Category Archives: Miscellanea

WEIRD HORIZON FOR THE WEEK OF 8/5/2016

Our weekly look at what’s weird in theaters, on hot-off-the-presses DVDs, and on more distant horizons…

Trailers of new release movies are generally available at the official site links.

SCREENINGS – (Los Angeles, Cinefamily, Aug 5,6,8):

On the Silver Globe (1988): A new restoration of ‘s never-quite-completed visionary sci-fi epic. We are assured a video release will come eventually. Also on tap at Cinefamily this week: more screenings of Zulawski’s notorious octopus-sex fantasy Possession, and Jacques Rivette’s rare surrealist opus Celine and Julie Go Boating (which we’ve very nearly given up on ever seeing a video release of), both playing on Sunday, Aug. 8. On the Silver Globe at Cinefamily.

SCREENINGS – (New York City, IFC Center, Aug 5-11):

Multiple Maniacs (1970): Read Alfred Eaker’s review. ‘s rarely screened “Cavalcade of Perversions” plays all week. The Friday night sessions with Waters in attendance are already sold out. Maniacs will be playing a few more dates at other venues in the near future (e.g.. Cinefamily starting Aug 13 and screenings at the upcoming Toronto Film Festival), and is presented by Janus Films. Janus is owned by the Criterion Collection, and a screening sponsored by them is usually a clue that a Criterion release or Eclipse box set is coming in the near future. Their site lists Maniacs as available on DCP (digital cinema package) or on Blu-ray—a hopeful sign? Multiple Maniacs at Janus Films.

NEW ON DVD:

April and the Extraordinary World (2015): Read G. Smalley’s review. Hopefully, this animated French steampunk classic with a weird twist will find an expanded audience on video after its very limited Stateside release. Buy April and the Extraordinary World.

High-Rise (2015): Read El Rob Hubbard’s review (and Alex Kittle’s mini-review). No special features are listed for this release of ‘s bizarro satire about the class struggle in a high rise apartment building. Buy High-Rise.

The Lobster (2015): Read Alex Kittle’s mini-review. Look for a longer review of ‘s knockout romantic satire about a world where single people are forcibly turned into animals in two weeks. Buy The Lobster.

Observance (2015): A man accepts a job spying on a beautiful woman, but surreal complications ensue. Look for a review next week. Buy Observance.

NEW ON BLU-RAY:

April and the Extraordinary World (2015): See description in DVD above. Both the DVD and the Blu-ray give you the option of listening to April in the original French or in GKIDS’s English dub. Buy April and the Extraordinary World [Blu-ray].

High-Rise (2015): See description in DVD above. For some reason, at the time of this writing the Blu-ray is listed at $4 less than the DVD—no promise that will still be true by the time you read this note. Buy High-Rise [Blu-ray].

The Lobster (2015): See description in DVD above. Buy The Lobster [Blu-ray].

Observance (2015): See description in DVD above. Buy Observance [Blu-ray]

What are you looking forward to? If you have any weird movie leads that I have overlooked, feel free to leave them in the COMMENTS section.

WEIRD HORIZON FOR THE WEEK OF 7/29/2016

Our weekly look at what’s weird in theaters, on hot-off-the-presses DVDs, and on more distant horizons…

Trailers of new release movies are generally available at the official site links.

IN THEATERS (LIMITED RELEASE):

Hectic Knife (2016): A knife wielding vigilante defends the city from a supervillain named “Piggly Doctor” in this black-and-white bad taste comedy that was picked up (though not produced) by . The trailer (available at the link below) is loaded with violence and f-bombs. Hectic Knife official site.

SCREENINGS – (Los Angeles, Cinefamily, July 29-Aug 2):

Fantastic Planet (1973) & Possession (1981): Read the Certified Weird entry for Fantastic Planet and Pamela de Graff’s controversial Possession review. The illustrious Cinefamily keeps busy again with screenings of two weird European classics, both presented in new restorations, throughout the weekend and the early part of next week. Possession plays every day until Aug 2nd, but your only remaining chances to catch Planet are next Monday and Wednesday. Check the Cinefamily calendar for convenient screening times.

SCREENINGS – (New York City, Lincoln Center, July 30-Aug 4):

On the Silver Globe (1988): A new restoration of ‘s never-quite-completed visionary sci-fi epic. Prints of this will be touring (it’s also closing this year’s Fantasia Festival on Aug 3). We sense a DVD/Blu-ray will be coming down the pike sometime soon. On the Silver Globe at the Film Society of Lincoln Center.

NEW ON DVD:

“Female Prisoner Scorpion: The Complete Collection”: Japanese action/exploitation expert Chris D. called the first film in this women-in-prison series “psychedelic, erotic/grotesque madness” and the second “an absolutely phenomenal surrealist cum exploitation picture.” The original series included six films, so this four movie set—containing Scorpion, Jailhouse 41, Beast Stable and Grudge Song—is not technically “complete.” Buy “Female Prisoner Scorpion: The Complete Collection” [DVD/Blu-ray combo].

Petey Wheatstraw: The Devil’s Son in Law (1977): The title character is murdered by a comedy duo, but the Devil offers him a second chance for life on Earth if only he will marry the Evil One’s stunningly ugly daughter. Rudy Ray (Dolemite) Moore’s bizarre 70s pictures mixed blaxploitation, kung fu, his standup comedy routine, and early freestyle rap; some say this supernatural effort is the wildest of them all. Buy Petey Wheatstraw: The Devil’s Son in Law [DVD/Blu-ray combo].

Sexsquatch 2: Teen Ape vs. Sexsquatch (2016): In a matchup that trumps Alien v. Predator for weirdness, Teen Ape and Sexsquatch face off in a battle of microbudget comedy franchises. We can’t promise you’ll get the continuity if you’ve never seen the original Sexsquatch or any of the Teen Ape movies, but for some reason we suspect it won’t matter much. Buy Sexsquatch 2: Teen Ape vs. Sexsquatch.

Tricked (2012): A business tycoon is blackmailed, and lots and lots of secrets emerge. What’s weird about this short (under an hour) Dutch black comedy is its origin: shot the first five-minute scene, then posted it on the Internet and asked users to come up with the rest of the story, sort of like a crowd-sourced game of Exquisite Corpse. Buy Tricked.

NEW ON BLU-RAY:

“Female Prisoner Scorpion: The Complete Collection”: See description in DVD above. The set contains eight discs, presumably four DVDs and four Blu-rays. Buy “Female Prisoner Scorpion: The Complete Collection” [DVD/Blu-ray combo].

“Killer Thrillers Collection”: Read Pamela de Graff’s review of Baba Yaga. The other two (less weird) gialli on this three Blu set are Night Train Murders and the shamelessly-titled Strip Nude for Your Killer. Buy “Killer Thrillers Collection” [Blu-ray].

Petey Wheatstraw: The Devil’s Son in Law (1977): See description in DVD above. This Vinegar Syndrome release includes a commentary track (though not with Moore, who died in 2008), a documentary, and trailers for the Dolemite pictures. Buy Petey Wheatstraw: The Devil’s Son in Law [DVD/Blu-ray combo].

What are you looking forward to? If you have any weird movie leads that I have overlooked, feel free to leave them in the COMMENTS section.

FANTASIA FILM FESTIVAL DIARY, 7/25/2016 (ATMO HORROX & CLOSING THOUGHTS)

I specifically planned my trip to the Fantasia Film Festival so that I could catch the North American debut of ‘s latest weird opus, Atmo HorroX, before I left. I was more prepared for the experience than most, because I’m one of only a handful of people who’ve seen Tremblay’s complete body of work, since he sent me his still-unreleased 2006 debut film Heads of Control: The Gorul Baheu Brain Expedition (on VHS!) in 2010. Of that film, I wrote “…when LSD wants to blow its mind, it takes a hit of Heads of Control.” After briefly tackling on a straightforward narrative in the low-budget post-apocalyptic feature Hellacious Acres, this one is every bit as bizarre as Tremblay’s first movie. Let’s hope it’s not as unreleasable.

Tremblay and star Laurent Lecompte had been hyping the movie throughout the Festival, handing out trading cards and appearing in full costume in the Alumni Hall lobby, Lecompte thrusting his balloon phallus at passersby as they left more respectable movies. Here at the lineup to get into the premiere, Lecompte serves hors d’ouevres while dressed in a cowboy hat and goggles. The theater is about two-thirds full, but the film’s cast, who are seeing the movie for the first time, fill an entire row of seats.

Still from Atmo HorroX (2016)I would begin by summarizing Atmo HorroX‘s plot, but, although I believe there is one, I’m not 100% sure I could find it. The movie focuses largely on the stalking activities of a monster (Lecompte) wearing pantyhose with sweetgum seeds stuck on it over his face and sporting a plume of phallic balloons jutting from his crotch. He conjures levitating sausages and kills people by placing ladies’ shoes on either side of their head. There are other, more traditional-looking horror monsters running around in the film as well; the face of one is battered into liquid during the film’s opening, only to rise as a rainbow snake. There’s also some kind of witch, a creature dressed in black latex with nine eyes, a man with remote controls taped to his bodies who communicates with the main monster by walkie talkie, a playboy wearing psychedelic goggles, and others. Often, scenes go on for too long with these characters simply posing on the screen, letting us drink in their oddness. Even the best parts can go on for too long: a doctor with a mutton chop goatee takes forever to write prescriptions (which are nothing but long, elaborate scribbles) for patients, then shakes his head, tears them up, and starts over. It’s funny, but the gag repeats too many times. The entire movie probably should have been at least twenty minutes shorter: it wears on you, and many scenes could have been trimmed or cut entirely. There is no comprehensible dialogue—it’s all garbled nonsense, sometimes distorted with feedback and cranked up to painful levels—and when there is music it is just as discordant as the dialogue. The color grading is garish, saturated oranges and pinks, making the monster appear to glow against the forest or street backgrounds as he roams.

Watching this film often feels like being trapped inside the Continue reading FANTASIA FILM FESTIVAL DIARY, 7/25/2016 (ATMO HORROX & CLOSING THOUGHTS) →

FANTASIA FILM FESTIVAL DIARY, 7/24/2016 (HOLY FLAME OF THE MARTIAL WORLD & IN SEARCH OF THE ULTRA-SEX)

Sunday should be a quiet, peaceful day of rest and spiritual contemplation. I spent mine watching obscure movies full of violence, black magic, and deviant sex.

This afternoon’s movie was 1983’s Holy Flame of the Martial World, projected in glorious 35mm “Shaw Scope.” Holy Flame is a Shaw Brothers film from the same era as the Certified Weird The Boxer’s Omen, made at a time when interest in traditional kung fu was waning and the studio was desperate to soup up its offerings with lots of fantasy and Star Wars-inspired special effects. Holy Flame sets logic to one side to tell the tale of two orphans seeking revenge on their parent’s murderers, which can only be accomplished by attaining yin and yang swords. The chief bad gal runs a martial cult of virginity-powered lady fighters; her uneasy ally has a team of traditional male monks. The chief good guy is a master of “ghostly laughter” which causes the earth to shake and is fatal to those who lack the ability to fold their earlobes into a protective flap. There are also the leaders of the “seven clans” who keep popping in to ask the two baddies for the various plot MacGuffins everyone believes will help them rule “the martial world,” plus a mysterious “Snake Boy” (played by a woman) whose origin and role is never adequately defined. The action is nonstop and ridiculous; the swordfighting is impressive, though there is too much wirework for my taste (fighters flying through the air, stopping and reversing in mid leap, that sort of thing). If all that’s not enough, stick around for the glitchy teleportation, pink and blue Saturday morning cartoon ghosts flying around, an English-speaking mummy, and the snakebite laser finger, just to name a few highlights. The insane action never stops.

Still from Holy Flame of the Martial World (1983)Holy Flame, of course, is not a new movie, but I feel privileged to see it on the big screen in a theater full of appreciative fans. It’s lightweight entertainment and no threat to make the List of the Weirdest Movies Ever Made, but it makes for an exhilaratingly exotic popcorn movie for a Sunday afternoon matinee.

I was surprised In Search of the Ultra-Sex was not scheduled for midnight, but rather at a respectable 9:30 PM. Like Holy Flame, this screening was more popular with regular ticket holders than with the press. Also, no one in line was wearing a raincoats, and the percentage of women in attendance was about the same as for any other movie. This demographic info is only odd because Ultra-Sex is a pastiche movie made up (mostly) of clips from adult films from the 1970s to early 1990s (with the hardcore portions edited out, although it comes as close as possible without crossing the line). Maybe we’re in for a new age of porno chic; more likely, though, the explanation is that what was once forbidden sleaze has now turned into risible kitsch, the fate of every popular art form.

Still from In Search of the Ultra-sex (2015)Ultra-Sex stitches together scenes from dozens of adult movies, using comic overdubbing (from two guys, voicing both male and female roles) to create a science fiction story about… well, as might be expected, what it’s “about” is pretty incoherent. It has something to do with the search for the Ultra-Sex, which is a something-or-other that makes Earthlings hump like rabbits whose feed pellets were accidentally replaced with Viagra, either because of its presence or because of its absence, I could never tell which. The action occurs both on Earth and in space.  The clips—which include robot-controlled dildos, lactating Power Rangers (!), and Mr. Spock gettin’ it on, among other sexy absurdities—can be hilarious, and I would have been happy to see a curated collection of such snippets. (The evening’s biggest grossout moment came courtesy of a nose-fellatio gag from a “Cyrano de Bergerac” porn parody). Footage from the non-porno badfilm Samurai Cop makes up one of the many subplots, and the story also contains bits from the infamous Edward Penishands. There is one amazing stop-motion sequence involving fornicating Barbie dolls and a giant blow-up monster who is subdued by toy tanks firing dildos; Google suggests a French short called “Le Toy Shop” is the best candidate for this one. As fun as much of this is, I found the What’s Up, Tiger Lily?-styled narration lame and juvenile (characters named “General Willy” and spaceships dubbed “Foreskin Five” are typical jokes). It’s an unneeded excuse to enjoy clips that would probably have been funnier without the commentary.

Ultra-Sex‘s prospects for legitimate distribution are, I fear, nil. I can’t believe all of the source material was cleared, and although the producers could certainly argue these clips can be appropriated through fair use and parody, I doubt any major distributor would be willing to take on the potential liability involved.

On to tomorrow, my final day of the Festival, when I’ll close with ‘s psychedelic experimental satire Atmo HorroX and a brief recap of the Festival’s weird offerings.

FANTASIA FILM FESTIVAL DIARY, 7/23/2016 (PSYCHONAUTS, THE FORGOTTEN CHILDREN)

I had so much writing to do on Saturday that I scratched my evening screening, but I was determined to see Psychonauts, The Forgotten Children (you can read the synopsis of the previous day’s interview with ). The bad news was that the clouds rolled in and the rain started falling about five minutes before I needed to leave for my ten-minute, umbrella-free trot to the theater, with memories of being soaked in Thursday night’s downpour still fresh in my mind.

Fortunately, the skies agreed to merely sprinkle, but I wondered if the bad weather affected the turnout to Psychonauts‘s Canadian premiere. The press line was so short that I was well-within the velvet rope, and in the end the SGWU Hall was only about three-quarters full. (If anyone wonders why I always mention the length of the lines, I consider it an indication of general interest in the film, which might suggest something about a film’s eventual prospects for distribution).

Still from Psychonauts, The Forgotten Children (2015)Those who stayed away missed one of Fantasia’s great screenings, which ended with an enthusiastic round of applause and whistling from the animation-savvy audience. Psychonauts is based on the graphic novel of the same name, written by Alberto Vázquez and previously adapted into the award-winning short “Birdboy” in 2011 with co-director , who was in attendance, and who suggested to the audience before the screening that if they did not like the film, it was Vázquez’s fault. The humor was appreciated, but he needn’t have worried about the film’s reception. Psychonauts is an immersive spectacle, often very funny (comic relief being supplied mostly by the talking objects—a robot alarm clock, a piggy bank, and an inflatable duck), filled with overwhelming compassion for its subjects, and yes, a little weird.

The story involves an island of talking animals that exists in an almost post-apocalyptic state of ruin after an unspecified industrial accident wrecked the environment and the economy. Seeing no future at home, adolescent mouse Dinki decides to run away with two school chums, a sweet but psychotic rabbit who hears voices that tell her to hurt people and a bullied young fox. If possible, Dinki wants to take along her friend Birdboy, a feral, almost mythic presence who haunts the island and whom the (brutally corrupt) police have scapegoated as the source of the local drug trade. Birdboy is not a dealer, however, but an addict, compelled to swallow pills despite the fact that when he does he suffers nightmarish hallucinations which usually end with him being consumed by demons. The setting also features an underworld of rat gangs who inhabit the island’s massive rubbish heap and a spider who lives in a woman’s nose (a weird drug abuse metaphor that, as we learned in the post-movie screening, frightened the only six-year old in attendance). The art style features cute animals with big round heads (Birdboy’s resembles a skull) and is often expressionistic in style, with characters frequently depicted as a tiny presences dwarfed by dark landscapes.

It’s bleak, but the enormous empathy it generates for its lost children makes it almost a feel-good movie. Highly recommended, it’s also surreal enough to join She’s Allergic to Cats and The Greasy Strangler as the 2016 Fantasia Festival’s candidates for best weird movies in what’s turning out to be a memorable year in cinematic strangeness.  Psychonauts has no North American distributor yet, but it does have a deal in place on France, which is encouraging. Stills, the trailer and clips can be found at Psychonauts‘s official website.

On to tomorrow, when a screening of the Shaw Brothers’s mad Holy Flame of the Martial World and the sci-fi porno pastiche In Search of the Ultra Sex are on the menu.