Also see ‘s “Top 5 Weird Movies of Fantasia Fest 2015” (where Evolution scored an honorable mention).
DIRECTED BY: Lucile Hadzihalilovic
FEATURING: Max Brebant, Roxane Duran, Julie-Marie Parmentier
PLOT: A boy grows up on a strange island where all the adults are female and all the children are males; he is told he is sick and is sent to a hospital where he bonds with one of the nurses.
WHY IT WON’T MAKE THE LIST: Evolution is a very good, very weird film that won’t get a shot at making the List of the weirdest films of all time for one simple, rather technical reason: it’s thematically similar to, and perhaps slightly inferior to, a previous movie by the same director. Evolution and Innocence are linked, yin-yang movies; you might consider them for a single spot on the List, 1a and 1b.
COMMENTS: Filmed on the rocky beaches of the Canary Islands (standing in for a settlement in a dystopic future or some fairy tale netherworld), Evolution is a stunningly beautiful film. The underwater photography in the opening, capped with a shot from the sea floor of a boy’s lithe body floating in the water framed by a wavery halo of sun, is a skin diver’s dream of paradise. The film knows it’s beautiful, too, and that may be why it takes so much time getting to where it’s going: it’s letting you soak in the sights.
Early in the story, playmates stage a funeral for a dead lobster whose corpse, seen belly-up, looks strikingly vaginal; our boy hero touches it, just to show that he isn’t afraid. Of death, or sex? Is there much difference here? He lives in a village where each “mother” has exactly one boy child in her care. While the boys sleep, the women—all pale and slim, with albino eyebrows—gather at night on the beach for secret rites, performing frightening acts that boys (and audiences) can’t quite wrap their heads around (though H.P. Lovecraft might approve, in a horny mood). Later, the boy is diagnosed as “sick”—as are all the boys when they reach the cusp of puberty—and transferred to a hospital, where he, along with the others, undergo a series of operations. He also strikes up an (implicitly frowned-upon) friendship with one of the nurses, who is impressed by his drawing abilities.
Evolution is slow-paced, but comes in at a brief 80 minutes—although even so, the overly long silences make it feel stretched out. Besides the dreadful atmosphere, it does have some genuine body horror frights, including creepy fetuses. Like Innocence, it ends with a return to the “real world.” The limbo Hadzihalilovic explores in these companion films is pre-pubescent gender, the weirdness of being a male or a female inhabiting a body that’s not yet equipped to carry out its biological role. A very weird situation, when you think about it.
WHAT THE CRITICS SAY:
I would like to say I feel Evolution 100% deserves to be on the 366 film list. It is a superior example of creeping, subtle weird and is a new classic of the post-2000 era. The reason you state in the opening paragraph about it being too similar to another film, the same director’s earlier film, does not make much sense to me. Ok then.. put Innocence on the list. I personally feel Evolution is the better film, but what a strange thing to say that it pretty much deserves to be on the list, but because the director made a similar film, then it’s not going to be on the list.. huh?
You’ll find a few more thoughts about the issue in the Innocence review, final paragraph of comments.
There will be one more chance for readers to select two movies for the List. If you feel strongly enough about it, you can campaign for Evolution then.