Tag Archives: George Reeves

THE ADVENTURES OF SUPERMAN STARRING GEORGE REEVES: SEASON 5-6 EPISODE GUIDE AND REVIEWS, AND THE MYSTERIOUS DEATH OF SUPERMAN

Previous installments of “The Adventures of Superman” episode guide : Season, 1, Part ISeason 1, Part II – Season 2 Seasons 3 & 4

This article originally appeared in a slightly different form at Alfred Eaker’s The Blue Mahler.

Peril in Paris (dir. George Blair) is an ignominious opener for the fifth season. Diamond thieves have plundered the City of Love in an episode which could have used Grace Kelly.

Tin Hero (dir. Blair) is a slow news day, but Daily Planet subscribers aren’t the only ones suffering from boredom.

The Town That Wasn’t (dir. Blair): Gangsters use a mobile town to catch unsuspecting motorists in speed traps. Crimes are perpetrated and the law is evaded until Superman sets things right.

Tomb of Zaharan (dir. Blair) is awfully dull going for an episode dealing with reincarnation and Egyptian queens. At least Perry White gets some enjoyment in seeing his ace reporters stripped down and humiliated.

The Man Who Made Dreams Come True (dir. Blair): Who would ever guess that superstition could be a channel to the monarchy? Lois gets gagged tied yet again, and manages to render that fetish dull.

Disappearing Lois (dir. Harry W. Gerstad): Lois goes undercover to oust Lefty the gangster in a fun episode. Spanish Fly meets French Maid.

Money to Burn (dir. Gerstad): Arsonists burn the Daily Planet. Perry White waxes suspicious before being abducted. A Super fireman comes to the rescue.  Superman with a fire hose… Ding! Turn the page! Can’t wait for the action figure set. Cool stuff.

Close Shave (dir. Gerstad): Crooked barbers. Lois gagged and tied. What more can you ask for?

The Phony Alibi (dir. Blair): Professor Pepperwinkle has invented another useless device straight out of Dr. Seuss. This one teleports people through telephone lines. Lois shows off her “come hither” pearl necklace.

The Prince Albert Coat (dir. Gerstad): Life savings accidentally given away in a coat pocket… stop the presses, this is a story! Actually, all turns out well, and we’re relieved.

The Stolen Elephant (dir. Gerstad): Poor Jimmy thinks he didn’t get anything for his birthday, but lo and behold, Mom placed an elephant in his shed. Sad to say, but bad kidnappers want the elephant too. Nail-biting suspense.

Still from "Mr. Zero" from "the Adventures of Superman"Mr. Zero (dir. Gerstad) is the nadir of the entire series, and quite possibly the most execrable thirty minutes to ever disgrace the idiot box. It’s a cardboard takeoff of a comic villain and a pain-inducing endurance test. If it borders on masochism for its viewers, one can only Continue reading THE ADVENTURES OF SUPERMAN STARRING GEORGE REEVES: SEASON 5-6 EPISODE GUIDE AND REVIEWS, AND THE MYSTERIOUS DEATH OF SUPERMAN

THE ADVENTURES OF SUPERMAN STARRING GEORGE REEVES: SEASON 3-4 EPISODE GUIDE AND REVIEWS

Previous installments of “The Adventures of Superman” episode guide : Season, 1, Part ISeason 1, Part II – Season 2.

This article originally appeared in a slightly different form at Alfred Eaker’s The Blue Mahler.

Under Kellogg’s sponsorship, the second season of “The Adventures of Superman” had already began steering away from an adult audience. By the third season, the show was aimed almost solely at the pubescent. It was also shot in color, which made it an expensive production, with less money allocated for actors or professional writers. Oddly, it was only aired in black and white, not having its color premier for another decade. In this, Kellogg’s was ahead of its time, realizing that color, being inevitable, would assure the series a long run in syndication.

The third season is an entirely different series than the first two and, with few exceptions, it’s a dreadful affair. The series’ decline continued until its final, sixth season. Although officially cancelled, “The Adventures of Superman” had been picked up for a seventh season with star coming in as director (he helmed three episodes late in season six) and, reportedly, more money was going to be spent on better scripts. However, Reeves’ premature death put an end to a series which began high and should have bowed out on a better note. Alas, like its star, it was not afforded a happy ending.

The cast still has charisma, but even they can’t save the worst episodes, many of which are excruciating and virtually unwatchable. Still, “The Adventures of Superman (along with I Love Lucy) was the longest running series of the fifties, and maintained its popularity for another three decades in syndication. This is remarkable given that its lead, who presented a Super Boy Scout image, had in fact been outed as quite the colorful character, engaged in a sordid affair when he was found dead, allegedly by his own hand.

Still from "Through the Time Barrier" from "Adventures of Superman"The third season opens with the godawful “Through the Time Barrier” (dir. Harry Gerstad). The “Daily Planet” staff (all four of them) are teleported to the Stone Age by Professor Twiddle (Sterling Holloway, in his last series appearance). The look on Reeves’ face speaks volumes.

“The Talking Clue” (dir. Gerstad) is marginally better. It’s about a bank robber named Muscles McGurk, and focuses primarily on Inspector Henderson. Robert Shayne enjoys the spotlight, and our enjoyment comes primarily from his.

“The Lucky Cat” (dir. Gerstad) is an engaging, silly story about an Anti-Superstition Society, with Jimmy (naturally) falling for all the Continue reading THE ADVENTURES OF SUPERMAN STARRING GEORGE REEVES: SEASON 3-4 EPISODE GUIDE AND REVIEWS

THE ADVENTURES OF SUPERMAN STARRING GEORGE REEVES: SEASON 2 EPISODE GUIDE AND REVIEWS

Part I of “The Adventures of Superman” episode guide is here. Part II is here.

This article originally appeared in a slightly different form at Alfred Eaker’s The Blue Mahler.

Five Minutes to Doom” (dir. Tommy Carr) is the introductory episode of season two of “The Adventures of Superman.” Already, it is a slicker product than the previous season and, as expected, there are gains and losses. It has lost none of its grit, even with a new, bourgeoisie Lois Lane.

“Five Minutes to Doom” is a noir cliffhanger with Clark Kent using his abilities as a human lie detector test (gauging the heartbeat of a convicted killer) to determine the man’s sincerity. Someone doesn’t want Kent and gal pal Lois Lane uncovering the truth behind a corrupt contract deal, and attempts to assassinate the cub reporters. Lane condescendingly praises Kent for his out-of-character bravery.

Reportedly, director Carr was hard on Noel Neill, the new Lois Lane, whom he found lacking compared to the much missed . defended Neill, and while that’s an admirable example of cast camaraderie, it’s difficult not to sympathize with Carr’s point of view. Neill claimed that she was merely playing herself, but that may be part of the problem with her portrayal of Lane, who often comes across as a Sarah Palin-styled Avon lady huffing and puffing her way through the newsroom, chastising Kent for not being man enough even though we never see his alleged cowardice. Occasionally offsetting this unattractive trait is a winning perky quality, which renders Neill’s Lane consistently uneven.

Surviving the elements, Superman saves the day at the last moment by breaking through a prison wall to halt an electric chair execution. Stylish and moving like quicksilver, this is a helluva opening to a legendary season, despite a fidgety debut from Neill.

“The Big Squeeze” (dir. Carr) is noir for the 1950s family. Dan Grayson has received a Citizen of the Year award from the Daily Planet. Alas, Dan has a past that comes to put the “big squeeze” on him. Kent is obsessively driven to right wrongs and find/allow redemption. (Obsession and redemption are key dual themes in season two).

Still from "The Man Who Could Read Minds" from "The Adventures of Superman"“The Man Who Could Read Minds” (dir. Carr): Kent, Jimmy Olsen, and Lane attend a nightclub act that features a phony mind-reading swami. It leads them to a phantom burglar. The writing is straight out of the 1940s radio drama program tradition. It’s a well-paced, well-acted, and a stylishly suspenseful entry. Reeves steps Continue reading THE ADVENTURES OF SUPERMAN STARRING GEORGE REEVES: SEASON 2 EPISODE GUIDE AND REVIEWS

THE ADVENTURES OF SUPERMAN STARRING GEORGE REEVES: SEASON 1 EPISODE GUIDE AND REVIEWS (PART TWO)

Part two in a series. Part one of “The Adventures of Superman” episode guide is here.

This article originally appeared in a slightly different form at Alfred Eaker’s The Blue Mahler.

“Rescue” is a season one episode in which narrative purpose overrides attachment to character history or bullet points. Prospector Pop has been working his coal mine for a decade, despite warnings that it’s a death trap. Refusing to heed the warnings, Pop gets trapped after a cave-in. Enter Lois Lane, who discovers Pop’s predicament and attempts a rescue. Naturally, being Lois Lane, she too refuses to heed the warnings and attempts a lone wolf rescue, getting stuck herself. A series of near-misses follows in which Kent barely misses hearing news of the mine avalanche. Naturally, Kent being Superman, he would have super hearing. But not if it gets in the way of the plot. Thus, Kent, revving his faulty engine, fails to hear the radio broadcast of Lane’s current troubles.

Kent finally gets wind of the explosion which now seems to have sealed the fate of Pop and Lane. Naturally, our favorite boy scout saves the day, which inspires Lane to quip, “Clark, Superman finally took me out.” “Rescue” is a welcome change of pace, well-directed by Timothy Carr, and crams a lot of plot into twenty minutes.

Carr returns to helmThe Secret of Superman.” Jimmy Olsen’s mom calls Kent in the early A.M., worrying that little Jimmy has not come home. This looks like a job for… Clark Kent, who finds Olsen in a trance-like state at the Daily Planet office after hours. A file is missing, but not just any file! It is the file on Superman! As Kent suspects, dastardly gangster types are trying to find out the secret identity of the Man of Steel.

Next up is Perry White, who gets slipped a mickey in his coffee. White doesn’t know Superman’s identity either, and proves to be of little use to the bad fellas. Inspector Henderson, being the Sherlock he is, finds that both Olson and White were under the influence of sodium amathol and orders round-the-clock police protection for the Daily Planet staff.  A little gunplay follows, but we’re still no closer to wrapping up this episode.

Kent, pretending to be fired in an attempt to smoke out the gangsters, drinks from the same cup as White. Of course, Kent fakes a stupor but Lane is more susceptible and is asked the question:  “Could Superman have the ultimate disguise? Could he be … a woman?” “Superman—a woman? Nah, but Clark…. well, maybe,” the drugged Lane suggests. Performed with commendable straight faces, the cast deserves credit for convincingly guiding us through 50s naiveté. The world’s greatest mystery gets solved: Kent is Superman behind those horn rims. The henchman who figures it out gets wasted, however, and Lane conveniently forgets her drugged-induced sleuth work. Kent sighs in relief. No wonder he’s so charmingly smug.

Still from "No Holds Barred" from "The Adventures of Superman" The Lee Sholem-directed “No Holds Barred” has been a stapled fan favorite. Wrestler “Bad Luck Brannigan” has sent several opponents to the hospital after using the “paralyzer” move on them. With super-hearing now intact, Kent becomes privy to ringside conspiracies and locker room Continue reading THE ADVENTURES OF SUPERMAN STARRING GEORGE REEVES: SEASON 1 EPISODE GUIDE AND REVIEWS (PART TWO)

THE ADVENTURES OF SUPERMAN STARRING GEORGE REEVES: SEASON 1 EPISODE GUIDE AND REVIEWS (PART ONE)

This article originally appeared in a slightly different form at Alfred Eaker’s The Blue Mahler.

Today, few seem to pay mind to the artists, writers or creators of comic book characters. When Denny Stephens and I walked into Denny White’s comic book shop as Indiana adolescents, we immediately knew—without looking at the credits—if a book was penciled by Jack Kirby, Frank Robbins, Gil Kane, Carmine Infantino, Neal Adams, Steve Ditko,  Mike Ploog, Curt Swan or Wayne Boring. In their place now, a bland homogeneity permeates both the world of comics and the shops which market them. One book looks the same as the next, blending without seams, shorn of rough edges, entry points, atmosphere, originality, color, or inherent personality. One could say the same regarding the recent spate of films based on DC characters (not so with their television work, including animation where they rule their Marvel rivals. On the big screen, Marvel does it better). While the 1950s Television Superman was nowhere near as imaginative as stories being cranked out by Otto Binder in Superman Magazines (TV didn’t have the budget or, still in its infancy, the know how) the first season of The Adventures of Superman is something of a silver age within itself.

, , Jack Larson, John Hamilton, Robert Shane, Tommy Carr and each put an stamp on the characters and episodes, a personalized milieu and individuality that today is alien to an audience whose primary concern towards character tends to Biblical fidelity and adulation.

For many, George Reeves remains the quintessential portrayal of Clark Kent and his alter ego, Superman. It’s not out of nostalgia, or because he was the first actor to portray the pulp character. In fact, he wasn’t the first at all. That honor belongs to Kirk Alyn who starred in the serials Superman (1948) and Atom Man vs. Superman (1950). Alyn, who interpreted Kent as a kind of bumbling Jimmy Stewart character, simply doesn’t inspire. That lack of inspiration isn’t just limited by the serial’s quality: certainly, many of the later television and big screen incarnations were equally poor in their writing and execution. Rather, it’s due to Alyn’s Kent, who set the blueprint for the later Christopher Reeve performance. Kent really isn’t Kent. He’s Superman, and the newspaper paper reporter is just a façade.

Adventures of Superman (TV Series, 1952-2958) It’s hardly a secret that George Reeves had no love for playing a role that later actors would kill for. For Reeves, this was scraping the bottom of the barrel. Not only was he playing a little boy’s pulp comic book character who wore underwear outside of his pants, but he had been reduced to television. Like many actors of his time, including Alyn, who had refused to repeat the role for TV, Reeves was suspicious of the new medium. It was called small screen for a reason, Continue reading THE ADVENTURES OF SUPERMAN STARRING GEORGE REEVES: SEASON 1 EPISODE GUIDE AND REVIEWS (PART ONE)

SUPERMAN AND THE MOLE MEN (1951)

I suppose I was in the vast minority in 1978 when I still preferred as Superman, and especially as Clark Kent, as opposed to Christopher Reeve.

One could argue this was, perhaps, merely nostalgia since I grew up watching repeats of the Adventures of Superman every Saturday as a young child, but it was more than that.

The Superman I recalled pre-1978 was derived from film noir, rather than science fiction, although there was always latent and simplistic sci-fi elements. The art deco Fleischer cartoons were a resplendent example of this. Superman/Kent might tackle a local mad scientist or robots run amok, but he still had to predominantly deal with diamond stealing gangsters, a feisty Lois Lane, and a cigar chomping news editor boss. In the classic Superman comics he did occasionally have a colorful villain, such as the impish prankster whose name no one can pronounce, Braniac, and Bizarro, but he was not blessed with Batman’s rogue gallery of nemeses, and usually was content battling wits with the dull Lex Luthor.

Still from Superman and the Mole Men (1951)Since the Richard Donner film, the Superman character has completely forsaken its golden age and radio origins, and Superman is a pimply faced superboy, not long past puberty.  George Reeves’ Superman was already pushing forty when he made his debut.  Reeves remained in the monkey suit (as he called it) until his death at forty five. Reeves personified the classic age Superman in that he was every adolescent boy’s idea of a super father figure.  Sure, he wore a padded suit, clearly “flew” on a glass table and ducked when bad guys threw their emptied Continue reading SUPERMAN AND THE MOLE MEN (1951)