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The List Thus Far (Certified Weird Movies)

3 Women (1977)

8 1/2 (1963)

The 5,000 Fingers of Dr. T (1953)

The Adventures of Buckaroo Banzai Across the Eighth Dimension (1984)

Akira (1988)

Alice [Neco Z Alenky] (1988)

Alice in Wonderland (1966)

Allegro non Troppo (1976)

Altered States (1980)

The American Astronaut (2001)

Antichrist (2009)

Archangel (1990)

Bad Boy Bubby (1993)

Barbarella (1968)

Barton Fink (1991)

The Beast of Yucca Flats (1961)

Beasts of the Southern Wild (2012)

Begotten (1991)

Being John Malkovich (1999)

Belle de Jour (1967)

Black Swan (2010)

Blood Diner (1987)

Blood Tea and Red String (2006)

A Boy and His Dog (1975)

Branded to Kill (1967)

Brazil (1985)

Bronson (2008)

Careful (1992)

Carnival of Souls (1962)

Cemetery Man [Dellamorte Dellamore] (1994)

Un Chien Andalou (1929)

The City of Lost Children [La cité des enfants perdus] (1995)

Clean, Shaven (1993)

A Clockwork Orange (1971)

Cowards Bend the Knee, or, the Blue Hands (2003)

Daisies [Sedmikrásky] (1966)

The Dark Backward (1991)

Dead Man (1995)

Dead Ringers (1988)

Delicatessen (1991)

Dillinger is Dead (1969)

Doggiewogiez! Poochiewoochiez! (2012)

Dogtooth [Kynodontas] (2009)

Dogville (2003)

Donnie Darko (2001)

Don't Look Now (1973)

Elevator Movie (2004)

Enemy (2013)

Enter the Void (2009)

Eraserhead (1977)

Escape from Tomorrow (2013)

Eternal Sunshine of the Spotless Mind (2004)

Even Dwarfs Started Small (1970)

Evil Dead II (1987)

Eyes Without a Face [Les Yeux sans Visage] (1965)

Fantastic Planet [La Planète Sauvage] (1973)

Fear and Loathing in Las Vegas (1998)

Fellini Satyricon (1969)

Final Flesh (2009)

Forbidden Zone (1982)

Funky Forest: The First Contact (2005)

Glen or Glenda (1953)

Gothic (1986)

Gozu (2003)

La Grande Bouffe (1973)

Greaser's Palace (1972)

Gummo (1997)

Häxan [Witchcraft Through the Ages] (1922)

Hedwig and the Angry Inch (2001)

Help! Help! The Globolinks [Hilfe! Hilfe! Die Globolinks] (1969)

Holy Motors (2012)

The Holy Mountain (1973)

The Horrors of Spider Island [Ein Toter hing im Netz] (1960)

House [Hausu] (1977)

Howl's Moving Castle (2004)

I Can See You (2008)

Idiots and Angels (2008)

I'm A Cyborg, But That's OK [Saibogujiman Kwenchana] (2006)

The Immaculate Conception of Little Dizzle (2009)

L'Immortelle (1963)

Ink (2009)

INLAND EMPIRE (2006)

Institute Benjamenta, or This Dream People Call Human Life (1995)

Jacob's Ladder (1990)

John Dies at the End (2012)

Johnny Got His Gun (1971)

Keyhole (2011)

Kontroll (2003)

Kung Fu Hustle (2004)

Kwaidan (1964)

The Lair of the White Worm (1988)

The Legend of Suram Fortress [Ambavi Suramis Tsikhitsa] (1984)

Lisztomania (1975)

Little Otik [Otesánek] (2000)

Lost Highway (1997)

Love Exposure (2008)

Lucifer Rising (1981)

Maelstrom (2000)

Malpertuis (1972)

Maniac (1934)

Marquis (1989)

Meshes of the Afternoon (1943)

The Milky Way [La Voie Lactee] (1969)

Mr. Nobody (2009)

Mulholland Drive (2001)

Naked Lunch (1991)

Night of the Hunter (1955)

Night Train to Terror (1985)

Nosferatu (1922)

Nostalghia (1983)

O Lucky Man! (1973)

Pan's Labyrinth (2006)

Paprika (2006)

Performance (1968/1970)

Persona (1966)

Phantasm (1979)

Pi (1998)

The Pillow Book (1996)

Pink Flamingos (1972)

Pink Floyd the Wall (1982)

Prospero's Books (1991)

The Red Squirrel [La Ardilla Roja] (1993)

The Reflecting Skin (1990)

Repo Man (1984)

A Report on the Party and Guests (1966)

Repulsion (1965)

Robot Monster (1953)

The Rocky Horror Picture Show (1975)

Rubber (2010)

Run Lola Run (1998)

The Saddest Music in the World (2003)

Sans Soleil (1983)

Santa Sangre (1989)

The Science of Sleep (2006)

A Serious Man (2009)

Shanks (1974)

Shock Corridor (1963)

Silent Hill (2006)

Sin City (2005)

The Singing Ringing Tree (1957)

Skidoo (1968)

Solaris [Solyaris] (1972) -

Songs from the Second Floor (2000)

Stalker (1979)

Steppenwolf (1974)

Strange Frame: Love & Sax (2012)

Suspiria (1977)

Sweet Movie (1974)

Synecdoche, New York (2008)

Tales from the Quadead Zone (1987)

Taxidermia (2006)

Tetsuo: The Iron Man (1989)

Tideland (2005)

Time Bandits (1981)

The Tin Drum (1979)

Tokyo Gore Police (2008)

El Topo (1970)

Toto the Hero [Toto le Heros] (1991)

Trash Humpers (2009)

The Tree of Life (2011)

The Trial (1962)

The Triplets of Belleville (2003)

Tromeo & Juliet (1996)

Uncle Boonmee Who Can Recall His Past Lives (2010)

Upstream Color (2013)

Valerie and Her Week of Wonders (1970)

Vertigo (1958)

Videodrome (1983)

Visitor Q (2001)

Waking Life (2001)

Weekend (1967)

The Wicker Man (1973)

Willy Wonka and the Chocolate Factory (1971)

Yellow Submarine (1968)

You, the Living [Du Levande] (2007)

Zardoz (1974)

CURSE OF THE CAT PEOPLE (1944)

RKO was both surprised and elated over the success of Cat People (1942). Predictably, they ordered a sequel, and handed the title to producer: Curse of the Cat People. Lewton, eyes-rolling, took the assignment, but said: “What I’m going to do is make a very delicate story of a child who is on the verge of insanity because she lives in a fantasy world.”

Even today, viewers are split about the sequel. It’s akin to  delivering a prequel to Aliens without a plethora of H.R. Giger monsters. The bourgeoise genre fanboys, wanting only the familiar, will aggressively bellow like the unimaginative and artless Neanderthals they are when confronted with something as fresh as Curse of the Cat People (1944). Although flawed, Curse is a haunting, sublime, cinematic dreamscape.

Irena’s widower from Cat People, Oliver Reed (Kent Smith), is even duller now that he has been married to Alice (Jane Moore) for several years. Upsetting poor Ollie’s Hallmark view of the world is a highly imaginative young daughter, Amy (Ann Carter), who is the occupant of a surreal interior terrain.

Still from Curse of the Cat People (1944)Oliver Reed may well serve as a metaphor for a conservative fan base, executive film producers and Promise Keepers. Ollie’s reaction to Amy’s fantasies is archaic hostility. Amy’s preoccupation with the magical constitutes all that is a threat to Ollie. Amy is fully effeminate, artistic, independent, free of the binding status quo.

First, Ollie attempts to mold Amy into a socially acceptable child. Highly introverted, Amy is spurned by the potential friends Ollie tries to force upon her. When chasing after those who reject her, Amy stumbles upon the garden of a faded, elderly actress Mrs. Farren (Julia Dean). Slowly, Amy befriends the lonely woman. Amy reminds Mrs. Farren of a deceased daughter. Mrs. Farren has a grown daughter, Barbara (Elizabeth Russell), but Barbara is consistently rejected by her mother. Mrs. Farren, in a mentally deteriorated state, imagines Barbara to be an impostor and rejects her, withholding maternal love. Barbara, jealous of the attention her mother is showing the stranger Amy, reacts with jealousy.

Amy discovers a photograph of Irena (). Shortly afterwards, a wishing well grants Amy a new friend: Irena. Amy’s garden shimmers with Debussian light when the radiantly passive Irena enters and is welcomed into a picturesque domain.

The edginess of childhood is not glossed over, and a retelling of Irving Washington’s “Legend of Sleepy Hollow” offers a memorable moment of adolescent dread. Amy’s further descent into the magical sends Ollie into a machismo fit. The artistically bankrupt office manager reacts by administering a thrashing. Eventually, Ollie and Barbara accept Amy. Irena has fulfilled her function.

RKO, predictably, reacted to the film with Oliver Reed-inspired hostility and mandated ill-fitting sequences. Gunther von Fritsch, the original director, was replaced by a young Robert Wise, working on his first film. While Curse lacks ‘s assured touch, it is, together with The Body Snatcher (1945, also directed by Wise), the best of the non-Tourneur Lewtons.

The great critic James Agee championed Curse of the Cat People. Captivated, Agee wrote that Lewton’s films “are so consistently alive, limber, poetic, humane, so eager toward the possibilities of the screen, and so resolutely against the grain of all we have learned to expect from the big studios.”

Curse of the Cat People was another unexpected critical and box office hit. Yet again, RKO was dumbfounded. Hit or not, they felt betrayed by their producer and Curse, inevitably, served as a prominent nail in Lewton’s RKO coffin.

Next week: The Body Snatcher (1945).

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