DIRECTED BY: Christopher Nolan
PLOT: Cobb (DiCaprio), a mercenary with a unique skill set—he breaks into targets’ subconsciouses as they dream in order to steal business secrets—assembles a team to enter the mind of an heir to a billionaire’s fortune; but will his preoccupation with his lost wife, which is poisoning his own subconscious, destroy the mission?
WILL IT MAKE THE LIST?: There’s a rule around here: no movie officially makes the List of the 366 Best Weird Movies of all time until it’s released on DVD, so that we can pore over individual scenes at our leisure. That said, Inception is probably on the borderline. That’s not to suggest it’s a bad movie; in fact, Inception may well be the best movie released so far in 2010, and has surely already nailed down an Oscar nomination and a spot on most critics 2010 top 10 lists. The question is, is it weird? By Hollywood standards, a psychologically thriller about professional dream infiltrators is damn weird; so out there, in fact, that only someone with the clout of a Christopher Nolan could get it made and released as a summer blockbuster. (Though to be honest, the subject matter is not as weird, to a studio executive, as is the concept of purposefully releasing an movie with a script that’s so complicated and tricky it throws viewers into a state of total bafflement within the first ten minutes). Nolan’s latest is pop-weird; it creates just a little bit of pleasant confusion that viewers trust will be substantially resolved by the end. It’s not a movie that will risk leaving us stranded in a psychological limbo. Nolan’s dreamscapes are surprisingly based in realism, carefully constructed from cinematically familiar parts—mainly old heist movies, film noirs and spy flicks—rather than from abstruse symbols, Jungian archetypes, and monsters from the id. With its focus on action and self-contained narrative rather than mysticism and mystery, Inception has more in common with crowd-pleasers like The Matrix or Total Recall than it does with 2001: A Space Odyssey or Stalker. (Although, if we were forced to select the weirdest movie of 2010 in July, we’d be forced to go with this one; thankfully we have five more months of movies to select from).
COMMENTS: I wondered going into Inception: if I was making a thriller about dreams, one Continue reading CAPSULE: INCEPTION (2010)