Category Archives: Miscellanea

DEATH LAID AN EGG (1968) DIRECTOR’S CUT SPECIAL EDITION

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For our complete discussion of Death Laid an Egg, read the Canonically Weird entry.

I was thrilled in 2017 when ‘s chicken-centric surrealist giallo Death Laid an Egg finally hatched on DVD (until that time, it had only been available on VHS or poor-quality overseas bootlegs). One thing I did find room to complain about, however, was the loss of the absurd English dubbing, which added an additional layer of dementia to the already insane proceedings.  Cult Epics new Special Edition rerelease of the film answers that reservation, and throws in a few more surprises not on the previous release—most importantly, an additional 20 minutes of footage, now restored to produce a Director’s Cut version seen here for the first time since Death debuted.

Death Laid an Egg key artA true surrealist shock for 1968 viewers, Death Laid an Egg was not a hit on release, and was barely seen outside Italy. By 1970, however, the success of ‘s Bird with the Crystal Plumage was creating an international market for the Italian giallo. At 104 minutes, the already challenging (some would say incoherent) Death Laid an Egg featured far too much arty oddness and socialist satire to please the punters, but it did boast an exploitable amount of blood, sex, and a pair of gorgeous female leads in Gina Lollabrigida and . About fifteen minutes were trimmed, and Death was dubbed into English and released as Plucked, the version that most of the world has seen since. (This is the “Cliffs Notes” version of the release history, since actually at least two separate cuts of the film were made and released: see the excellent Movie Censorship entry for a more complete discussion).

The newly restored scenes mostly involve a character named Luigi, an old colleague of the protagonist whose significance (like so much in the film) is never made wholly clear. In a typical Questi twist, Luigi is partly amnesiac due to having undergone electroshock therapy. Other restorations involve a near topless scene for Aulin, gritty scenes of real poultry processing, Anna making elliptically morbid comments while looking at chicken embryo slides, and another encounter with the dispossessed farm workers. In a film where so many details and subplots are merely playful wild goose chases, the newly restored footage is, in some sense, inconsequential (although some have argued that Luigi’s character is crucial). But in any case, fifteen or twenty additional minutes of Death Laid an Egg is a blessing to be relished.

This edition gives you the option to watch the 90-minute dubbed version (Plucked) or the 104-minute director’s cut.  (You can watch the director’s cut with the English dub on; it just changes to subtitles when new footage plays, which also lets you know what’s new). As I did in my original review, I still contend that whoever did the translation for the dubbed version improved on the dialogue versus the person who translated the subtitles. The dialogue simultaneously sounds more natural to English-speakers and more poetic. “I think that’s a peculiar way to put it, men and chickens mixed up like that,” is snappier than the subtitle’s rendition of the same line, “This is a bit dubious, I think. How can you humanize chickens like that?” The spoken line “Your bra and panties are almost as important as what’s under them” is much more to the point than the written version, “lingerie is the most important. It’s almost more important than the skin underneath.” It’s likely that the original cast (the four principals included two Frechmen and a Swede) were dubbed into Italian anyway, so there’s no question of linguistic authenticity: in this case, go with the superior English dub.

Giallo scholar Troy Howarth and Nathaniel Thompson (of Mondo Digital) provide an informative commentary track. Wisely, neither try to interpret the film’s many mysteries and peculiarities, but limit themselves to supplying context and background on Questi, the cast and crew, and the Italian film industry of the time. Other special features include two trailers, a video review by Antonio Bruchini, Questi’s last recorded interview (he doesn’t discuss Death Laid an Egg), and one of the director’s final short films, 2002’s “Doctor Schizo and Mister Phrenic.” In the interview Questi seems quite proud of the short, but I found it sad to see a man who once shot big-budget films with movie stars on location reduced to starring in his own camcorder YouTube uploads, set entirely in his own apartment.

Death Laid an Egg postcard
Postcard art featuring “Luigi”

Early editions of this set come with a slipcase and a package of collectible postcards. The only advantage Cult Epics previous release has over this one is that it includes a DVD copy (older limited releases also contained the rare Bruno Maderna soundtrack CD). But this is the Egg we’ve been dying for.

NETFLIX WEIRD WATCH PARTY POLL FOR NOVEMBER 14 SCREENING

Here’s the poll to vote for our November Weird Netflix watch party, scheduled for Saturday, Nov. 14, at 10:15 PM ET. If you plan on virtually attending, please vote for the movie we’ll be watching below. We’ll screen the two movies that get the most votes. Your host, Gregory J. Smalley, will personally break any ties. Note that unlike our other polls, you can only vote once. Poll closes at midnight ET on Wednesday, November 11. You may vote for multiple movies, but not for every movie (because that would be pointless).


WEIRD HORIZON FOR THE WEEK OF 11/6/2020

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Our weekly look at what’s weird in theaters, on hot-off-the-presses DVDs and Blu-rays (and hot off the server VODs), and on more distant horizons…

Trailers of new release movies are generally available at the official site links.

VIRTUAL CINEMA RELEASE:

Koko-di, Koko-da (2019): Read Giles Edwards’ Apocrypha Candidate review and our interview with director Johannes Nyholm.  Delayed for about a year from it’s originally scheduled screen debut, this eldritch nightmare about three psychopathic fairy tale figures who kill a grieving couple over and over is (virtually) here. Regular VOD release coming on Dec. 8. List of participating virtual venues for Koko-di, Koko-da.

NEW ON HOME VIDEO:

Barbie & Kendra Storm Area 51 (2020): The bimbo heroines of Corona Zombies (and its equally rushed sequel Barbie & Kendra Save The Tiger King) return to investigate an alien conspiracy. It’s their third movie in eight months, a pace made possible by the fact that each flick consists mostly of humorously re-dubbed dialogue from older Full Moon features–this time, The Day Time Ended (1979) features heavily. On VOD, and also streaming on Full Moon’s subscription service and Amazon Prime channel. Rent Barbie & Kendra Storm Area 51.

I Was at Home, But… (2019): A boy mysteriously disappears, then reappears. A challenging, minimalist German art movie, now out on Blu-ray or DVD. Buy I Was at Home, But….

Lake Michigan Monster (2019): Read Giles Edwards’ Apocrypha Candidate review. Made for (relative) pennies, this audience-pleasing microbudget B-movie spoof is an absurd and eye-popping comedy experience. Arrow releases it on Blu-ray only. Buy Lake Michigan Monster.

Possessor (2020): Read our review. ‘s icy sci-fi psychothriller about the future of assassination hits small screens on-demand this week; physical media still to come. Buy or rent Possessor.

The Secret of Kells (2009): Read our review. Stunning animation (the look is inspired by medieval manuscripts) full of eerie Celtic folklore. A Blu-ray re-release. Buy The Secret of Kells.

CANONICALLY WEIRD (AND OTHER) REPERTORY SCREENINGS:

American’s aren’t back to full capacity yet, but some repertory theaters are open with screenings in theaters, drive-ins, and online.

FREE MOVIES ON TUBI.TV:

Bronson (2008): Read the Canonically Weird entry! ‘s breakthrough performance as the obstinately brawling prisoner Bronson in ‘s surreal boipic is now listed as “leaving soon” on Tubi. Watch Bronson free on Tubi.tv.

WHAT’S IN THE PIPELINE: We’ll continue taking nominations for our upcoming Weird Netflix Watch Party scheduled for Saturday, September 13 until early Sunday. Feel free to nominate a movie to watch here.

Next week’s review slate is a little bit in flux as we continue working behind-the-scenes on the 2020 Yearbook, still on schedule to roll out on the first day of December. We do promise Giles Edwards will review Russia’s weird new entry in the torture-porn genre, Sleepless Beauty (due on VOD next week and Blu-ray the week after). is working on numerous items, but expects to give you a rundown of the newest special edition release of Death Laid an Egg [La morte ha fatto l’uovo] (1968), if nothing else (and there probably will be something else). Stay tuned, and upward and weirdward!

What are you looking forward to? If you have any weird movie leads that we have overlooked, feel free to leave them in the COMMENTS section.

NOVEMBER NETFLIX PARTY NOMINATIONS AND TIME-BEING WATCH PARTY PROTOCOLS

We had a healthy turnout for our Halloween Weird Watch Party despite not getting the requested number of RSVPs. Therefore, we are going to drop the request for RSVPs from now on and just ask for nominations. If watch party viewership drops below five attendees, we may either reinstate the RSVP process or scrap the screenings. But for right now we’ll stick to one Netflix and one Amazon Prime watch party per month.

We’re open to suggestions for different starting times, dates, or methods of propagating the watch link.

Our next Netflix Party will be scheduled for Nov. 14 at 10:15 PM. We’ll take nominations in the comments on this post up until next Sunday (Nov. 8), then put up a voting poll. Although there is no longer an RSVP requirement, please don’t nominate a film unless you intend to join us for the screening.

The Canonically Weird movies on Netflix that we haven’t yet screened yet are Being John Malkovich (1999), A Clockwork Orange (1971), Eternal Sunshine of the Spotless Mind (2004), Kung Fu Hustle (2004), The Lobster (2015), Neon Genesis Evangelion: The End of Evangelion (1997), Pan’s Labyrinth (2006), Scott Pilgrim vs. the World (2010), A Serious Man (2009), and Swiss Army Man (2016). Feel free to nominate any of these, or ignore them in favor of other selections. You can nominate something you nominated before, but not something we watched in a previous party: so no The Platform, April and the Extraordinary World, The Bad Batch, Skins [Pieles], Under the Skin, The Killing of a Sacred Deer, Enemy, A Ghost Story, Escape from the ‘Liberty’ Cinema, Between Worlds, Buster’s Mal Heart, The Aerial [La Antena], The Endless, The Wicker Man (1973),  Murder Party (2007), I Lost My Body (2019), I’m Thinking of Ending Things (2020), or We Have Always Lived in the Castle (2018).

To participate, you’ll need a U.S. Netflix account, a Chrome-based browser, and the Netflix Party extension.

Make your nominations in the comments below.

WEIRD PRIME HALLOWEEN WATCH PARTY, “THE TEXAS CHAINSAW MASSACRE 2,” STARTS IN 15 MINUTES

Halloween’s Amazon Prime Watch Party—The Texas Chainsaw Massacre 2 (1986)—starts in fifteen minutes.

You’ll need to be an Amazon Prime member in the US (we think) to participate.

There will be no pausing or rewinding except for technical reasons.

We are offering no technical support, so help each other out if needed.

Here is the link to join: https://amz.onl/4IsOMXz

See you soon!