FEATURING: , Agustín Mateo, Gerda-Annette Allikas, Guillermo Llansó
PLOT: Seriously? I’m going to pinch this straight from IMDb because, man, right now I’ve got nothing. “CIA Agents Palmer and Gagano are tasked with the mission of destroying a computer virus called ‘Soviet Union.’ They enter the system using VR but the mission turns into a trap.”
WHY IT SHOULD MAKE THE LIST: To cheat, once more: Merriam-Webster defines “gonzo” as, “outlandishly unconventional, outrageous, or extreme”; and so it is with JSYTWTTH. Stop-motion VR missions to thwart a computer virus called “Soviet Union,” a pizza restaurant of your dreams, a second (and third?) coming of the messiah, and a transvestite super agent are all here. What more could you want? (Don’t worry: there is much, much more.)
COMMENTS: Unfortunately I’ve been the “king of caveats” recently, but here it goes: you haven’t ever seen a movie like this one. Miguel Llansó, an affable Madrid-born professor, has assembled a casserole of ’80s-’90s nostalgia, ’80s-’90s satire, cyber-dystopia, messianic lampoons, kung-fu fighting, Stalin/Redford/Pryor avatars, giant death-ray bugs, and a “PsychoBook” program (not to be confused at all with a more famous “____Book” social media site), all under the banner of a title that is both long-winded and apt: by the end, Jesus shows you the way to the highway.
Ah, but what happens before that gratifying finale? Now that I’m over-caffeinated, I may have better luck with this “plot” section. Strapping on their VR visors and headphones, intrepid CIA agents D.T. Gagano (Daniel Tadesse) and Palmer Eldritch (Agustín Mateo) enter PsychoBook, an AI/VR intelligence network being held hostage by a computer virus that manifests as a Nike-shoe-clad avatar in a Stalin mask. It wants to make a deal with the agents to start dealing “the Substance,” a green-goo byproduct of the environment (don’t worry, Eldritch stands firm: “I don’t make deals with computer viruses!”) Meanwhile, Gegano wants to quit the CIA and help his BBW German sweetie Malin (Gerda-Annette Allikas) start a kickboxing academy. Lurking in the background is the President of Ethiopa, dressed up as the superhero-villain “Batfro” (Solomon Tashe). Something goes wrong, and Gegano gets trapped in PsychoBook. Will Jesus’ help be enough to allow his escape?
Now you probably can see what I’m working with here. And that’s just one layer of what’s going on. Stylistically, it’s about as madcap as you can get. The stop-motion forays into PsychoBook, when the agents hunt Stalin, are the stuff of comic nightmares (and apparently took up most of the shooting days).
One of the many questions raised about Jesus Shows You…‘s goings-on is, “Why Robert Redford and Richard Pryor masks?” The director revealed in the Q & A after the premiere that it was a poke in the eye to the stuffy producers who demanded he have some big stars lined up before they’d give him any funding. As for the other aesthetic choices, suffice to say it’s clear that Llansó grew up in the ’80s, as beautiful old computers appear left, right, and center, and heavily influenced the mind-blowing/seizure-inducing credit sequences.
I have almost two weeks still to go here, but I sincerely doubt that Jesus Shows You The Way To The Highway will be topped, weird-wise. Any fan of the clunky sci/fi joking of “Garth Marenghi’s Darkplace” will want to catch this. Anyone wanting to see the Matrix done with no money and maximum humor will want to catch this. Anyone who wants to check out a contender for 2019’s weirdest release will want to catch this. Turn on, tune in, and just say, “F*¢k you, Stalin!”
WHAT THE CRITICS SAY: