Category Archives: Interviews

ALL JACKED UP AND FULL OF QUESTIONS ABOUT “ALL JACKED UP AND FULL OF WORMS”

All Jacked up and Full of Worms is a low budget horror/comedy about lowlifes getting high on hallucinogenic worms. 366’s Giles Edwards sat for an audio interview with writer/director , editor Troy Lewis, and FX artist Ben Gojer soon after the film’s World Premiere at the Fantasia International Film Festival. Stay to the end for restaurant recommendations for South Lake, Texas; Chicago, IL; and Home Depot.

“I don’t know the difference between a weird movie and a not-weird one… I think all movies are weird. If they’re not weird, they’re not any good at all.”–Alex Phillips

 

MISSION INTO THE PAST: CALIN CAZAN ON “DELTA SPACE MISSION”

We sat down with Delta Space Mission‘s  to reminisce about the making of the 1984 Romanian space epic and get a recommendation for where to eat in Bucharest.

Mr. Cazan provided some additional notes and links post-interview:

“Romanian cinema had several studios: for live-action films there were several studios in Buftea (near Bucharest); for documentaries, there was a studio, Sahia, with two offices in the capital; for animation, there was Animafilm, with two offices.

About 300 people worked at Animafilm. The animation was best for the budget, because it made series for children (6 to 12 years old) that sold well, for television, bundled in Europe, Asia, and Africa.

I studied architecture at the Ion Mincu Institute of Architecture—after my internship, I went to Animafilm. After graduating from a course taught by Victor Antonescu, I joined as an animator. Because my architecture studies were not recognized, I also attended courses at the Institute of Fine Arts.

Victor Antonescu initiated a sci-fi series, based on which the General Manager launched a kind of promotional contest for a new series. Together with Mircea Toia, we assembled a team to work on the first episode, which was a success. The management asked us to continue the series.

Delta Space Mission was intended for ages 12-20 years, and over. The destination was also international, targeting the countries with which Animafilm already had commercial relations.

Of course, we were influenced by the sci-fi movies that were on the market at the time. But also the books and publications. George Anania, who was the director of Animafilm, was also a writer of sci-fi novels.

For a meal in Bucharest, I recommend, for young people, ”Curtea Veche,” and for those close to my age, any restaurant in Charles de Gaulle Square or Herăstrău Park.”

Literary influences on Delta Space Mission:

  • Jules Verne – “Twenty Thousand Leagues Under the Sea”, “Around the World in Eighty Days”, “A Journey to the Center of the Earth”, “From the Earth to the Moon”
  • Isaac Asimov – Foundation (1951), Foundation and Empire (1952), Second Foundation (1953), I Robot (1951)
  • Arthur C. Clarke – 2001 – A Space Odyssey (1968), “2010 – Odyssey Two” (1982), “Rendezvous with Rama” (1973)

Movies cited as influences on Delta Space Mission: 2001: A Space Odyssey (1968); Meteor (1979); War of the Worlds (1953); Solaris [Solyaris] (1972); Stalker (1979)

Other movies discussed/subsequent favorites: Spaceballs (1987); Up (2009); Inside Out (2015); Zootopia [AKA Zootropolis] (2016); WALL-E (2008)

Calin Cazin’s personal homepage

Victor Wegemann’s paperback science fiction covers that helped inspire the look of the film

VINTAGE 366: LOST INTERVIEW ARCHIVES

Fifty-seven years ago today, popular interviewer Jack Stanton sat down with “premise consultant” William Ŝerco to discuss the inception of the cult film, Incubus. Having languished on the only known reel-to-reel recording for over half a century, Giles Edwards discovered this astounding artifact while antiquing outside Ashtabula, Ohio. Despite cutting out early (at a particularly exciting juncture), it is still an important piece of this cult phenomenon’s obtuse history.

Audio recording of the “lost” interview with Esperanto consultant, William Ŝerco. Transcript below.

Jack Stanton: And as the sun emerges ever more brightly from its wintertide rest, and the meadows emerge from the chilled waters lingering after the vernal equinox, I greet you, dear listener, and proudly present my evening’s guest: advisor to famed producer and director Leslie Stevenson, William Ŝerco. Mr. Ŝerco, good evening.

William Ŝerco: Dankon, Jack. Estas plezuro esti ĉi tie por diskuti pri mia filmo. Male al la nelavitaj amasoj, mi esperas, ke vi trovis la sperton kaj ekscita kaj edifa.

JS: Mr Ŝerco, I state with no sense of shame that indeed this film towered mightily above the dross that is better known as 1966’s standard cinematic slate.

WŜ: Fakte! La miraklo, kiu estas Incubus, mirigas eĉ min mem, min mem kiu, dum dek ok tagoj kaj poste, gvidis Leslie Stevenson al la glora vizio de mondo de Esperanta Horora Kinejo—ĝenro, kiun mi forte atendas, ke mi firmiĝos nun en la mondo. ekkonsentis kun mia genio.

JS: To begin, may I inquire how it was that you came to be a “premise consultant”? From my research, I am led to believe that this role is singular to this most singular of films.

WŜ: Estas simple: mi estas civitano de Esperanta. Naskita kaj kreskigita de du plensangaj Esperantaj gepatroj. Kaj pli-do, mi plene konas la arkanajn manovrojn kaptitajn surekrane de la ludludantoj William Shatner et al.

JS: It had been my understanding that the phenomenon of “Esperanto” was an academic contrivance, but now you say it is a genuine language of an actual people.

WŜ: Zamenhof estas kromvorto por “ĉarlatano” por mia popolo. Li venas valsante, asertante esti kampesploristo, longe pridemandis la maljunulojn, antaŭ ol malaperi kaj asertante, ke li kunmetis nian belan “o”-finan lingvon el nenio! Ĝi igas mian sangon boli memori—

JS: Ahh, yes, I can see that. But if I might beg you to remain seated, there is a great deal of delicate recording equipment right by your—

WŜ: Baldaŭ venos la tago, ke la vico de Zamenhof estos nenio alia ol malbenita, senfrukta branĉo de la morto, kaj ĉiuj parencaj estos dividitaj de la rapida kaj justa justeco de la Esperanta popolo!

JS: No, please, Mr Ŝerco—

Coincidentally, the reel snapped and burnt to cinders at this juncture despite much waving of hands in distress on the parts of Greg Smalley and Giles Edwards. It seems that the curse of Incubus continues.

INTERVIEW: ENTERING “STRAWBERRY MANSION”

Grab yourself a chicken shake and listen as 366 Weird Movies sits down with and to discuss their new movie, Strawberry Mansion (full review). Mansion is set in a comically dystopian future where an auditor (Audley) is assigned to assess the dreams of an elderly woman for tax purposes, and finds himself falling in love with her younger self (in dreams). As always, stay to the end for hometown restaurant recommendations (from Baltimore, MD and Lexington, KY).

Strawberry Mansion is now available for VOD rental.

“THE SHOW”: SIOBHÁN HEWLETT TALKS MOORE AND MORE

Anecdotes, ambitions, and asides flow forth during this in-depth interview with film star and executive producer Siobhán Hewlett. Known in her home town(s) as “the surfing guitarist,” Ms. Hewlett was good enough to make time for 366. Over the course of an hour, behind-the-scenes stories come to light as Hewlett and Giles Edwards chat about Alan Moore‘s film debut, The Show, directed by the maestro’s long-time photographer Mitch Jenkins.