DIRECTED BY: Lukas Moodysson, Patrice Le Conte, Jean-Luc Godard, Virgil Widrich, Tom Tykwer, Peter Mullian, Nanni Moretti, Jan Kounen, Roy Andersson, Juan Solanas, Krzysztof Kieslowski, Jan Svankmajer, Chris Morris, Lars von Trier, Javier Fesser, Anders Thomas Jensen
FEATURING: , Sten Ljunggren, Jean-Claude Brialy, Isis Krüger, Thomas Wolff
PLOT: Comedies, dramas and experimental films are collected together in this anthology of sixteen award winning short films made by Europeans.
WHY IT WON’T MAKE THE LIST: Compilations themselves aren’t eligible, and although some of the shorts here are quite weird, none of them are powerful enough to displace a feature film from the List.
COMMENTS: Short films have almost no commercial prospects: filmmakers generally make them as calling cards, for festival competitions where artistry is more important than marketability, and as a way to fiddle around with the medium of film. Experiments, whether visual or narrative, that might grow wearisome at 90 minutes can be refreshing at under 15 minutes, and directors can indulge their outré aesthetic impulses without fear of alienating audiences and distributors. There are, therefore, a higher proportion of weird works in the world of the short film than are found in the feature film universe: here, nine out of the sixteen offerings—more than half of the total—make at least a nod towards the strange, surreal, or fantastical.
Although we will run down all the films on the set, our primary interest here is in “My Wrongs #8245-8249 & 117,” provocateur Chris Morris‘ first self-contained short film after years of making blackly absurd, boundary-pushing sketches for British television. Our interest in “Wrongs” stems both from the fact it’s likely the weirdest offering, and because a reader suggested it to us for review. Before we get to the unique films in this collection, we need to explain a little about the “Cinema 16: European Short Films” sets. For reasons that are somewhat unclear, Cinema 16 released two different discs entitled “European Short Films,” one for the European market and one for the U.S. market. The two editions share seven films in common. We reviewed the U.S. release previously, and mini reviews of the overlapping shorts will be found in that article. The seven repeats are:
Continue reading CAPSULE: CINEMA 16: EUROPEAN SHORT FILMS (EUROPEAN EDITION) (2007)