Tag Archives: Midnight movie

22. ERASERHEAD (1977)

“He showed me this little script he had written for Eraserhead.  It was only a few pages with this weird imagery and not much dialogue and this baby kind of thing.”–Jack Nance

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PLOT:  Henry is a factory worker living in a dingy apartment in a desolate urban nowhere. His girlfriend Mary’s mother informs him the girl has given birth to his child—although Mary objects, “Mother, they’re still not sure it is a baby!” Henry and Mary get married and care for the monstrous, reptilian, constantly crying infant until Mary can take no more and deserts the family, leaving Henry alone to care for the mutant and to dream of the oatmeal-faced woman who lives inside his radiator and sings to him about the delights of heaven.

eraserhead

BACKGROUND:

  • Eraserhead was started with a $10,000 grant from the American Film Institute while Lynch was a student at their conservatory. Initially, the 21 or 22 page script was intended to run about 40 minutes. Lynch kept adding details, like the Lady in the Radiator (who was not in the original script), and the movie eventually took five years to complete.
  • When Lynch ran out of money from the AFI, the actress Sissy Spacek and her husband, Hollywood production designer Jack Fisk, contributed money to help complete the film. Fisk also played the role of the Man in the Planet.
  • Lynch slept in the set used for Henry’s apartment for a year while making the film.
  • After the initial screening, Lynch cut 20 minutes off of the film. Little of the excised footage survives.
  • Eraserhead was originally distributed by Ben Barenholtz’s Libra Films and was marketed as a “midnight movie” like their previous underground sensation, El Topo (1970).
  • Based on the success of Eraserhead, Lynch was invited to create the mainstream drama The Elephant Man (1980)  for Paramount, a huge critical success for which he received the first of his three “Best Director” nominations at the Academy Awards.
  • Jack Nance had at least a small role in four other Lynch movies, and played Pete Martell in Lynch’s television series, “Twin Peaks.”  His scenes in the movie adaptation Twin Peaks: Fire Walk with Me (1992) were deleted. Nance died in 1997 after being struck in the head in an altercation at a doughnut shop.
  • Lynch has written that when he was having difficulty with the direction the production was heading, he read a Bible verse that tied the entire vision together for him, although he has refused to cite the verse and in a recent interview actually claims to have forgotten it.
  • Winner of this site’s 2019 Mad Movie Tournament as the most popular weird movie ever made.

INDELIBLE IMAGE: The iconic image is Henry, wearing that expression permanently lodged between the quizzical and the horrified, with the peak of his absurd pompadour glowing in the light as suspended eraser shavings float and glitter behind him. Of course, Eraserhead is nothing if not a series of indelible images, so others may find the scarred man who sits by the broken window, the mutant infant, or the girl in the radiator to be the vision that haunts their nightmares.

WHAT MAKES IT WEIRD: Eraserhead is probably the greatest recreation of a nightmare ever filmed, a marvelous and ambiguous mix of private and cosmic secrets torn from the subconscious. Or, as Lynch puts it, it’s “a dream of dark and disturbing things.”


Clip from Eraserhead

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7. EL TOPO (1970)

AKA The Mole (literal translation)

“Q: You’re creating this story right now.

A: Yes, this very moment. It may not be true, but it’s beautiful.”–Alejandro Jodorowsky in “Conversations with Jodorowsky”

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FEATURING: Alejandro Jodorowsky

PLOT: El Topo, a figure dressed in black and carrying his nude son on horseback behind him, uses his supernatural shooting ability to free a town from the rule of a sadistic Colonel.  He then abandons his son for the Colonel’s Woman, who convinces him to ride deep into the desert to face off against four mystical gunfighters.  All of the gunfighters die, but El Topo is betrayed, shot, and dragged into a cave by a society of deformed people, who ask the outlaw turned pacifist to help them build a tunnel so they can escape to a dusty western town run by degenerate religious fascists.

el-topo

BACKGROUND:

  • El Topo is considered to be the first “midnight movie,” the first movie to be screened in theaters almost exclusively after 12 AM.  Although the heyday of the midnight movie has past, it was a clever marketing gimmick that stressed the unusual nature of the film and positioned El Topo as an event rather than just another flick.
  • El Topo was famously championed and promoted by John Lennon and Yoko Ono.
  • Due to an acrimonious dispute over ownership rights between Jodorowsky and Allen Klein, the film was withdrawn from circulation for 30 years, during which time it could only be seen on bootlegged VHS copies.  The scarcity of screenings vaulted El Topo‘s already powerful reputation into a legendary one.  Jodorowsky and Klein reconciled in 2004 and the film had a legal DVD release in 2005.

INDELIBLE IMAGE: El Topo is a continuous stream of unforgettable images; any frame chosen at random inflames the imagination.  My personal favorite is the lonsghot after El Topo kills third master gunfighter, where his body lies bleeding in his own watering hole while the rest of the landscape is littered with rabbit corpses.   The iconic image, however, is  El Topo riding off on horseback with a naked child sitting behind him, holding a black umbrella over his head.  This image is particularly representative because it shows not only Jodorowsky’s gift for composition, but his penchant for shamelessly borrowing from other sources of inspiration: the concept is pinched from the most surreal moment of Sergio Leone’s classic Spaghetti Western, The Good, the Bad and the Ugly.

WHAT MAKES IT WEIRD:  In the first scene, a man clad in black carrying an umbrella rides through an endless desert waste. Behind him in the saddle is a male child, naked except for a cowboy hat. The man stops his horse by a lonely hitching post in the sand, ties the umbrella to the post, and hands the boy a teddy bear and a locket and a photograph. The man says, “Today you are seven years old. You are a man. Bury your first toy and your mother’s picture.” He pulls out a flute and plays while the naked child follows his instructions. What makes El Topo weird is that this is the most normal and comprehensible thing that happens the film.

Trailer for El Topo

COMMENTS: In Judges 14, Samson (the Hebrew version of Hercules) is attacked by a Continue reading 7. EL TOPO (1970)