DIRECTED BY: Jirí Menzel, Jan Nemec, Evald Schorm, Vera Chytilová, Jaromil Jires
FEATURING: Pavla Marsálková, Milos Ctrnacty, Frantisek Havel, Josefa Pechlatová, Václav Zák, Vera Mrázkova, Vladimír Boudník, Alzbeta Lastovková, Dana Valtová, Ivan Vyskocil
PLOT: Short adaptations of five stories from Czech writer Bohumil Hrabal: racing enthusiasts
are obsessed with crashes, two old men in a nursing home reminisce, functionaries try to sell insurance to a mad artist, the discovery of a corpse causes a restaurant to close, and a timid apprentice plumber falls for a fiery teenage Gypsy girl.
WHY IT WON’T MAKE THE LIST: Only two of the five segments in this anthology are significantly bizarre, and a paltry 40% weird rate is not going to get your omnibus movie onto the List.
COMMENTS: The Czech New Wave was part of a fascinating period of creativity that resulted from an unprecedented liberalization of film and literature in Communist Czechoslovakia in the 1960s; the movement brought the world the novels of Milan Kundera and the films of director Milos Forman. During this time writers and filmmakers often turned towards surrealism as a way to implicitly critique the absurdity of the totalitarian status quo while maintaining deniability about their political aims (after all, they were merely writing obscure nonsense fiction in the tradition pioneered by national icon Franz Kafka). The New Wave essentially ended in 1968 when, concerned that the rapid pace of democratization might lead Czechoslovakia to exit the Warsaw Pact, the Soviet Union invaded the country and installed a hard-line regime. Based on short stories by New Wave writer Bohumil Hrabal and featuring entries from five of the top directors of the New Wave, Pearls of the Deep is a sort of sampler of this moment in history when Iron Curtain artists briefly wiggled out of the shackles that had bound them to an ideological wall for decades.
In the wild, you have to open a lot of oysters to find a single pearl; something similar is true of feature length anthology of short films, where the entries have an inevitable tendency to average out. Although even Hrabal’s straightest stories contain small doses of absurdism (which show up in non sequitur dialogues or little narrative oddities), only two of these adaptations have conceits peculiar enough to form surrealistic pearls. Since our focus is on weird films, we’re going to briefly open and reject three out of these five New Wave oysters before looking more Continue reading CAPSULE: PEARLS OF THE DEEP (1966)