“Cinema is showing more and more. It’s a paranoid, dictatorial cinema. And it’s saying less and less. We need a schizophrenic cinema.”–René Laloux
DIRECTED BY: René Laloux
FEATURING: Eric Baugin, Jennifer Drake, Jean Valmont (voices)
PLOT: On a fantastic planet full of strange creatures, a race of mystical giant blue aliens (named “Traags”) treat humans (called “Oms”) as either pets, or as pests to be exterminated. An orphan Om dubbed Ter is adopted by a young Traag, but eventually escapes captivity, taking along an encyclopedic headband that holds all the aliens’ knowledge of their world. He meets up with a band of wild Oms scratching out a living in the surreal landscape and, using the alien technology, fashions a plan for humanity to escape its captivity.
- Fantastic Planet was a French/Czechoslovakian co-production, and is often assumed to be an allegory for the Soviet occupation of Czechoslovakia. The similarity between the enslavement of the Czechs and the Oms is coincidental, however. Fantastic Planet was based on a science fiction novel written by Stefan Wul in 1957. Laloux only used Czech animators because there was no real animation industry in France at the time and the Czechs worked cheaply; he began production in 1968, before the Soviet invasion. The newly installed Czech puppet regime canceled the production, but eventually relented, and work resumed in 1971.
- The Czech animation team reportedly tried to depose Laloux and install one of their own animators as director. The coup failed, and friendly relations were restored.
- “Oms,” the term the aliens use to refer to humans, is a corruption of the French word “hommes” (“men”). The original French novel was titled Oms en série (“Oms in series”), which is also an electrical pun (“Ohms in series”).
- Writer/painter Roland Topor was the production designer for the film and the man responsible for much of the movie’s surreal look. Topor drew up the designs and the original cutouts used in the production, but left the project before animation began. Topor was a bit of a weird movie polymath; besides working on Fantastic Planet, he wrote the novel on which Roman Polanski‘s The Tenant (1976) was based, and appeared as Renfield in Werner Herzog‘s Nosferatu the Vampire (1979). Topor was also one of the three co-founders of the French theatrical “Panic movement,” together with Fernando Arrabal and Alejandro Jodorowsky.
- Fantastic Planet won the Special Jury Prize (the second most prestigious award) at Cannes in 1973.
- The movie was distributed in the United States by Roger Corman‘s New World Pictures, known mainly for their drive-in exploitation movies.
INDELIBLE IMAGE: The twisted topography of Fantastic Planet features flying sawtooth-beaked anteaters, bat-winged flora straight out of Hieronymus Bosch’s worst nightmares, and glittering crystals which spontaneously grow and shatter with a whistle. Selecting a single souvenir snapshot from among these startling vistas would be an impossible task. Fortunately, Fantastic Planet‘s artists animate not only landscapes, but mindscapes as well, illustrating the giant blue Traag’s spiritual expeditions by showing their heads floating away in giant soap-bubbles and other trippy tropes. From among these, we’ll choose the moment when four Traags’ close their eyes and blank out while their bodies do impressions of lava lamps, morphing and flowing like heated wax, as the film’s indelible image (though we’d be unable to quarrel with anyone who chose to canonize almost any other moment of the film).
American trailer for Fantastic Planet
with the acidic prog-rock soundtrack encourages (or even precipitates) altered states of viewing, but Fantastic Planet is more than just an astral trip. It’s a solid sci-fi parable set in a fully realized, incredibly detailed, and truly alien world that provokes more and more astonishment with each succeeding scene.
COMMENTS: Made between 1968 and 1973, at the height of the Acid Era, Fantastic Planet Continue reading 120. FANTASTIC PLANET [LA PLANETE SAUVAGE] (1973)