Tag Archives: Nico B.


Nico B. has directed the underground shorts Pig (1998) and 1334 (2012) and the feature Bettie Page: Dark Angel (2004). He has been running Cult Epics, a distribution company with a deep catalog of obscure, extreme, and downright weird movies, for the past 25 years.


1. & 2. I Was a Teenage Zabbadoing AKA I Was a Teenage Zabbadoing and the Incredible Lusty Dust-Whip from Outer Space Conquers the Earth Versus the 3 Psychedelic Stooges of Dr. Fun Helsing and Fighting Against Surf-Vampres and Sex-Nazis and Have Troubles with This Endless Titillation Title AKA Vampiros Sexos (1988), and Mondo Weirdo: A Trip to Paranoia Paradise AKA Jungfrau im Abgrund (1990), dir. Carl Andersen

I Was a Teenage Zabbadoing‘s long title alone says this must be the weirdest movie ever, but it’s nothing you expect. In 1989 we invited the director Carl Andersen to the Cult Club in Amsterdam to show this movie, but instead he gave us the premiere of his next film, Mondo Weirdo. Teenage Zabbadoing, shot on 16mm, is in part the Austrian answer to the of Richard Kern and , but even more it’s a European punk rock hardcore sex vampire film, stylistic and trashy at the same time, with an excellent no-wave score by Model D’oo.

Mondo Weirdo, Carl Andersen’s second film, is in the same style as his debut, with a script like meets It surpasses the first one in obscenity: straight, lesbian and hardcore gay sex in a world of vampires, punk rockers, and surrealism, again with the electro music of Model D’oo. Carl sadly died a few years ago, nearly forgotten.

3. & 4. El Topo (1970) and The Holy Mountain (1973), dir. Alejandro Jodorowsky

Still from El Topo
El Topo

Advertised in Europe as a Western, El Topo, Jodorowksy’s trippy masterpiece, is my favorite surreal esoteric film, along with Holy Mountain. I met Jodorowsky in the early 1990s at his home in Paris and asked him if the rights for these two films were available and if we could make a deal. He closed his eyes and meditated for 10 minutes while I stood there, and then said “yes.” Little did I know he did not own the rights, nor did he have any 35mm materials, so nothing ever came of it. Years later he finally settled his dispute with Allen Klein (manager of the Beatles) and the films became available for the first time officially on video.

5. & 6. Viva la Muerte (1970) and I Will Walk Like a Crazy Horse (1973), dir. Fernando Arrabal

I was a fan of Arrabal at once after someone brought me a VHS tape Continue reading NICO B’S TOP 10 WEIRD MOVIES