enjoy the subtler nods to This Island Earth, Network, and a real groaner based on Treasure of the Sierra Madre. The parodies of Eighties movies should have gone stale by now, but they haven’t, largely because Hollywood keeps recycling the same cliches twenty years later. You don’t need to have seen the original Rambo to recognize what’s being lampooned when the musclebrained hero’s automatic weapon’s causes bamboo huts to randomly explode. The TV skits, which for the most part stand on their own without requiring knowledge of long forgotten shows, are funnier and more inventive than the straight parodies; they allow Al to show off a more unique and absurd sense of humor. “Wheel of Fish” is a memorably ludicrous game show, and “Raul’s Wild Kingdom” (hosted from his apartment, where he investigates his ant farm and teaches poodles to fly) is another highlight.

Squeaky Emo Phillips, improbably cast as a shop teacher (!), gets off the film’s darkest and most hilarious line after an accident with a table saw. But the best of all is Michael Richards as a slow, mop-loving janitor whose children’s show (where the kid who finds a marble in a vat of oatmeal is rewarded by getting to “drink from the firehose”) becomes the station’s flagship hit. Richards steals most of his scenes and demonstrates some of the herky-jerky physical comedy that would make him beloved as Seinfeld’s “Kramer” in a few years.

All in all, UHF is a meandering, light-hearted series of gags in an Airplane! vein that makes for a pleasant enough afternoon matinee. The PG-13 rating is for some silly cartoon violence. Other than that, it’s sweet, sex and swear-word fee, and appropriate for older kids, who will eat up the booger humor.

“Weird Al” sold millions of parody records in the 1980s (redoing Michael Jackson’s #1 hit “Beat It” as “Eat It” and Madonna’s “Like a Virgin” as “Like a Surgeon.”) Hoping to cash in on Al’s already fading popularity,UHF was intended as a summer blockbuster by Orion studios, but the movie critically savaged and tanked at the box office. Orion went bankrupt soon after. The film later became a huge hit on VHS and DVD. It’s not nearly as bad as the cold-hearted critics initially claimed (Roger Ebert called it “the dreariest comedy in many a month”), or as hilarious as the Weird Al cultists who made it one of the best-selling videos of all time would have it. Instead, it’s diverting spoofery for the ten-year-old inside all of us that should keep you amused for 90 minutes.

WHAT THE CRITICS SAY:

“You look at his picture, you hear he’s called ‘Weird Al’ Yankovic, you nod your head. The man, if nothing else, has the right name.” Desson Howe, The Washington Post (contemporaneous)

(This movie was nominated for review by reader “Vooshvazool.” Suggest a weird movie off your own here.)