For some Adult Swim viewers, it was hard enough to believe that Tim Heidecker and Eric Wareheim’s grotesquely odd television series received a second season. To their dismay, Tim and Eric Awesome Show Great Job! premiered season five (season “cinco”) in February of this year. Although the series focuses on comedy, Wareheim claims that the show is greatly influenced by the awkwardness of David Lynch‘s work.
Tag Archives: Karen Black
CAPSULE: HOUSE OF 1000 CORPSES (2003)
DIRECTED BY: Rob Zombie
FEATURING: Erin Daniels, Chris Hardwick, Rainn Wilson, Jennifer Jostyn, Karen Black, Bill Moseley, Sheri Moon Zombie, Robert Mukes, Dennis Fimple, Sid Haig
PLOT: Four college kids are abducted by a backwoods maniac family.
WHY IT WON’T MAKE THE LIST: Because the Texas Chainsaw Massacre ripoff plot was too tissue-thin to support a movie, heavy metal musician turned debutante director Rob Zombie’s fleshed the film out with stylistic excess. Home movies from inside the serial killers’ psyches, purposeless solarizations, classic drive-in intertitles, and clips of vintage B&W cheesecake constantly interrupt what action there is. The effect is not to make the film weird, but to draw attention to the director– “I’m Rob Zombie, trash horror aficionado, and I’m making a movie!”–and make him seem weird. It ends on a highly surrealistic note, but this is actually the weakest part of the movie.
COMMENTS: Make no bones about it: House of 1000 Corpses is bad. This movie is what happens when you take The Texas Chainsaw Massacre, drain out all the scary, and replace it with annoying. Still, if Zombie had to fail, at least he failed bombastically rather than meekly. If you took away the directorial flourishes from the movie and left only the plot, played straight, then this movie really would have been a nightmare (see the weirdly praised sequel The Devil’s Rejects).
The presence of trash film icons Sid Haig (Spider Baby) as the memorable sideshow Captain Spaulding (pictured) and Karen Black as the redneck matriarch adds some interest.
WHAT THE CRITICS SAY: