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2019 Fantasia International Film Festival final wrap-up and recommendations:
Seek
Somehow I managed to catch sixty-four screenings for a total of sixty-three new movies. You may recall that I watched one film, Koko-di, Koko-da, twice, and that suggests it’s my top recommendation. It was the most talked-about movie among my crew of fellow reviewers, and it elicited strong reactions on both edges of the hate/love spectrum; I did not come across anyone saying something noncommittal about it. So I give it “First Prize.” Tailing close on its heels is Why Don’t You Just Die! This was met with universal approval among all those with whom I spoke, which is quite a coup considering how extremely violent it is. That it’s also extremely funny is just icing on the blood.
The third place designation is a bit a tougher, so I’ll go easy on myself with a tie between Dreamland—for being most atmospherically weird—and The Gangster, the Cop, and the Devil, as probably the best example of straight-up fun and straight-up badassery. But bear in mind, such parsing is a really tough assignment when looking back on over five dozen movies.
Destroy
The bottom three were a lot easier to decide on, as I had already done so as I came across them. Sadoko set the baseline as an achievement in tedium. Flying in the face of critical and popular consensus, I designate Knives and Skin as the Most Pointlessly Melodramatic Film. I do not agree with the two defenses of the movie: strong feminist agenda (so what? There are plenty of feminist movies that have intelligent characters you can care about) and “capturing an emotional mood.” The emotional mood I found in this movie was one of idiocy. I have lived through the teenage years and knew plenty of people who had real problems. The maudlin sob-story of Knives and Skin fell flat.
Jessica Forever manages to combine the shortcomings of both of the above movies. If it’s an example of “alternative French cinema,” I understand the success of “mainstream French cinema.” Disenchanted, blandly handsome young Frenchmen who get the authorities’ dander up “just because” they go on some killing sprees? I don’t know why that seemed like a good premise.
Personal Summary
I quite enjoyed my previous trips to Fantasia, and this year was no exception. And I’m inclined to feel like I’ve become part of the family there; by the end of the festival, all the staff knew who I was and I got to know many of them myself. I’m hopeful that in future I don’t try to match to my new record film tally, but strongly suspect I won’t be able to help myself. Thanks everyone for reading; cheers.
Congratulations to those of you who’ve figured out what I’ve been up to with each of the omnibus sub-headings.
Koko-di won the “Camera Lucida” (the “arty” section) award. (Audience award for Camera Lucida went to Jesus Shows You the Way to the Highway).
Why Don’t You Just Die? won the “New Flesh” award for best debut film.
The Gangster, the Cop, and the Devil won the audience award for best action feature. (The jury prize went to The Fable).
That so? Nice. I stopped paying attention to the awards after I saw a middling movie win the (top prize of) “Cheval Noir” for both Best Director and Best Screenplay. Jury-prize people can be strange folk.
64 movies?! That’s crazy man. I don’t know how I’d sort that in my mind in such a short time. That’s Dedication.
Thank you — it was very busy, but in a fun kind of way.
Judging from film line-up, Fantasia is probably the best single place to scout out new weird movies; I think about nine Apocrypha-qualifying titles came to my attention this past season. That said, I sort of hope I don’t try to out-do myself next time around.